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Overview for Margaret Sullavan
Margaret Sullavan

Margaret Sullavan


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TCM Archive Materials VIEW ALL ARCHIVES (4)

Recent DVDs

Cry "Havoc" ... A tale of courage and camaraderie featuring an all-female credited cast.... more info $14.36was $17.99 Buy Now

The Mortal... A story of Hitler's rise to power as seen through the microcosm of one German... more info $16.95was $19.99 Buy Now

Three... Three WWI soldiers upon returning home from battle open up an auto-repair shop. more info $15.95was $17.99 Buy Now

The Shopworn... A small-town Army soldier falls for a sophisticated woman. The two become... more info $14.95was $17.99 Buy Now

The Shining... A complex love triangle that takes place between a nightclub singer her new... more info $11.95was $17.99 Buy Now

No Sad Songs... Told she has an incurable disease that has left her with ten months to live,... more info $17.95was $20.95 Buy Now

Also Known As: Died: January 1, 1960
Born: May 16, 1911 Cause of Death: overdose of barbiturates
Birth Place: Norfolk, Virginia, USA Profession: Cast ...


Cast (feature film)

Great Depression, The (1988) as ("Summer Theatres" - "Economy Blues")
No Sad Songs for Me (1950) as Mary Scott
A terminally ill woman struggles to leave her husband and child taken care of before she dies.
Cry 'Havoc' (1944) as Lieutenant [Mary "Smitty"] Smith
A group of war nurses fights to survive the siege of Bataan.
Appointment for Love (1941) as [Dr.] Jane Alexander [Cassil]
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.
Back Street (1941) as Ray Smith
A woman accepts life in the shadows as the price for her affair with a married man.
So Ends Our Night (1941) as Ruth Holland
An anti-Nazi on the run and a young Jewish couple race across Europe trying to escape Hitler's ever powerful influence. When the political refugee risks his life to see his dying wife in Austria, he has a dangerous encounter with a rabid Nazi.
The Shop Around the Corner (1940) as Klara Novak
Feuding co-workers don't realize they're secret romantic pen pals.
The Mortal Storm (1940) as Freya Roth
The Third Reich's rise tears apart a German family.
The Shining Hour (1938) as Judy Linden
A nightclub dancer marries into society and has to contend with her jealous sister-in-law.
Three Comrades (1938) as Patricia Hollmann
Three life-long friends share their love for a dying woman against the turbulent backdrop of Germany between the wars.
The Shopworn Angel (1938) as Daisy Heath
A showgirl gives up life in the fast lane for a young soldier on his way to fight World War I.
The Moon's Our Home (1936) as Cherry Chester
A writer and an actress meet and marry without really knowing each other--they are even unaware that both bride and groom are equally famous. During the honeymoon, all hell breaks loose as a comedic war of the sexes leads inevitably to love.
Next Time We Love (1936) as Cicely [Hunt]
Woman drops out of college to marry an ambitious, young journalist. Their happiness is delayed when a rich admirer sees that she gets an acting job just as her reporter leaves to cover the news from Rome. The marriage goes stale as separartions follow reunions, and the two pursue their respective ca
The Good Fairy (1935) as Luisa [Ginglebusher]
A naïve girl tries to use a rich admirer''''s money to help others.
So Red the Rose (1935) as Valette Bedford
SO RED THE ROSE is King Vidor's quietly affecting Civil War romance, starring Margaret Sullavan as a Southern aristocrat, the mistress of a Southern plantation, whose sheltered life is torn apart by the War between the States. During the war's darkest days she is sustained by her love for a distant cousin, a Confederate officer, played by Randolph Scott.
Little Man, What Now? (1934) as [Emma Merceau, also known as] Lammchen
Impoverished newlyweds travel from the country to Berlin to find success. At first, things look rosy, but when the Pinnebergs discover that the husband's stepmother--with whom they are now living--is a notorious madame, groom and pregnant bride must take to the road.
Only Yesterday (1933) as Mary Lane

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