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Emma Thompson

Emma Thompson

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Also Known As: Died:
Born: April 15, 1959 Cause of Death:
Birth Place: London, England, GB Profession: actor, screenwriter, producer

Biography CLOSE THE FULL BIOGRAPHY

With her uncanny ability to combine humor and poignancy, actress-writer Emma Thompson rose from the London stage to international film and television acclaim. Alongside her then-husband, revered Shakespearian actor-director Kenneth Branagh, she impressed with early film work in such projects as "Henry V" (1989) and "Dead Again" (1991). Thompson was touted as one of the finest actresses of the day after her performances in the Merchant Ivory productions, "Howard's End" (1992) and "The Remains of the Day" (1993) - the former of which earned her a Best Actress Oscar. More accolades came for her roles in the riveting IRA drama "In the Name of the Father" (1993), opposite Daniel Day Lewis, and "Sense and Sensibility" (1995), where her double duty as screenwriter earned her another Academy Award. The actress was soon in high demand for such U.S. productions as the political-satire "Primary Colors" (1998) and masterful adaptations of the revered stage dramas "Wit" (HBO, 2001) and "Angels in America" (HBO, 2003). The incredibly adroit Thompson took on a pair of recurring roles for the first time in the fantasy films "Harry Potter and the Prisoner of Azkaban" (2004) and "Nanny McPhee" (2005), before venturing...

With her uncanny ability to combine humor and poignancy, actress-writer Emma Thompson rose from the London stage to international film and television acclaim. Alongside her then-husband, revered Shakespearian actor-director Kenneth Branagh, she impressed with early film work in such projects as "Henry V" (1989) and "Dead Again" (1991). Thompson was touted as one of the finest actresses of the day after her performances in the Merchant Ivory productions, "Howard's End" (1992) and "The Remains of the Day" (1993) - the former of which earned her a Best Actress Oscar. More accolades came for her roles in the riveting IRA drama "In the Name of the Father" (1993), opposite Daniel Day Lewis, and "Sense and Sensibility" (1995), where her double duty as screenwriter earned her another Academy Award. The actress was soon in high demand for such U.S. productions as the political-satire "Primary Colors" (1998) and masterful adaptations of the revered stage dramas "Wit" (HBO, 2001) and "Angels in America" (HBO, 2003). The incredibly adroit Thompson took on a pair of recurring roles for the first time in the fantasy films "Harry Potter and the Prisoner of Azkaban" (2004) and "Nanny McPhee" (2005), before venturing into existential whimsy with "Stranger Than Fiction" (2006). More than capable of eliciting true emotions in real-world scenarios, she garnered raves for her turn opposite Alan Rickman in the melancholy romantic-drama "The Song of Lunch" (BBC, 2010), which no doubt added to her reputation as one of Hollywood's most honored and respected actresses.

Born on April 15, 1959, Thompson was raised in the Paddington section of West London. With stage director, actor, and television producer Eric Thompson for a father and Scottish actress Phyllida Law for a mother, Thompson grew up well-versed in the entertainment business, surrounded by creativity. Her first pursuit was writing, but while studying at Cambridge, she joined the school's famed Footlights sketch comedy group where she wrote and performed alongside future big names Stephen Fry and Hugh Laurie. She also appeared with the university's all-female troupe, Woman's Hour. Thompson, Fry and Laurie landed a short-lived TV variety show, "Alfresco" (1983), and when Thompson struck out on her own, she won rave reviews for her West End musical debut opposite Robert Lindsay in the 1985 revised version of "Me and My Girl." She co-starred with Kenneth Branagh in the World War II-set drama series "Fortunes of War" (BBC, 1986-87) and with Robbie Coltrane in the cult classic about a Scottish rock band, "Tutti Frutti" (BBC, 1987). She wrote and starred in her own highly enjoyable 1988 BBC comedy-variety TV series, "Thompson," and made her film debut as Jeff Goldblum's leading lady in the underrated "The Tall Guy" (1989).

Thompson married fellow thespian Kenneth Branagh and the pair joined forces in the Renaissance Theatre Company, appearing in "Look Back in Anger," "King Lear" and "A Midsummer Night's Dream." Such was the pair's chemistry and acclaim, they began earning comparisons to the former first couple of British theatre, Sir Laurence Olivier and Vivien Leigh. Branagh cast her as princess Katherine in his 1989 film "Henry V" and as an amnesiac haunted by nightmares of a past murder in the 1991 romantic melodrama "Dead Again." Her strong performance as the forthright heroine of the Merchant-Ivory production "Howards End" (1992), however, catapulted her to stardom, sans Branagh. More than holding her own against strong actors Anthony Hopkins, Vanessa Redgrave, and Helena Bonham Carter, Thompson received a Best Actress Oscar and Golden Globe Award, coming out of seemingly nowhere for American audiences. The following year, she earned dual Academy Award nominations as Best Actress for her turn as a housekeeper in love with a repressed butler (Hopkins) in another Merchant-Ivory adaptation, "The Remains of the Day" (1993) and a Best Supporting Actress nod for her no-nonsense barrister representing a youth accused of involvement in an IRA bombing (Daniel Day-Lewis) in "In the Name of the Father" (1993). The same year, she and Branagh threw sparks as Shakespeare's witty and warring lovers Beatrice and Benedick in Branagh's adaptation of "Much Ado About Nothing" (1993). In an unsuccessful attempt to bank on Thompson's positive reception among U.S. audiences, she was cast in a comic lead opposite Arnold Schwarzenegger and Danny De Vito in "Junior" (1994), but the sub-par material failed to launch her as a mainstream American commodity.

Returning to period dramas, Thompson followed up with back-to-back starring roles - first in "Carrington" (1995), which cast her in the title role of the Bloomsbury painter who had a long platonic relationship with writer Lytton Strachey. "Sense and Sensibility" (1995) was a dream project for the actress, who had long talked of penning the screenplay. Directed by Ang Lee, the results proved it as one of the year's best films, earning Thompson a Best Actress Academy Award nomination and a statuette for her witty script. Amidst rumors of professional egos clashing, Thompson and Branagh divorced shortly thereafter. The actress spoofed her image on a memorable episode of the sitcom "Ellen" (ABC, 1994-98), playing a lesbian British actress named 'Emma Thompson,' who decided to disclose her homosexuality at an awards banquet. The laughs came when she revealed she was not really British, but from America's heartland and had only acquired the accent from "watching Julie Andrews' films." Thompson next co-starred in Alan Rickman's directorial debut, "The Winter Guest" (1997) with her mother, actress Phyllida Law. Her performance as a photographer grieving the death of her husband and coping with her mother's interference was a strong one, allowing her to display aspects of her talents that had not yet been seen onscreen before.

Mike Nichols tapped Thompson to play the ambitious wife of a womanizing presidential candidate in the critically praised "Primary Colors" (1998), after which she reunited with Rickman to play an FBI agent in the thriller "The Judas Kiss" (1998). After time out for motherhood and a chance to concentrate on her writing, Thompson made a triumphant return to the screen playing a rigid college professor stricken with cancer in the HBO adaptation of "Wit" (2001). Additionally, she collaborated with director Mike Nichols on the script, based on the Pulitzer-winning play, which earned Emmy nominations for both. In one of her more successful contemporary comedic offerings, Thompson was part of the large ensemble cast of writer-director Richard Curtis' multi-story romantic comedy "Love Actually" (2003), where she played the sister of the British Prime Minister (Hugh Grant) whose husband (Alan Rickman) contemplates straying. The actress next earned enormous praise for her role in the ensemble of the acclaimed HBO miniseries "Angels In America" (2003), playing the multiple roles of The Angel of America, Nurse Emily and The Homeless Woman. She was ultimately nominated for a Screen Actors Guild Award for Outstanding Performance by a Female Actor in a Television Movie or Miniseries. Thompson also enjoyed an amusing, if all-too-brief, turn as the prescient but preoccupied Professor Sybil Trelawney in "Harry Potter and the Prisoner of Azkaban" (2004).

In "Nanny McPhee" (2005), a children's fantasy Thompson adapted from Christianna Brand's Nurse Matilda book series, Thompson starred as a snaggle-toothed nanny with magical powers who arrives at the stately home of a recent widower (Colin Firth) who has problems disciplining his seven troublemaking children. "Nanny McPhee" received strong praise from critics, particularly in regards to Thompson's clever and appealing script, but the film did middling business at the box office. The following year, Thompson gave an outstanding performance in the offbeat "Stranger Than Fiction" (2006), where she co-starred as an eccentric novelist whose work-in-progress turns out to have a real-life counterpart - a staid IRS agent (Will Ferrell) whose life is disrupted by the author's narrations in his head. Following a cameo as a doctor in the Will Smith blockbuster "I Am Legend" (2007), Thompson donned the prosthetics to play an elderly Lady Marchmain in a British film version of "Brideshead Revisited" (2008), which received positive notices but enjoyed only limited release stateside.

Continuing her strong run of performances, Thompson reunited with "Stranger" supporting player Dustin Hoffman in "Last Chance Harvey" (2008), a romantic drama that found the pair cast as unsatisfied middle-agers whose lives change after a chance meeting at an airport bar. Once again in her illustrious career, Thompson found herself in award contention after her performance earned a Golden Globe nomination for Best Actress in a Motion Picture - Comedy or Musical category. Thompson's next pair of releases were both 1960s-set British comedies, the Nick Hornby-scripted "An Education" (2009) and "The Boat That Rocked" (2009), a look at London's once-thriving offshore pirate radio stations. Meanwhile, she once again donned her bulbous prosthetic nose and came to the rescue of another dysfunctional family-in-need for the sequel "Nanny McPhee Returns" (2010), which found her watching over an unruly brood in wartime Great Britain.

On television, Thompson delivered yet another sublime performance, this time opposite Alan Rickman in "The Song of Lunch" (BBC, 2010), the tale of a bittersweet reunion between two lovers told almost entirely with a poetic monologue narrated by Rickman. The actress was next seen for the last time as the prophetic Professor Trelawney with a cameo in "Harry Potter and the Deathly Hallows: Part 2" (2011), the final entry in the record-breaking fantasy franchise. The following year, Thompson appeared opposite Will Smith as Agent O, the new chief of the super-secret MIB agency in "Men in Black 3" (2012), in which Agent J (Smith) travels back in time to prevent his partner, Agent K (Tommy Lee Jones), from being erased from the current reality with the help of the 1969 version of Agent K (Josh Brolin). From one highly-anticipated feature to another, Thompson gave voice to a Scottish queen whose fate is in the hands of her headstrong young daughter (Kelly Macdonald) in Pixar's animated coming-of-age adventure "Brave" (2012), while on the small screen she earned an Emmy Award nomination in 2012 for her performance as woman reunited with her former lover (Alan Rickman) in "The Song of Lunch" (PBS, 2011).

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

2.
3.
 Effie Gray (2014)
4.
 Love Punch (2014)
5.
 Saving Mr. Banks (2013)
6.
7.
 Brave (2012)
8.
 Men in Black III (2012)
10.
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1979:
Acted with Cambridge University's theatrical club the Footlights
1981:
Co-wrote, co-produced, co-directed and performed with Cambridge's first all-female revue "Woman's Hour"
1983:
Worked with Hugh Laurie and Stephen Fry in sketch comedy series "Alfresco"
1984:
Wrote and performed one-woman show "Short Vehicle" at the Edinburgh Fringe
1985:
Co-starred opposite Robert Lindsay in hit West End musical "Me and My Girl"
1987:
Played Harriet Pringle opposite Kenneth Branagh in BBC miniseries "Fortunes of War"
1987:
Starred with Robbie Coltrane in six-hour BBC miniseries "Tutti Frutti"
1988:
Hosted and wrote own BBC-TV comedy-variety series "Thompson"
1989:
Made film debut in "The Tall Guy"
1989:
Cast opposite Kenneth Branagh in stage revival of "Look Back in Anger"; directed by Judi Dench
1989:
Acted role of Katherine in "Henry V"; again directed by Branagh, who also co-starred
1992:
Made memorable guest role on NBC sitcom "Cheers" as Nanny Gee, a woman from Dr. Frasier Crane's past
1992:
Breakthrough screen role, co-starring with Anthony Hopkins in Merchant-Ivory production "Howards End"
1993:
Earned an Oscar nomination for her performance as a housekeeper in Merchant-Ivory's "The Remains of the Day"; again co-starred with Hopkins
1993:
Received an Oscar nomination for her role as the lawyer for the Guildford Four in Jim Sheridan's "In the Name of the Father"
1994:
Played a rare comic lead in "Junior" opposite Arnold Schwarzenegger
1994:
Starred in British TV drama "The Blue Boy"; first collaboration with mother Phyllida Law, who played her on-screen mother
1995:
Made screenwriting debut with adaptation of Jane Austen's "Sense and Sensibility," directed by Ang Lee; also co-starred; received a Best Actress Academy Award nomination
1997:
Played on-screen mother and daughter opposite her real-life mother in "The Winter Guest," directed by Alan Rickman
1997:
Appeared on ABC sitcom "Ellen" as a British actress named 'Emma Thompson' who reveals she is a lesbian from Ohio
1998:
Cast as the wife of a presidential candidate (John Travolta) in Mike Nichols directed "Primary Colors"
2001:
Returned to acting in Mike Nichols' TV adaption of Pulitzer Prize-winning play "Wit" (HBO), playing a professor who develops ovarian cancer; also co-wrote screenplay with Nichols; earned Emmy nominations for writing and acting
2003:
Starred in Richard Curtis' directorial debut "Love Actually"
2003:
Re-teamed with Nichols to play the Angel in HBO miniseries adaption of "Angels in America"; earned SAG and Emmy nominations
2004:
Cast as Sibyl Trelawney, the ethereal and quirky professor of divination in "Harry Potter and the Prisoner of Azkaban"
2006:
Played a governess who uses magic to rein in the behavior of seven ne'er-do-well children in "Nanny McPhee"; also wrote screenplay
2006:
Voiced the narrator dictating Will Ferrell's life in Marc Forster comedy "Stranger Than Fiction"
2007:
Reprised role of Professor Sybill Trelawney in "Harry Potter and the Order of the Phoenix"
2008:
Co-starred with Dustin Hoffman in romantic comedy "Last Chance Harvey"
2008:
Nominated for the 2008 Golden Globe Award for Best Performance by an Actress in a Motion Picture ¿ Musical or Comedy ("Last Chance Harvey")
2010:
Reprised title role and wrote screenplay for family comedy sequel "Nanny McPhee Returns"; also executive produced
2010:
Earned a Grammy nomination for narrating <i>Nanny McPhee Returns</i>
2011:
Reprised role of Professor Sybill Trelawney for seventh and final installment "Harry Potter and the Deathly Hallows: Part 2," directed by David Yates
2012:
Cast in "Men in Black III" opposite Will Smith and Tommy Lee Jones
2012:
Voiced Queen Elinor in Disney Pixar animated feature "Brave"
2013:
Cast in dual role as Mrs. Lincoln and Sarafine in feature adaptation of young adult fantasy novel "Beautiful Creatures"
VIEW ALL MILESTONES

Education

Camden School for Girls: -
University of Cambridge: Cambridge , England - 1982

Notes

"I'm a character actress. Nobody is going to ask me to play the romantic roles, I don't have the right kind of face. I've got too many teeth." --Emma Thompson to The Chicago Sun-Times, March 18, 1998.

On her relationship with her mother, Thompson told The New York Times (December 21, 1997): "In my 20's I was domestically unbound, so I spent a lot of time with my mother, and our relationship moved sideways away from the typical mother-daughter thing. In a sort of subterranean way, though, I rely on her approval more than anybody's, and if I feel her disapproval, it has a profound effect on me."

"It's been sort of accidental, but I think we're a good team. We play a kind of tatty Bogart and Bacall in ["The Judas Kiss"]--only Emma's Bogart and I'm Bacall" --Alan Rickman quoted in Los Angeles Times, December 22, 1997.

Thompson has stated that she keeps her Best Actress Oscar in the bathroom of her home.

"There is something very uncomfortable about taking this strange, ephemeral thing called fame and plunking it in some other arena and saying, 'Look at this, look at this.' ... I think I'm a brave person and have never ever not stood up to be counted, but to be a performer and then to step sideways into a political arena somehow fells wrong." --Thompson on mixing politics and show business to Los Angeles Times Calendar, December 10, 1995.

"Look, this question of gossip is interesting. In some form it isn't necessarily a bad thing. It's to do with people trying to work out how to live their lives. For God's sake, look at Jane Austen! It's possible that gossip is a first step, that way in which we try to discover ourselves." --to Vanity Fair, February 1996.

"Part of growing up, it has occurred to me--while I was sitting on the loo yesterday--is admitting to WHAT YOU ARE. I think that certainly during my 20s, my intelligence and my articulateness were very important to me ... I thought I was much stronger than I am. I was frightened of being 'feminine', because that seemed a weakness." --Emma Thompson to Vanity Fair, February 1996.

"In England, they love it when you fail. One feels vaguely embarrassed about success here [in London]. It's a great relief to go to America where they're fond of you when you succeed. But if I had a socking failure, I'd rather be here. The British are not cruel. They love underdogs--it's top dogs we don't like." --Emma Thompson to The New York Times, November 20, 1994.

"Emma is sane. She also has intelligence, tremendous acting talent and terrific style. She's funny and fun to be with--always," --director James Ivory to USA Today, March 14, 1994.

Companions close complete companion listing

companion:
Hugh Laurie. Actor. Dated while at Cambridge.
husband:
Kenneth Branagh. Actor; director. Married in 1989; announced separation in October 1995; divorced.
companion:
Greg Wise. Actor. Met during filming of "Sense and Sensibility"; together since 1995; married July 2003.

Family close complete family listing

father:
Eric Thompson. Stage director. Directed Alan Ayckbourn's early plays; died in 1982 at age 53.
mother:
Phyllida Law. Actor. Born in Glasgow c. 1932.
sister:
Sophie Thompson. Actor. Born c. 1962.
daughter:
Gaia Romilly Wise. Born on December 4, 1999; father, Greg Wise.
VIEW COMPLETE FAMILY LISTING

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