skip navigation
John Stumar

John Stumar

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (0)

Recent DVDs

 
 

John Stumar - NOT AVAILABLE

Find what your looking for faster use the search field below to shop for titles.

SEARCH TCM.COM/SHOP


OR ... Click here to VOTE > for this person to be released on Home Video

Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
Rhythm Round-up (1945) as Director of Photography
2.
Klondike Kate (1943) as Director of Photography
Molly (Glenda Farrell) and her troupe of dancing girls and "entertainers", sent for by saloon owner "Sometime" Smith, arrive in a Klondike mining town by train. Smith is out of town and rival saloon owner Jefferson Braddock (Tom Neal) signs the girls up to work in his saloon. Also arriving is Katherine (Kate) O'Day, with a deed of ownership, willed her by her father, to Braddock's saloon. She hires attorney and self-appointed Judge Horace Crawford (George Cleveland) to handle her ownership claim, but she soon sees that the deck has been stacked against her when Crawford works the trial as the judge and also the lawyer for both sides. She takes a job as singer in the saloon, replacing Lita (Constance Worth) both as star and Braddock's "favorite." Lita helps Smith win a crooked-and-staged game of "High Card" giving Smith ownership of Braddock's saloon. But Smith double-crosses her and she shoots him somewhat dead, and Braddock is accused of the killing, and is about to be lynched.
3.
The Return of the Vampire (1943) as Director of Photography
A vampire terrorizes a British family during World War II.
4.
Power of the Press (1943) as Director of Photography
5.
Dangerous Blondes (1943) as Director of Photography
A mystery writer and his wife investigate the murder of a couturier's wife.
6.
Not a Ladies' Man (1942) as Director of Photography
7.
Tramp, Tramp, Tramp (1942) as Director of Photography
8.
The Spirit of Stanford (1942) as Director of Photography
9.
Two Latins from Manhattan (1941) as Director of Photography
10.
Naval Academy (1941) as Director of Photography
A tough student at the Garfield Reform School is given a chance to straighten his life when a friend of his father's, offers to enroll him at the State Naval Academy.
11.
Under Age (1941) as Director of Photography
12.
The Lone Wolf Takes a Chance (1941) as Director of Photography
A reformed jewel thief fights to clear his name when he's framed for murder.
13.
Harmon of Michigan (1941) as Director of Photography
Tom Harmon (ol' # 98 for the Michigan Wolverines, husband of actress Elyse Knox and father of Mark Harmon and Kelly Harmon)took a back seat to no one on the football field (except the Minnesota Gophers) or, later, in the broadcast booth, but, on film, he managed to find himself in two of the all-time bad sports movies..."The Spirit of West Point" and "Harmon of Michigan." The latter, if it had been a true-life biography of Tom Harmon, might have made a passable film but after a short prologue, narrated by sports writer Bill Henry who is not the same as actor William Henry, that semi-recaps Harmon's football-playing days at the University of Michigan, it quickly develops into a mess that indicates the director and writers used the technical adviser, Coach Jeff Cravath, only to put plays on the blackboard. Once Harmon,(supposedly playing himself but the character he plays here has more character flaws than the law allows), graduates from Michigan, he marries his college sweetheart Peggy Adams (Anita Louise), turns up his nose at the prospect of playing professional football---a poor-paying and not-that-well respected job in 1941---and starts a vagabond tour of coaching tank-water colleges. Authenicity went out the window when the narration ended, as did any kind of time tracking, as everything that follows seems to happen in a single football season. Tom takes an assistant coach job at a cow-pasture college under Jimmy Wayburn (William Hall) and lasts one day before Wayburn fires him. Then he signs to play for a College All-Star team doing exhibition games against pro teams, but his team-mates, hacked because Tom gets star billing, lay down on him and he gets smacked down hard on every play. One of the leaders willing to let Harmon get slaughtered is old Michigan teammate Forrest Evashevski (playing himself), a life-long friend in real life and Godfather to Mark Harmon and a long-time respected coach at the University of Iowa. Harmon wins the game by himself, but decides this isn't his cup of tea. He hangs around the house a few weeks, then gets a job as an assistant under old-time coach Pop Branch at a college that has three buidings on campus and a football stadium seating 100,000 fans. He helps Pop win a few games (still ticking along in what appears to be the same fall football season), but the alumni at Webster College are tired of losing, fire their coach and hire Harmon away from Pop. Harmon takes over the Webster team in mid-season and becomes the all-time example of a hard-ass coach willing to win at any cost, including installing a screen-pass play that depends on an illegal blcoking scheme---the Flying Wedge---to make it work. His Webster team begins to thump their opponents by large scores, usually leaving the other team battered and bloodied by the use of the illegal blocking scheme. They win four or five games which, based on the writers time scheme, would have them playing 20 games a season in what was then a nine-and-ten game season. Plus, the press and other coaches around and about, are up in arms about Harmon's tatics, but the jerks refereeing the games evidently haven't read the rule book nor the newspapers and throw no penalty flags against his team. Well, one referee does once, but he never officiated nor had lunch in that town again. It, by any reasonable calendar must now be July of the next year in a season that should have ended in December, and hard-case Harmon's team is going up against Pop's team (where Harmon coached earlier in this never-ending season) and Pop drops by and tells Tom he ain't all that fond of Tom's coaching methods, but Tom poo-pahs him off, and then sends his team out and they gleefully dismantle Pop's fair-playing team by 109-0. But Webster's quarterback Freddie Davis (Stanley Brown) suffers a concussion running a play Harmon calls just to run up the score even higher---Harmon evidently didn't read the script because nobody using their own name would want this character perceived
14.
I Was a Prisoner on Devil's Island (1941) as Director of Photography
15.
Music in My Heart (1940) as Photography
A chorus girl engaged to a millionaire falls for the star of her latest musical.
16.
The Durango Kid (1940) as Director of Photography
A Western Robin Hood gets caught in the middle of a range war when he's framed for murder.
17.
The Secret Seven (1940) as Photography
18.
Those High Grey Walls (1939) as Photography
19.
Parents on Trial (1939) as Photography
20.
The Lady and the Mob (1939) as Photography
A woman sets out to break a criminal gang controlling the dry cleaning business.
21.
Mr. Boggs Steps Out (1938) as Photography
Oliver Boggs (Stuart Erwin), a typical office drone, with no success in sight, who can spout statistics about anything and everything, wins $1500 in a bean-guessing contest at the movie theatre, quits his job and sets forth for the seedy, down-at-the-heels town of Peckham Falls. There he buys a barrel factory and falls in love with Irene Lee (Toby Wing), the snobbish niece of crusty old Morton Ross (Tully Marshall), the town's only rich man and owner of the closed canneries. Oleander Tubbs (Helen Chandler) and her inventor father Angus (Spencer Charters), who sold Oliver the factory, tell him it has no future but he disagrees and says he will have everything booming again. Oleander thinks he is daffy but she and her father agree to help him. Angus invents a collapsible barrel and Oliver, seeing fame and fortune just ahead, spends all of his money just keeping the factory going. Oliver persuades old man Ross to re-open the canneries and to use the ground-breaking barrels and things appear to be going okay, until Dennis Andrews (Walter Byron), Ross' slick attorney, tries to doubel-cross both Ross and Oliver by bilking Angus out of the patent rights to the barrel.
22.
Something to Sing About (1937) as Photography
A New York bandleader takes Hollywood by storm.
23.
One Man Justice (1937) as Photography
A remake of Columbia's 1932 "Texas Cyclone", starring Tim McCoy, in which Larry Clarke (Charles Starrett) rides into the town of Mesa, Arizona, from Texas, where he has just sold his ranch. Several people call him "Ted Crockett",who supposedly has been dead for five years, and a bartender advises him to say he is Crockett, as he can aid the law0abiding citizens that way. Both Red Grindy (Alan Bridge), leader of the town's badmen, and Sheriff Ben Adams (Jack Clifford)are fooled by Larry's resemblence to Crockett, as is Crockett's young widow, Mary (Barbara Weeks), until Larry convinces her his isn't. He finds that all of the Crockett cowhands, with the exception of Neal King (Hal Taliaferro, long past using Wally Wales as a screen or working name), are systematically rustling Mary's cattle. Larry takes charge, sends to Texas for his riders and then brings to an end the reign of terror Grindy and his men have over the territory. Creased in the head by a gunshot, Larry is freed of his amnesia and turns out to actually be Ted Crockett.
24.
End of the Trail (1936) as Photography
In the battle of San Juan Hill, Rough Rider Dale Brittenham (Jack Holt) saves the life, at the expense of losing the sight of one eye, of Bob Hildreth (Guinn Williams.) Invalided to a hospital they meet nurse Belle Pearson (Louise Henry) and a love-feud begins between Dale and Bob over Belle. At the end of the war Dale and Bob return to Halsey, a small mid-western cattle town,where Belle comes as a school teacher, bringing her brother Larry (John McGuire.) Cattle thieves have run ranchers out of business and Bill Mason (Douglass Dumbrille) seems to be the only prosperous citizen.Bob gets his pre-war job back and is made Chief Deputy for Sheriff Anderson (Frank Shannon.) Dale can't get work and leaves town. Broke and hungry he shows up at the Square Deal Saloon in Fremont Pass,where Mason offers him a job herding wild horses out of the territory. Dale soon learns that Mason is the head of the rustlers and starts re-stealing the cattle from Mason's rustlers. Mason can't report them to the sheriff since they weren't his to begin with. Dale's recycling program makes him enough money to open a club called "Little Cuba." Larry is working as an undercover deputy, and Dale warns him that Mason and his men are on to him,and he needs to stay out of the South Valley. Mason's men kidnap Larry and Dale rescues him but kills one of Mason's men. Bob sees the killing, but rather than arrest his old friend Dale, decides to resign. Dale arranges to send Larry to California, decides to go straight and Belle accepts his marriage proposal.While they are preparing to close "Little Cuba", a truck rolls by and dumps Larry's dead body. Dales knows Mason did it and, despite Bob's efforts to persuade him to let the law take care of it,kills Mason. This time, Bob cannot forsake his sworn duty and arrests Dale, who is convicted and sentenced to death. As he is led away, he waves proudly to the weeping Belle and Bob.
25.
Two-Fisted Gentleman (1936) as Photography
26.
Counterfeit (1936) as Photography
27.
Devil's Squadron (1936) as Photography
28.
Escape from Devil's Island (1935) as Photography
29.
If You Could Only Cook (1935) as Photography
An unhappy executive gets a job as a butler on a lark, only to fall for the family cook.
30.
Atlantic Adventure (1935) as Photography
An ace reporter tracks the man who killed the D.A. to an ocean liner.
31.
The Unwelcome Stranger (1935) as Photography
32.
The Best Man Wins (1935) as Photography
33.
Jealousy (1934) as Photography
Larry O'Roark is a boxer who's insanely posssesive and jealous of his fiancee, Jo. the sight of her and her employer, Mr. Lambert, at ringside during his big fight distracts Larry and he is knocked out. He then promises never to be jealous again and marries Jo. When she realizes that they're broke she asks Lambert for a job (she had quit on marrying Larry.) One thing leads to another and Larry, enraged with jealousy, end up killing Lambert. He then wanders off in a daze, and Jo takes the rap for the murder. Larry descends from his amnesiac fog just in time to interrupt the announcement of the jury's verdict in Jo's trial. then it's off to the chair for Larry. Or is it?
34.
Voice in the Night (1934) as Photography
35.
Most Precious Thing in Life (1934) as Photography
Years after being pushed out of her husband’s life, a woman befriends her long lost son.
36.
Once to Every Woman (1934) as Photography
37.
Name the Woman (1934) as Photography
38.
One Is Guilty (1934) as Photography
39.
Whirlpool (1934) as Photography
An ex-convict tries to connect with the daughter who doesn't even know he exists.
40.
Young and Beautiful (1934) as Photography
41.
Before Midnight (1933) as Photography
A police inspector investigates the murder of a man who prophesied his own death.
42.
Laughter in Hell (1933) as Photography
43.
Fury of the Jungle (1933) as Photography
44.
Above the Clouds (1933) as Photography
45.
The Crowd Roars (1932) as Photography
A race-car driver tries to keep his brother from following in his footsteps.
46.
Cornered (1932) as Photography
Shortly after Moody Pierson saves Sheriff Tim's life, Moody is arrested for murder. Tim doesn't believe he did it and lets him get away. Kicked out as Sheriff, Tim goes after the real kiler and this leads him to the town controlled by Red Slavins.
47.
USC vs. Tulane (1932) as Camera
48.
The Flood (1931) as Camera
49.
Leftover Ladies (1931) as Photography
50.
Second Choice (1930) as Director of Photography
51.
Recaptured Love (1930) as Camera
An errant husband wants to return to his wife.
52.
Girl Overboard (1929) as Director of Photography
53.
The Time, the Place, and the Girl (1929) as Director of Photography
54.
Home James (1928) as Director of Photography
55.
13 Washington Square (1928) as Director of Photography
56.
Red Lips (1928) as Director of Photography
57.
Buck Privates (1928) as Director of Photography
58.
The Claw (1927) as Director of Photography
59.
Wild Beauty (1927) as Director of Photography
60.
The Irresistible Lover (1927) as Director of Photography
61.
Down the Stretch (1927) as Director of Photography
62.
The Love Thief (1926) as Director of Photography
63.
A Woman's Faith (1925) as Director of Photography
64.
The Price of Pleasure (1925) as Director of Photography
65.
The Home Maker (1925) as Director of Photography
66.
The Tornado (1925) as Director of Photography
67.
Head Winds (1925) as Director of Photography
68.
Wine (1924) as Director of Photography
69.
A Lady of Quality (1924) as Director of Photography
70.
Daddies (1924) as Director of Photography
71.
Listen Lester (1924) as Director of Photography
72.
The Family Secret (1924) as Director of Photography
A man who is secretly married to a rich man's daughter and disliked by her father, is arrested as a burglar when he comes to see his baby and is sent to prison. After his release, the baby wanders from home and is found by the father, who by now does not recognize her.
73.
Dollar Devils (1923) as Director of Photography
74.
A Million To Burn (1923) as Director of Photography
75.
Temporary Marriage (1923) as Director of Photography
76.
The Darling of New York (1923) as Director of Photography
77.
Blaze Away (1922) as Director of Photography
78.
The Forgotten Law (1922) as Director of Photography
79.
Mother Eternal (1921) as Director of Photography
80.
Pardon My French (1921) as Director of Photography
81.
Black Is White (1920) as Camera
82.
The Song of the Soul (1920) as Camera
83.
L'xx Apache (1919) as Camera
84.
Extravagance (1919) as Camera
85.
Naughty, Naughty! (1918) as Camera
86.
A Burglar for a Night (1918) as Camera
87.
Quicksand (1918) as Camera
88.
Love Me (1918) as Camera

Film Production - Main (feature film)

89.
Flying G-Men (1939) as Photography
90.
Mill On The Floss, The (1937) as Photography
91.
Apache, L' (1919) as Photography
92.
Kaiser's Shadow, The (1918) as Photography

Please support TCMDB by adding to this information.

Click here to contribute