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Overview for Veda Ann Borg
Veda Ann Borg

Veda Ann Borg



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Also Known As: Died: August 16, 1973
Born: January 11, 1915 Cause of Death:
Birth Place: Boston, Massachusetts, USA Profession: Cast ...


Cast (feature film)

The Alamo (1960) as Blind Nell
Davy Crockett and Jim Bowie join the fight for Texas'''' independence from Mexico.
Thunder in the Sun (1959) as Marie
An Indian scout courts a beautiful woman on the road to California's wine country.
The Fearmakers (1958) as Vivian Loder
A Korean War veteran discovers his Washington-based PR firm has been taken over by Communist infiltrators.
The Wings of Eagles (1957) as Lovely
Biography of Frank "Spig" Wead, the pioneer aviator who turned to writing after being grounded by an accident.
Frontier Gambler (1956) as Francie Merritt
Deputy marshal Curt Darrow returns to his hometown, Fairweather, to investigate the apparent murder of prominent businesswoman Sylvia "Princess" Melbourne. However, Curt meets with resistance in town because of his deceased father's unsavory reputation.
Naked Gun (1956) as Susan Stark
Don Pablo Salazar steals a fortune in jewels from an Indian tribe and an Aztec medicine man puts a curse on the jewels until they are returned. Years later an American insurance man, Breen Mathews (Willard Parker) promises to deliver the Salazar fortune to the rightful heir after Luis Salazar, son of Don Pablo, is killed. Breen heads for Topaz, where he hopes to find the surviving heir, Teresa. He finds instead, Louisa, daughter of Teresa, and is forced to fight a crooked group of townspeople, who are after the Salazar fortune, cursed or otherwise. Included in the group are Judge Cole (Billy House), known as "the Hanging Judge" and Barnum (Barton MacLane), local saloon owner. After defeating all the crooks, Breen is told by Louisa that she, the last of the Salazars, is going to return the treasure to its rightful owners, and lift the curse.
Love Me or Leave Me (1955) as Hostess
True story of torch singer Ruth Etting's struggle to escape the gangster who made her a star.
I'll Cry Tomorrow (1955) as Waitress
True story of singer Lillian Roth''''s battle against alcoholism.
You're Never Too Young (1955) as Mrs. Noonan
A murder witness masquerades as a twelve-year-old to escape the killers.
Guys and Dolls (1955) as Laverne
A big-city gambler bets that he can seduce a Salvation Army girl.
Bitter Creek (1954) as Whitey
A man attempts to find the killer of his brother.
Mister Scoutmaster (1953) as Mike's aunt
To get in touch with the younger generation, a TV star signs on as a Boy Scout leader.
Three Sailors and a Girl (1953) as Fay Foss
Three sailors on leave back a Broadway hit.
A Perilous Journey (1953) as Sadie
Hot News (1953) as Doris Burton
Hold That Line (1952) as Candy Calin
The Bowery Boys crash college when one of them lands on the football team.
Aaron Slick from Punkin Crick (1952) as Girl in red
Country bumpkin Aaron Slick (Alan Young) has been unsuccessfully courting pretty young widow Josie Beery (Dinah Shore) for years. Josie yearns for a fling in the big city. With $20,000 from a crooked deal stashed in their trunk, Bill Merridew (Robert Merrill) and his "kissing cousin" Gladys (Adele Jergens), stars, in a relative sense, of a touring tent show stop at Josie's farm. Merridew, actually hiding out, thinks there is oil on the farm and Aaron, knowing otherwise, tricks him into buying the farm for a large sum. Josie takes the money and runs to Chicago, with Merridew, realizing he was tricked, in hot pursuit. Aaron arrives in time to keep Josie from letting Merridew "invest" her money.
Big Jim McLain (1952) as Madge
A U.S. agent takes on communists in Hawaii.
The Kangaroo Kid (1951) as Stella Gray
Tex Kinnane (Jock Mahoney as Jock O'Mahoney), posing as a stage driver, goes to Australia to investigate a series of robberies at Goldstar. He makes friends at the saloon with Baldy Muldoon (Alex Kellaway) and barmaid Stella Grey (Veda Ann Borg). Lawyer Vincent Moller (Douglass Dumbrille), the leader behind the robberies, learns Tex's real identity, and frames a plot to blame the crimes on Tex.
Rider from Tucson (1950) as Gypsy Avery
In order to make Tug Cardwell (William Phipps) sign over his rich gold claim to them, Avery (Robert Shayne), Gypsy Avery (Veda Ann Borg) and Jackson (Marshall Reed) hire Rankin (Douglas Fowley) to kidnap Tug's sweetheart Jane Whipple (Eliane Riley). Rankin hides Jane and then demands half the mine from the other crooks. Dave Saunders (Tim Holt) and Chito Rafferty (Richard Martin), friends of Tug's, find Jane and taker her to safety. The conspirators then shoot Rankin, capture Tug and force him to take them to his claim. Dave and Chito are close behind.
Chicken Every Sunday (1949) as Rita Kirby
A woman takes in boarders to support her husband''''s harebrained financial schemes.
Forgotten Women (1949) as Claire Dunning
One Last Fling (1949) as Gay Winston
A jealous wife decides working for her husband is the best way to keep tabs on him.
Mississippi Rhythm (1949) as Jeanette
Julia Misbehaves (1948) as Louise
A showgirl returns to her stuffy estranged husband when their daughter gets engaged.
The Pilgrim Lady (1947) as Eve Standish
Blonde Savage (1947) as Connie Harper
Diamond mine owner Mark Harper (Douglass Dumbrille) hires pilot Steve Blake (Leif Erickson) and his pal Hoppy Owens (Frank Jenks)to search for a hidden jungle village from which the natives have made trouble for his mine operations. They crash near the village and discover that Meelah (Gale Sherwood), a white girl brought up by the natives after her parents had been killed for their property by Harper, is the head of the village. Returning to the mine, Harper, already suspicious of what they may have learned and jealous of the attention his wife, Connie Harper (Veda Ann Borg), is paying to Steve, has them jailed, while he leads an expedition against the village and Meelah.
The Bachelor and the Bobby Soxer (1947) as Agnes Prescott
A teenage girl's crush on a playboy spells trouble, particularly when he falls for her older sister.
Mother Wore Tights (1947) as Rosemary Olcott
A married vaudeville team struggles to raise a family while touring the nation.
Big Town (1947) as Vivian Leroy
The initial entry in the Pine-Thomas series based on the "Big Town" radio series finds Steve Wilson (Philip Reed) as a newly-hired managing editor brought on board to liven up "The Illustrated Press" newspaper. He runs into problems with two of the paper's star reporters, Lorelei Kilbourne (Hillary Brooke) and Pete Ryan (Robert Lowery), when his aggressive demands that they employ a yellow journalism type of reporting to build circulation, and they both resign to work for another newspaper. Wilson begins to realize that while his type of journalism does build circulation, it has also brought ruin and disgrace to some innocent victims. Lorelei and Pete are brought back by Wilson with his promise that "The Illustrated Press" will become a crusader against evil.
Wife Wanted (1946) as Nola Reed
Career-slipping movie star Carole Raymond (Kay Francis) buys in as a real estate partner of Jeff Caldwell (Paul Cavanagh). Actually, through his secretary, Nola Reed (Veda Ann Borg), Caldwell runs a matrimonial bureau and, with the aid of his associate, Lee Kirby (John Gallaudet), they defraud and blackmail a large group of lonely people. Carole, unknowingly, is used as bait for one of their victims, Walter Desmond (Barton Yarborough), who "commits suicide." Reporter William Tyler (Robert Shayne) thinks otherwise and, posing as a rich rancher, contacts Miss Raymond. The latter, now being blackmailed by Caldwell, is forced to persuade Tyler to invest in a fraudulent oil deal. In her own attempt to break the racket, Carole uncovers Mildred Hayes (Teala Loring), another innocent victim of the Desmond case. Despite leading each other on for their own purposes, Carole and Tyler fall in love and combine their efforts.
Accomplice (1946) as Joyce Bonniwell
Private detective Simon Lash (Richard Arlen) and his assistant Eddie Slocum (Tom Dugan) are hired by Joyce Bonniwell (Veda Ann Borg) to find her missing husband Jim Bonniwell (Edward Earle.) They learn from Mr. Springer (Herbert Rawlinson), president of the bank where Bonniwell worked, that a woman named Evelyn Price (Marjorie Manners) is mixed up in the case. Following up on a call from Sheriff Rucker (Archie Twitchell as Michael Branden), Joyce and Simon go to Palmdale and Joyce identifies the body of a murdered man as her husband. Simon, following up the lead of the mysterious woman, goes to Mesa, New Mexico and finds the mystery woman to be Joyce and her husband very much alive.
The Fabulous Suzanne (1946) as Mary
Avalanche (1946) as Claire Jeremy
Rough, Tough and Ready (1945) as Lorine Gray
Brad Crowder (Chester Morris) is co-owner in the Crowder Salvage Company with Jo Matheson (Jean Rogers), who inherited her father's share of the business. She is in love with Brad, while he thinks of her as a brat in overalls. Brad is a wolf after all the girls, especially those of his best friend Owen McCarey (Victor McLaglen.) When the war begins, Brad offers his salvage equipment and men to the Navy, provided he gets an officer's commission. The Navy isn't interested but the Army is, minus the commission, and send Brad and his men to training school for thirteen weeks. Brad has a dinner date with Jo, but breaks it when Owen bets him he can't take his latest girl, Kitty Duval (Amelita Ward.) Kitty phones while Owen is taking a shower, and Brad tells he Owen is still working but he will pick her up. By the time Owen catches up, Kitty is showing a decided preference for Brad, and Owen consoles himself with Lorine Gray (Veda Ann Borg), a Brooklyn girl pretending to be an innocent little gal from the South who wants a home and a husband. Brad returns from training to find that Jo has joined the WAC abd that Owen is about to marry Lorine. Brad, seeing that Owen is really in love, has no intention of breaking up the romance. Kitty can't make a date with Brad and sends Lorine to explain. Lorine falls for Brad and jilts Owen. Presuming that Brad has deliberately taken her, they fight and both men are badly mauled. Before the breach between them can be mended, bot are ordered overseas. Unless one has missed the other 123 versions of this plot, the only question remaining is which man will save the other's life at the risk of his own?
Scared Stiff (1945) as Flo Rosson
What a Blonde (1945) as Pat Campbell
A man defies his jealous wife to open his home to a group of chorus girls.
Fog Island (1945) as Sylvia [Jordan]
Bring on the Girls (1945) as Girl at bar with Phil
Life with Blondie (1945) as Hazel
Mildred Pierce (1945) as Miriam Ellis
A woman turns herself into a business tycoon to win her selfish daughter a place in society.
Don Juan Quilligan (1945) as Beattie La Rue
Love, Honor and Goodbye (1945) as Marge
Dangerous Intruder (1945) as Jenny
An actress, Jenny (Veda Ann Borg), is hitchhiking across the country when she is accidently struck by a car. The driver, Max Ducone (Charles Arnt), offers to take her into his home until she can resume traveling. Later Ducone's wife is murdered and Jenny determines to find the killer. With the aid of detective Curtis (Tom Keene as Richard Powers), she discovers that Ducone is the murderer, having killed his wife in order to have the funds to finance his antique collection.
Detective Kitty O'Day (1944) as Mrs. [Georgia] Wentworth
An amateur sleuth drives her boyfriend and the police crazy when she butts into a murder investigation.
Irish Eyes Are Smiling (1944) as Belle La Tour
Standing Room Only (1944) as Peggy Fuller
During World War II, Lee Stevens travels to Washington D.C. with his secretary Jane Rogers in order to secure a government contract. Not thinking it through, Jane cancels their hotel reservations when she feels the accomodations are inadequate. With no rooms available in the entire city Lee and Jane pose as a married couple and take positions as maid and butler in the Cromwell's home until the contract can be secured.
The Big Noise (1944) as Mayme
Although they are only janitors at a detective agency, the boys pass themselves off as sleuths and are engaged to guard an inventor delivering a new bomb. They outwit enemy agents after the bomb and wind up sinking a Japanese submarine.
Marked Trails (1944) as Blanche
Following completion of the "Trail Blazers" series, Bob Steele and Hoot Gibson were paired in three other Monogram westerns, with the only connection to the "Trail Blazers" series being Steele and Gibson in the cast and production and distribution by Monogram, with various Monogram people serving as production supervisors i.e., William Strobach on this entry and Victor Hammond on the other two. This one finds Jack Slade (Mauritz Hugo) and Mary Conway,alias Blanche (Veda Ann Borg), being recognized as known and wanted crooks by deputy marshal Harry Stevens (Steve Clark) and, when he orders them out of town, Slade kills him. His son, Bob Stevens (Bob Steele) and friend Parkford (Hoot Gibson) become U.S. Marshals and proceed to rid the town of the cut-throat gang that has been terrorizing the citizens. Bob goes undercover as an outlaw and works his way into the gang, while Hoot poses as a Dude who goes about making fiery speeches on behalf of law and order. The Gibson role here is limited in the action scenes to none, as he and his Monogram stunt double, Ben Corbett, were both getting a bit long in the tooth for such, and the nominal second lead was played by a relative newcomer to the screen, Ralph Lewis (II) as a good guy/bad guy outlaw, who is not the same as the older Ralph Lewis (I) who was making films in the 30's. Rule of thumb here for those who don't know what either one looks like is that any Ralph Lewis credit in the 1930's belongs to (I) and any occurring circa 1943-47 belongs to (II).
The Falcon in Hollywood (1944) as Billie
A society sleuth tours the movie capital, where he uncovers an actor's murder.
The Girl Who Dared (1944) as Sylvia Scott/Cynthia Harrison
Murder in Times Square (1943) as Fiona McClair
A stage actor tries to solve a bizarre series of murders.
Something to Shout About (1943) as Flo Bentley
A producer on a losing streak accepts backing from a would-be star with no talent.
Revenge of the Zombies (1943) as Lila Von Altermann
A Nazi scientist tries to raise an army of the dead to fight for Hitler.
Isle of Forgotten Sins (1943) as Luana
A team of pearl fishers clashes over the discovery of a sunken treasure.
Smart Guy (1943) as Lee
Unknown Guest (1943) as Helen Walker
The Girl from Monterrey (1943) as Flossie [Rankin]
False Faces (1943) as Joyce Ford
I Married an Angel (1942) as Girl in cab
A playboy drops his many girlfriends when he falls in love with a grounded angel.
Two Yanks in Trinidad (1942) as Bubbles
She's in the Army (1942) as Diane Jordan
Duke of the Navy (1942) as Maureen
About Face (1942) as Daisy
Two army sergeants wreak havoc on leave.
The Corsican Brothers (1941) as Maria
Siamese twins, separated in infancy, join forces to avenge their parents' murder.
The Get-Away (1941) as Blonde at Palace Ballroom
A jailed cop befriends a mob chieftain and stages a breakout with him.
Arkansas Judge (1941) as Hettie Huston
Down in San Diego (1941) as Countergirl at barbershop
Teenagers take on enemy spies at a Navy base.
I'll Wait for You (1941) as Manicurist
A wounded gangster's recuperation on a remote farm leads to love.
The Pittsburgh Kid (1941) as Barbara Ellison
The Penalty (1941) as Julie
Federal agents use a gangster's son to catch him.
Honky Tonk (1941) as Pearl
A young girl falls for a western gambler.
I Take This Oath (1940) as Flo
Laughing at Danger (1940) as Celeste
Frankie Kelly (Frankie Darro), pageboy at the beauty salon ran by Madam Celeste (Veda Ann Borg), and his helper Jefferson (Mantan Moreland) find the routine broken when the body of one of the operators, Florence (Maxine Leslie), is found in the dumbwaiter. She had been shot just before she was to give Detective Dan Haggerty (George Houston)information about a blackmail gang. Since Mary Baker (Joy Hodges), Frankie's girl friend saw her last, she is suspected, and Frankie determines to clear her using his own sleuthing methods. He has hardy begun when Pierre (Rolfe Sedan), another member of the staff, and Florence's fiancee is found dead.
Bitter Sweet (1940) as Manon
A voice teacher and his star pupil run away together to a life of love and poverty.
Glamour for Sale (1940) as Lucille
Dr. Christian Meets the Women (1940) as Carol Compton
Melody Ranch (1940) as Receptionist
With a longer-than-usual running time on original release and boooked and sold to the exhibitors as a "Gene Autry Special", which Republic would do once a year from 1939-1943 in order to get higher rates than on the regular series entries from the theatre owners. Hey, Jimmy Durante and Ann Miler cost more than Smiley Burnette and June Storey.This "special",(which alternates between tongue-in-cheek and for-real and hard to distinguish which is which since there was very little for-real in most of the fantasy-land settings Autry's Republic films were laid in), finds Gene returinmg to his hometown of Torpedo as guest of honor at the Frontier Days Celebraion, Once there, he encounters his childhood enemies, the Wildhack brothers (Barton MacLane, Joe Sawyer and Horace MacMahon in pecking order), now the local gangsters ( and playing it with relish.) The Wildhacks own a saloon next door to the school, and when their shooting and brawling endangers the safety of the children, Gene protests and threatens to expose them during his next radio broadcast. The Wildhacks stop the broadcast and beat Gene up. Gene, humiliated because Hollywood life has softened him to the extent that he can't hold his own against three assailants, decides to remain in Torpedo and get into shape again. He is encouraged by his friend Cornelius J. "Corney" Courtney (Jimmy Durante), and also by Pop Laramie (George Hayes), owner and operator of the local version of the "Toonerville Trolley." Since Gene refuses to return to Hollywood, his radio show now originates from Torpedo. Julie Sheldon (Ann Miller), a debutante with theatrical aspirations, sees Gene in his natural setting, and begins to take an interest in the cowboy she formerly scorned. Gene avenges himself against the Wildhacks by rounding them up, whipping them single-handed and forcing them to sing on his broadcast. Enraged, the brothers are determined to "get" Gene. He, in turn, runs for sheriff so he will be in position to clean up the Wildhack political machine and use can be made of the "Vote For Autry" song. During the battles that ensue, one of Gene's friends is killed. Gene finally obtains evidence which labels the Wildhacks as killers.
Shadow, The (1940)
Columbia's 9th serial, slotted between "Overland With Kit Carson" and "Terry and the Pirates", was intended to have Lorna Gray in the role played by Veda Ann Borg, and to have been co-directed by D. Ross Lederman and Norman Deming. The credits specified the serial was "Based upon stories published in "The Shadow Magazine", while the ads proclaimed it to be "right out of the air waves and magazine stories." What appeared was a mixture of both with Lamont Cranston the true identity of The Shadow, although Lamont Cranston was only an occasional disguise of the pulp magazine Shadow. The hypnotic invisibility of the radio character was completely ignored, as was the almost invisible "Living Shadow" of the pulps.(In the serial, the only invisible man (The Black Tiger) was the villain, as even James Horne probably realized that six to ten henchmen taking orders from an invisible man was more plausible then six to ten henchman falling all over the place from unseen blows delivered by an invisible hero. Actually, based on how he directed serials, Horne would have most likely been in favor of henchies Charles King and Kit Guard exchanging punches with thin air.) Margot Lane (Veda Ann Borg) was a radio-only character until 1941 when she was picked up by the magazine and also the comic books. Police Commissioner Weston (Frank LaRue) and Inspector Cardona (Edward Peil) were characters who had appeared both in the radio series and the magazine, while Harry Vincent (Roger Moore II), used here as The Shadow and Cranston's chauffeur, general assistant and gofer, was from the pulp stories. Anybody watching the serial and expecting to hear Jory ask "who knows what evil lurks in the hearts of men" had best bring a sack lunch and prepare for a long wait. The best line in the film, both in delivery and circumstances, comes when head henchie Flint (Jack Ingram) advises his hapless,clueless but always-game cohorts that "The Black Tiger IS REALLY mad this time." Horne utilized Richard Cramer, from Horne's Laurel and Hardy days, as the "voice" of The Black Tiger, and Cramer read it with over-the-top ripeness from beginning to end, and one almost expects assistant-head henchie Williams (Eddie Fetherston) to ask Flint how he could discern any degree of difference in the Black Tiger's attitude. That said, the plot begins with dynamited railroads, wrecked airplanes and blown-up industrial plants, with the clear message that nothing is safe from the machinations of the secret mastermind of the underworld known only as The Black Tiger. The man has plans to take over everything. While the police make only a few futile arrests, Lamont Cranston,noted scientist and criminologist, assumes the guise of a black-garbed, masked figure (The Shadow) to combat this evil. The police,of course, assume that The Shadow and The Black Tiger are one and the same. Cranston works with Police Commissioner Weston and a group of solid citizen businessmen including Joseph Rand (Charles K. French), Gilbert Hill (Gordon Hart), Stanford Marshall (Robert Fiske), Turner (J. Paul Jones) and Stephen Prescott (Griff Barnett), and somewhere in nearly every chapter Cranston, Weston, Cardona and these solid citizens gather at The Cobalt Club and Cranston brings them up to date on the next steps to rid the city of The Black Tiger. Since one of the solid citizens is actually The Black Tiger, these meetings, for the most part, are counter-productive.
Behind the News (1940) as Bessie
It's school graduate, Jeff Flavin's, first day on the job as a cub reporter for the Enquirer. Boss, Archer, places Jeff with Stu Woodrow a lazying reporter. Stu detests cubs, treating Jeff badly. Jeff saves a drunken Stu's job by covering the convicted racketeer, Houseman's escape from prison. Jeff goes to Houseman's sister for a scoop he witnesses the murder of Houseman and an innocent young child. Stu grateful to Jeff thinks Jeff is to decent to be a reporter, sends Jeff on a fake story. Resulting in Jeff being demoted by an angry Archer. On his own, Jeff goes to the court house to see the trail of Marques, accused of Houseman's murder. Jeff, who speaks Spanish, hears the translater, Olmeda falsely state that Marques confesses to the killing. Jeff tells Archer that he has a story. The problem is that nobody believes him due to the fake story.
Miracle on Main Street (1939) as Flo
On Christmas Eve in the Spanish quarter of L.A. police try and arrest a couple running a shady floor show. Hiding in a church, the girl finds an abandoned baby and uses it as cover to escape capture. Thus she finds herself with a baby she is becoming ever more fond of, a helpful doctor himself too fond of the bottle, and a husband who has disappeared. Dare she try and change her ways and keep the child?
The Law Comes to Texas (1939) as Dora Lewis
Cafe Hostess (1939) as Babe
Jo (Ann Dvorak), a "percentage girl" at the notorious Club 46, is in despair. She can see no way out of the dreary and sordid routine of entertaining customers - called drinking and dancing in 1940 - and, at a signal from piano player Eddie Morgan (Douglas Fowley), rolling them for their money. Eddie, besides being brutal to her and spending all her money, is also carrying on an affair with another girl. Jo's only friend is Annie (Wynne Gibson), a former actress but now a drink-sodden derelict. Annie keeps to herself the knowledge that it was Eddie who threw the knife that killed a petty racketeer who was too attentive to Jo. Sailor Dan Walters (Preston Foster) and two of his pals arrive from a cruise and his good nature delights Joe, but at a wink from Eddie, Jo attempts to steal his money. Dan swallows his disillusionment and returns to the cafe, and he and Jo enjoy a day-long picnic together. She accepts his marriage proposal and go to an up-state town where he has a job waiting. Eddie does not accept this turn events any too well, and sets a trap for Dan when he comes after Jo. When he arrives, in an attempt to save his life, Jo denounces and ridicules him and he leaves angrily. He is net by Annie, who tells him of the set-up. Gathering his pals, Dan returns to the cafe and starts a brawl.
Over the Wall (1938) as Maxine
A prison chaplain tries to help a man framed for murder prove his innocence.
It's Love I'm After (1937) as Elsie
A squabbling stage couple gets mixed up with an amorous fan and her jealous suitor.
Confession (1937) as Xenia
A glamorous singer commits murder to protect her daughter's virtue.
Varsity Show (1937) as
A Broadway producer puts on a show at his alma mater.
Missing Witness (1937) as Miss Finlay
The Case of the Stuttering Bishop (1937) as Gladys
Perry Mason tries to find out if a long-lost heiress is the real thing.
The Singing Marine (1937) as Diane
A young Marine develops an inflated ego after winning a talent contest.
Back in Circulation (1937) as Gertrude
A reporter tries to win her editor's heart by solving a murder case.
Men in Exile (1937) as Rita
Gun smugglers clash with an island dictator.
Alcatraz Island (1937) as The red head
A prison inmate is framed for killing a con who once tried to kidnap his daughter.
She Loved a Fireman (1937) as Betty
A ne''''er-do-well learns the hard way that there''''s more to fire fighting than lying around the bunkhouse.
Submarine D-1 (1937) as Dolly
Recruits on a new submarine fall for the same girl.
Kid Galahad (1937) as The redhead
A mob-connected trainer grooms a bellhop for the boxing ring.
Public Wedding (1937) as Bernice
Out-of-work show folk stage a fake wedding to generate publicity.
San Quentin (1937) as Helen
A convict's sister falls for the captain of the prison guards.
Three Cheers for Love (1936) as Consuelo Dormant

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