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Overview for Sheila Terry
Sheila Terry

Sheila Terry



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Cast (feature film)

I Demand Payment (1938) as Rita Avery
Fury Below (1938) as Clair Johnson
Go-Get-'Em-Haines (1936) as Jane Booth
Special Investigator (1936) as Judy Taylor
A crooked criminal lawyer discovers his brother has been killed by one of the gangsters he kept out of prison.
Murder on a Bridle Path (1936) as Violet Feverel
Schoolteacher Hildegarde Withers matches wits with the police to solve the murder of a society bride in Central Park.
Society Fever (1935) as Lucy Prouty
Social Error (1935) as Sonia
One of a series of films, including two shorts, produced by William Berke starring David Sharpe, following Sharpe's work for Hal Roach in shorts and before Sharpe became a mostly-full time stunt man. In this one, Sharpe sings, tap dances, does acrobats, fights, climbs up and down building walls and drives and rides all vehicles that come his way. The first half is a series of collegiate escapades as Ed Bentley (David Sharpe) is finally expelled from dear old Wellmore by Dean Carter (Monte Blue), and he and his valet, Shadow (Fred Toones billed as "Snowflake") are on the way to a bank to get money to go home on, when Ed mistakes two bodyguards (Roger Williams and Ted Adams) pushing their charge, heiress June Merton (Gertrude Messinger, then married to David Sharpe), into a car as being kidnappers. He and Shadow follow them to the Merton apartment and begin to try and "rescue" her from the kidnappers who aren't kidnappers, although with Roger Williams and Ted Adams in the roles, the impression is that it hasn't occurred to them and one keeps expecting them to revert to type. But across the hall, Louie (Matty Fain) and Sonia (Sheila Terry), the low-rent tenants living on the same floor with the "rich" Mertons, have every intention of kidnapping the girl, and do so with the aid of the bumbling Ed and Shadow. Berke was also producing a western series with Harry Carey at the time, and the only cast members from those westerns missing here are Chief Thunder Cloud, Harry Carey and his horse Sonny. Lots of outdoor action and chases with views of 1935 Hollywood.
Rescue Squad (1935) as Rose, a model
Bars of Hate (1935) as Ann Dawson
Scream in the Night (1935) as Edith
The Lawless Frontier (1934) as Ruby
Two gunmen team up to take on a Mexican bandit who''''s done them both wrong.
Rocky Rhodes (1934) as Nan Street
'Neath the Arizona Skies (1934) as Clara Moore
Chris Morrell, the guardian of Indian girl Nina, is helping her track down her missing father. Until he is found, she is the heir to a rich oil field and in danger from Sam Black, whose gang is out to steal the lands. The outlaws knock out Chris and dress him in the clothes of a wanted bank robber. When Chris awakes, he discovers that now he must continue the quest while running from the law himself.
When Strangers Meet (1934) as Dolly
Take the Stand (1934) as
The Sphinx (1933) as Jerry Crane
A man known to be a mute is suspected of committing a murder, as he was noticed at the scene. However, witnesses saw and heard him talking as he was leaving the scene of the crime. The police must determine if he is the actual killer or if he is being framed.
Private Detective 62 (1933) as The girl
A private eye in Paris falls for the beautiful gambling lady he's investigating.
The House on 56th Street (1933) as Dolly
A woman loses her family after being falsely convicted of a crime.
Son of a Sailor (1933) as Genevieve
A lovesick fool bumbles into espionage and finds a stolen plane.
Lawyer Man (1933) as Flo
Success corrupts a smooth-talking lawyer.
Convention City (1933) as Mrs. Kent
The Silk Express (1933) as Paula [Nyberg]
A young silk importer fights off threats to his cargo during a perilous train ride.
Parachute Jumper (1933) as Secretary
A gangster victimizes three friends trying to get jobs.
The Mayor of Hell (1933) as The girl
A racketeer goes straight to run a reform school.
20,000 Years in Sing Sing (1932) as Billie
When his girl commits murder, a hardened criminal takes the rap to protect her honor.
You Said a Mouthful (1932) as Cora Norton
To sell his unsinkable bathing suit, an inventor passes himself off as a championship swimmer.
Week-end Marriage (1932) as Connie
When her husband loses his job, a woman risks her marriage to become the breadwinner.
Scarlet Dawn (1932) as Marjorie [Murphy]
A Russian nobleman and his fiancee elope to live as peasants in Turkey.
Haunted Gold (1932) as Janet Carter
A cowboy and his girl fight bandits and a ghost over an abandoned mine.
Big City Blues (1932) as Lorna
A country boy finds love and heartache in New York City.
Three on a Match (1932) as Naomi
A woman's childhood friends try to rescue her from gangsters.
I Am a Fugitive from a Chain Gang (1932) as Allen's secretary
A World War I veteran faces inhuman conditions when he's sentenced to hard labor.
Crooner (1932) as Hat check girl
A saxophone player rises to fame as a singing star.
Madame Butterfly (1932) as Adelaide
Lieutenant B.F. Pinkerton is on shore-leave in Japan. He and his buddy Lieutenant Barton, out for a night on the town, stop in at a local establishment to check out the food, drink and girls, 'uh, and girls' to quote Lt. Barton. Pinkerton spies Cho-Cho San and immediately falls in lust. Barton counsels Pinkerton that he can 'marry' this beautiful Japanese girl, enjoy himself with cultural approval, then sail happily on back to America unshackled, since abandonment equates divorce in Japan. Barton assures Pinkerton that once abandoned, Cho-Cho will be free to marry whomever she chooses from amongst the Japanese people. When Pinkerton's ship sails out of port, Butterfly waits patiently for her husband to come home. Three years pass. Ever with her eye toward the harbor, Butterfly holds a secret delight that she eagerly wishes to surprise her husband with: their son. Pinkerton arrives in Japan with his American bride by his side. He goes to Butterfly to make his apologies and to finally end what Butterfly for three years has cherished in her heart.

Cast (short)

A Girl's Best Years (1937)
A woman reporter is hired by an author-songwriter to help him avoid additional breach-of-promise suits in this comedic short.
How to Break 90 #6 Fine Points (1934)
In this final entry in his "How To Break 90" series of short films, Bobby Jones gives pointers on how to control hooking, slicing, and how to put backspin on a ball.

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