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Overview for Archie Stout
Archie Stout

Archie Stout



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Also Known As: Died: March 10, 1973
Born: March 30, 1886 Cause of Death:
Birth Place: Renwick, Iowa, USA Profession: Cinematography ...


Cinematography (feature film)

Hondo (1954) as Photography
An Army man takes a widow and her son under his wing in Apache territory.
The High and the Mighty (1954) as Photography
When a commercial airliner develops engine trouble, the passengers and crew think back on the lives they could be losing soon.
The Sun Shines Bright (1953) as Director of Photography
John Ford weaves three "Judge Priest" stories together to form a good- natured exploration of honour and small-town politics in the South around the turn of the century. Judge William Priest is involved variously in revealing the real identity of Lucy Lake, reliving his Civil War memories, preventing the lynching of a youth and contesting the elections with Yankee Horace K. Maydew.
Island in the Sky (1953) as Photography
A WWII transport plane crashes in the Canadian wilderness.
Trouble Along the Way (1953) as Director of Photography
A famous football coach uses underhanded means to turn a bankrupt college's team into winners.
The Quiet Man (1952) as 2nd Unit Photography
An Irish ex-boxer retires to Ireland and searches for the proper wife.
Big Jim McLain (1952) as Director of Photography
A U.S. agent takes on communists in Hawaii.
On the Loose (1951) as Director of Photography
When she's branded as a "bad girl," a troubled teen fights for her parents' approval.
Hard, Fast and Beautiful (1951) as Director of Photography
A domineering mother tries to turn her daughter into a tennis star.
The Thing from Another World (1951) as 2nd Unit Photography
The crew of a remote Arctic base fights off a murderous monster from outer space.
Wagon Master (1950) as 2nd Unit Photography
Two wandering cowhands sign on to help a wagon train headed for Utah.
Rio Grande (1950) as 2nd unit photog
A cavalry unit located on the Mexican border must control Indian uprisings.
Outrage (1950) as Director of Photography
A rape victim runs away to escape her horrible memories.
Never Fear (1950) as Director of Photography
A dancer who has just gotten engaged to her partner is devastated to learn that she has contracted polio.
Lust for Gold (1949) as Director of Photography
A German immigrant braves the wild West in search of gold and a woman to love.
Fort Apache (1948) as Cinematographer
An experienced cavalry officer tries to keep his new, by-the-books commander from triggering an Indian war.
Angel and the Badman (1947) as Photography
When a Quaker girl nurses a notorious gunman back to health, he tries to adopt her peaceful ways.
Tarzan and the Huntress (1947) as Photography
Tarzan fights to keep a seductive female big game hunter from capturing too many animals.
Abilene Town (1946) as Director of Photography
In the years following the Civil War, the town of Abilene, Kansas is poised on the brink of an explosive confrontation. A line has been drawn down the center of the town where the homesteaders and the cattlemen have come to a very uneasy truce. The delicate peace is inadvertantly shattered when a group of new homesteaders lay down their stakes on the cattlemen's side of town, upsetting the delicate balance that had existed thus far and sparking an all-out war between the farmers, who want the land tamed and property lines drawn, and the cowboys, who want the prairies to be open for their cattle to roam.
The Story of G. I. Joe (1945) as Director of Photography
War correspondent Ernie Pyle joins an Army platoon during World War II to learn what battle is really about.
Captain Kidd (1945) as Cinematographer
An infamous pirate tries to double cross the King of England.
Tarzan and the Amazons (1945) as Photography
Archaeologists trick Boy into helping them find a hidden valley ruled by women.
It Happened Tomorrow (1944) as Director of Photography
A newspaper editor writes headlines that predict the future.
Alaska (1944) as Photography
Dark Waters (1944) as Cinematographer
Leslie Calvin, the sole survivor of a submarine accident, goes to her relatives in order to recover emotionally. Unfortunately she encounters various scam artists led by Mr. Sydney who intend to kill her and steal the family assets. Dr. George Grover helps Leslie to defeat Sydney.
Summer Storm (1944) as Director of Photography
In this filmed Chekhov adaptation, Darnell plays the alluring peasant woman who lures cynical aristocrat Sanders away from his milquetoast fiancee, with tragic consequences.
American Empire (1942) as 2d unit cam
Texas Rangers Ride Again (1940) as Director of Photography
Rebecca (1940) as 2nd unit photog
A young bride is terrorized by the memories of her husband's glamorous first wife.
Mystery Plane (1939) as Director of Photography
Mobsters kidnap a flyer who''''s invented a new targeting system.
Beau Geste (1939) as Photography
Three brothers in the French foreign legion fight off murderous Arabs and a sadistic sergeant.
Rulers of the Sea (1939) as Sea photog
Professor Beware (1938) as Photography
Egyptologist, Dean Lambert (Lloyd), accused of car-theft, skips bail and begins a cross-country trek to join a group in New York headed for Egypt. With the police close on his trail he gets in and out of scrapes along the way.
The Adventures of Marco Polo (1938) as Photography
Classic biography of the Italian explorer and his journeys to China.
The Hurricane (1937) as South Seas photog
A Polynesian escapes prison to return home during a raging storm.
Borderland (1937) as Photography
Hoppy goes undercover as an outlaw (which permits him, for once, to drink and be mean to children) to track down a bunch of outlaws operating along the border. Loco, the head bad guy, deflects suspicion from himself by pretending to be a moron.
Hills of Old Wyoming (1937) as Photography
In the 10th film of the 66 Hopalong Cassidy movies, Russell Hayden makes his first (of 27 consecutive) appearances as Cassidy's sidekick/protege "Lucky" Jenkins. The character's actual name in the many Clarence E. Mulford books that featured him was "Mesquite" Jenkins, and Hayden's role was billed in this film as Mesquite "Lucky" Jenkins, and this film was the first and last mention of Mesquite Jenkins. This initial pairing of the trio of William Boyd,Russell Hayden and George Hayes(who only became known as "Gabby" when he wasn't allowed by Paramount to carry his "Windy" moniker to Republic when he departed the Cassidy series, which makes any pre-1939 cast listing showing a credit listing for a George "Gabby" Hayes a misnomer and in error for those who don't care for revisionist film history) is the one that many western-film and/or Cassidy devotees consider the best of all the trio pairings in the series. This one finds the ranchers near a Wyoming Indian reservation suffering heavy losses because of cattle rustlers that leave signs that the Indians are the culprits. Hopalong Cassidy (William Boyd) and his pals, Mesquite "Lucky" Jenkins (Russell Hayden) and "Windy" Halliday (George Hayes) buy the Bar Three ranch in the territory, and Cassidy suspects Andrews (Morris Ankrum as Stephen Morris), the deputy government agent in charge of the reservation, of being the head of the rustlers. When Lone Eagle (Steve Clemente), a half-breed secretly working with the gang, is found murdered, Andrews incites the Indians to make war on the white men. Cassidy, as the leader of the ranchers, gains the confidence of the Indian chief (Chief John Big Tree, in a role not unsimilar to his later one pow-wowing with John Wayne in "She Wore A Yellow Ribbon") by pointing out that Lone Eagle was "half-bad because he was half-white", and with the help of an Indian scout proves that Andrews killed Lone Eagle. The Indians then join forces with the ranchers in a Cassidy-led mounted charge against the rustler's stronghold, with the effective agitato score written by Lee Zahler for the earlier "Borderland" as the stirring background music.
Three on the Trail (1936) as Photography
An evil gang is involved in both cattle rustling and the robbing of stagecoaches. Hoppy must stop them without help from the sheriff who turns out be a major outlaw himself.
Heart of the West (1936) as Photography
The sixth of the Hopalong Cassidy films, with the story source credited to Clarence E. Mulford's "Mesquite Jenkins, Tumbleweed", finds Hopalong Cassidy (William Boyd) and his young pal, Johnny Nelson (Jimmy Ellison), leaving their Bar 20 home range to answer a letter oferring them jobs on the Tumbling-L Ranch of Big John Trumbull (Sidney Blackmer) near Yucca. Before they arrive in town, they save an old wrangler named Windy (George Hayes, long before there was a George "Gabby" Hayes) from drowning, who has been fired on from ambush as he was delivering a valuable stud bull to the depot. Windy, whose sole trusted weapon is a blacksnake whip, tells them he works for the Three-J Ranch adjoining Trumbull's spread. Hoppy and Johnny soon learn that Trumbull's outfit isn't the kind they want to work for, turn down the job offer, and take work with the Three-J, operated by easterner Jim Jordan (Charles Martin) and his sister Sally (Lynn Gabriel.) Jordan is planning on fencing in his grazing land, but Trunbull swears this won't happen because, unknown to the other ranchers, Trumbull's men have been driving rustled cattle through a pass on the Jordan land. Hoppy and Johnny aid Jordan in getting his fence up, while Trumbull's men first try to stop them by gun warfare and then by starting a stampede of rustled cattle toward the narrow pass where the fence is being erected. Hoppy dynamites a dam, releases a torrent of water, and then succeeds in turning back the herd on the rustlers. The troubles at the Three-J are over and Hoppy and Johnny head back to the Bar 20.
Sea Spoilers (1936) as Cinematographer
When a Coast Guard commander arrives at his actress girlfriend''''s yacht, he finds the owner killed and his girlfriend missing.
Trail Dust (1936) as Photography
When Hoppy agrees to lead a large cattle drive north he runs into lots of trouble. First Anderson and Wilson join the drive to do what damage they can. Then Lewis and his men posing as Tail officials try to cut out part of the herd. When Hoppy sees through this ruse, they rustle some cattle and burn the camp.
Hopalong Cassidy Returns (1936) as Photography
When a miner is murdered before he can file his claim, Editor Saunders sends for Hoppy. Now the new Marshal, Hoppy learns Lilli Marsh owns the murdered miner's claim and her henchman Blackie was the killer. After Hoppy and the ranchers take care of Blackie's gang, Hoppy goes alone to face Blackie and Lilli.
Call of the Prairie (1936) as Photography
Hoppy returns to find Johnny in trouble. Buck Peters has been shot by Porter who made it look like Johnny did it. When Johnny flees he runs into Linda. He takes a liking to her only to learn her father Shanghai is one of Porter's gang. Going after Shanghai, he gets captured by the gang and Porter now plans to kill him. But Hoppy is near by and Johnny will get unexpected help from Shanghai.
Conflict (1936) as Cinematographer
Pat's ability as a logging/mining camp fighter sets him up to box prizefighter Corrigan. Unknown to his supporters, he's actually in collusion with Corrigan to throw the fight - until he runs into reporter Maude.
The Texas Rangers (1936) as 2nd unit photog
Texas Terror (1935) as Photography
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers. He encounters his dead buddy's sister and helps her run her ranch. Then she finds out about his past.
Nevada (1935) as Photography
The Eagle's Brood (1935) as Photography
When his son is killed by Big Henry, the bandit El Toro receives a note from Dolores saying his grandson is in danger. Setting out to retrieve him, he saves Hoppy's life. Hoppy then takes over the task knowing lawmen are looking for El Toro. Hoppy finds Dolores only to see her killed by Big Henry. Johhny then uses the mud on Dolores' boots to find the boy. But he was followed and Big Henry, now on to Hoppy's game and knowing the boy's location, sends Hoppy into a trap.
Paradise Canyon (1935) as Photography
Sent to find counterfeiters, John Wyatt joins Doc Carter's medicine show. They arrive in the town where Curly Joe runs his counterfeiting operation. Carter was once framed by Curly Joe and Curly Joe tries to get rid of him. But John foils his attempts and learning Curly Joe is the counterfeiter, goes after him.
Hop-Along Cassidy (1935) as Photography
An evil ranch foreman tries to provoke a range war by playing two cattlemen against each other while helping a gang to rustle the cattle. Each cattleman blames the other for missing cattle. With the help of Bill Cassidy (Hop-along, because of an earlier bullet wound) and Johnny Nelson, the warring cattlemen join forces to do in the outlaws.
Lawless Range (1935) as Photography
John Middleton is investigating cattle rustling when he is captured and tossed into a cave with Emmett, a rancher who disappeared earlier. They help each other escape and learn that a local banker is trying to scare everyone away to grab up some secret gold mines.
Westward Ho (1935) as Photography
Ballard's trail jumpers attack the Wyatt Company wagon train, killing young John's parents and kidnaping his brother, Jim. In post-Civil War California, John Wyatt, now a man, pulls together a vigilante posse, The Singing Riders, who all ride white horses, dress alike, and ride the trails singing and rounding up outlaw gangs. Meanwhile, John is ever on the lookout for the gang that murdered his parents.
The Desert Trail (1935) as Photography
Rodeo star John Scott and his gambler friend Kansas Charlie are wrongly accused of armed robbery. They leave town as fast as they can to go looking for their own suspects in Poker City.
The Dawn Rider (1935) as Photography
John Mason is hit with a bullet. Alice who nurses him turns out to be the sister of the man Mason is looking for, the man who gunned down his father.
Rocky Mountain Mystery (1935) as Photography
A mining engineer teams up with a crusty deputy sheriff to solve the mystery killings at an old mine where the owner's family waits for him to die, and where a valuable radium strike may have been made.
Bar 20 Rides Again (1935) as Photography
Rancher Arnold sends for Hoppy and Red to help fight the cattle rustler Nevada and his gang. Hoppy poses as a gambler to get on Nevada's ranch and meet the snuff taking boss who pictures himself another Napoleon. Hoppy's smoke signal alerts Arnold's men leading to a massive gunfight.
Happy Landing (1934) as Photography
The Star Packer (1934) as Photography
A U.S. Marshall takes on the job of defeating a mysterious criminal.
'Neath the Arizona Skies (1934) as Photography
Chris Morrell, the guardian of Indian girl Nina, is helping her track down her missing father. Until he is found, she is the heir to a rich oil field and in danger from Sam Black, whose gang is out to steal the lands. The outlaws knock out Chris and dress him in the clothes of a wanted bank robber. When Chris awakes, he discovers that now he must continue the quest while running from the law himself.
Sing Sing Nights (1934) as Photography
Sixteen Fathoms Deep (1934) as Photography
The House of Mystery (1934) as Photography
West of the Divide (1934) as Photography
Ted Hayden impersonates a wanted man and joins Gentry's gang only to learn later that Gentry was the one who killed his father. He saves Virginia Winters' dad's ranch from Gentry and also rescues his long-lost brother Spud.
Blue Steel (1934) as Photography
When Sheriff Jake sees a man at the safe and then finds the payroll gone, he trails him. Just as he is about to arrest him, the man saves his life. Still suspicious, he joins up with the man and later they learn that Melgrove, the towns leading citizen, is trying to take over the area's ranches by having his gang stop all incoming supply wagons. With the ranchers about to sell to Melgrove, the two newcomers say they will bring in provisions.
The Man from Utah (1934) as Photography
The Marshal sends John Weston to a rodeo to see if he can find out who is killing the rodeo riders who are about to win the prize money. Barton has organized the rodeo and plans to leave with all the prize money put up by the townspeople. When it appears that Weston will beat Barton's rider, he has his men prepare the same fate for him that befell the other riders.
The Lawless Frontier (1934) as Photography
Two gunmen team up to take on a Mexican bandit who''''s done them both wrong.
Monte Carlo Nights (1934) as Photography
Mystery Liner (1934) as Photography
An Army major tries to catch enemy agents on an ocean liner.
The Trail Beyond (1934) as Photography
Rod Drew has been sent to find a missing miner and his daughter. He is joined by old friend Wabi whom he has to rescue from card cheats that framed him for murder. Later they find a skeleton and a map to a mine. When they put the map into a safe, a LaRocque henchman sees them. LaRocque wants the map and captures the Mountie sent to get Wabi. His man then dressed as the Mountie captures Rod and Wabi.
Randy Rides Alone (1934) as Photography
An undercover agent searches for a murderous outlaw.
Flirting with Danger (1934) as Photography
The Lucky Texan (1934) as Photography
Jerry Mason (Wayne), a young Texan, and Jake Benson (Hayes), an old rancher, become partners and strike it rich with a gold mine. They then find their lives complicated by bad guys and a woman.
The Last Round-Up (1934) as Photography
Breed of the Border (1933) as Photography
Joe has Cowboy-Race Driver Brent drive him to the border where his men slug Brent, and he shoots Stafford and takes his bonds. Brent's old friend Chuck arrives and the two head out to find the gang and recover the bonds.
The Fugitive (1933) as Photography
Galloping Romeo (1933) as Photography
Riders of Destiny (1933) as Photography
Badguy Kincaid controls the local water supply and plans to do in the other ranchers. Government agent Saunders shows up undercover to do in Kincaid and win the heart of one of his victims Fay Denton.
Under the Tonto Rim (1933) as Photography
Oliver Twist (1933) as Photography
In Dickens' classic tale, an orphan wends his way from cruel apprenticeship to den of thieves in search of a true home.
The Mysterious Rider (1933) as Photography
Fighting Texans (1933) as Photography
Nash makes fast talking salesman Graves the manager of a new oil well being drilled. Graves continues his sales pitch getting the townspeople to buy shares in the well. When Nash arrives, shuts down the well, takes the money and leaves, and the angry mob starts to gather, Graves is in trouble.
Sagebrush Trail (1933) as Photography
A man, wrongly imprisoned for murder, escapes to track down the real killer.
Rainbow Ranch (1933) as Photography
Ranger's Code (1933) as Photography
Sunset Pass (1933) as Photography
Hidden Valley (1932) as Photography
Riders of the Desert (1932) as Photography
From Broadway to Cheyenne (1932) as Photography
When Owens' gang shoots it out in a New York nightclub, detective Breezy Kildare is wounded. After he recovers he takes a vacation at his father's ranch in Wyoming. Here he meets Owens again and finds him running a protection racket. When Breezy tries to stop him, Owens makes plans to eliminate Breezy.
Texas Buddies (1932) as Photography
Mason of the Mounted (1932) as Photography
Heritage of the Desert (1932) as Photography
Nabb controls the pass and lets all the ranchers through except Holderness and his stolen cattle. When Nabb refuses to sell, Holderness works an his son Snap who has run up gambling debts. There is more trouble when Snap becomes jealous of Judy's attraction to the surveyor Jack. When Holderness has Snap killed, everyone heads to town for the showdown.
Self-Defense (1932) as Photography
South of Santa Fe (1932) as Photography
The Ghost City (1932) as Photography
Honor of the Mounted (1932) as Camera
Single-Handed Sanders (1932) as Photography
The cattlemen send a note to Judge Jim Parker (Gordon DeMain as G. D. Woods) warning him to quit giving credit to the homesteaders, whom they assert, are ruining the range. Parker declares that his store will continue to give credit to the homesteaders and, incensed at his defiance, the cattlemen kill him. As he is dying, he tells his daughter Alice (Margaret Morris) and Matt Sanders (Tom Tyler), honest blacksmith, to carry on the fight to protect the homesteaders. Matt declares that he will, with the assistance of his brother, Phillip (Robert Manning), who is expected back from law school after an absence of many years. Phillip returns and is elected Judge by mostly the homesteaders vote. He is pleased with his new position, and also pleased with the friendship of Senator Graham (John Elliott) who holds out the bait of election to the Governor's chair if he will betray the homesteaders. He persuades Alice to mortgage her water rights to Senator Graham in order to have the money to extend further credit to the homesteaders. Despite several machinations by Graham and the cattlemen, mostly blocked by Matt, the homesteaders make a bumper crop and pay Alice back. Taking the money to the bank so she will have it in time to meet Graham's note, a galloping rider takes it from her. Snowflake (Fred Toones), who works for Matt, tells him of a conversation he overheard between Phillip and Graham when he was delivering a newly-shod horse to the Senator that reveals the Senator and Phillip connived to have the money stolen, so the mortgage can be foreclosed, and drive out the homesteaders. Matt refuses to believe the story, but finds proof in Phillip's desk. Matt and Phillip fight, with Matt winning and then going to rally the homesteaders to prevent the cattlemen from taking over.
Son of Oklahoma (1932) as Photography
Young Blood (1932) as Photography
Nick is a modern day Robin Hood. But he has to split with his gang and the crooked Sheriff. When the Sheriff kills the Countess he arrests Nick. When they put the rope around his neck Nick reaches for the confession he got from the Sheriff, but it is missing.
Law of the West (1932) as Photography
Flames (1932) as Photography
The County Fair (1932) as Photography
Police Court (1932) as Photography
The Fighting Champ (1932) as Photography
Law of the North (1932) as Photography
Lucky Larrigan (1932) as Photography
Typical of the Trem Carr-produced Monogram westerns starring Rex Bell, this one opens in the East with Craig Larrigan (Rex Bell)as a polo-playing playboy who has no use for the West nor the western way of life. Rancher Jess Bailey (John Elliott), accompanied by his daughter Virginia (Helen Foster), comes east to get his eastern-business partner John Larrigan (Wilfred Lucas, who despite the usually incorrect source that thinks so, did not direct this film)to advance him more money to keep their rustler-plagued ranch afloat, and Craig and Virginia strike up a romance, which is going nowhere fast because of his elitist attitude. The contrived motivation to get the Bell character out west makes less sense than usual, and the incidents that follow carry no logic either.
God's Country and the Man (1931) as Photography
Tex Malone is sent to the border where Livermore is smuggling guns across. Other government agents are already there, and after Livermore kills one, he captures the Mexican agent and then overhears that his girl friend Rose is an American agent. Tex, attracted to Rose, rescues the Mexican agent only to learn that Livermore has given Rose to a band of Mexican outlaws.
The Ridin' Fool (1931) as Photography
Ships of Hate (1931) as Photography
Son of the Plains (1931) as Photography
The Montana Kid (1931) as Photography
Larson cheats Burke at cards, has him sign over the deed to his ranch disguised as an IOU, and then kills him in a supposedly fair gunfight. This sends Bill Denton into action and he robs Larson and his henchman Gabby until he has enough money to buy back the ranch. When Larson realizes he received his own money back, both Larson and his men and the Marshal go after Denton.
Oklahoma Jim (1931) as Photography
It Pays to Advertise (1931) as Photography
Gun Smoke (1931) as Photography
Following a killing and robbery in a big city back east, gang leader Kedge Darvas(William 'Stage' Boyd) and some of his henchies take a train to a small western town in Idaho, with intentions of hiding out there until things cool down back in Chi or NYC, or wherever they lammed from.They are welcomed with open arms by the citizens under the impression they are there as capital investors with money to spend. Before long, Darvas figues the town is ripe for the taking and sends word for reinforcements, and each arriving train unloads a few suits and snappy-brim hats.Then they get rough, kill Sheriff Posey Meed(Guy Oliver)and rile up the citizens, led by cowhand Brad Farley(Richard Arlen), who had Darvas spotted for a wrong number just by the way he made moves on Sue Vancey(Mary Brian.)
The Conquering Horde (1931) as Photography
Galloping Thru (1931) as Camera
Producer Trem Carr would remake this film at Lone Star/Monogram in 1935 as "The Dawn Rider" with John Wayne, and again in 1938 at Universal as "Western Trails" with Bob Baker. The local express agent, the father of Tom McGuire (Tom Tyler), is killed during a robbery. In the chase that follows Tom is wounded and taken by his friend, Sandy Thompson (Al Bridge as Alan Bridge), to the home of Janice Warren (Betty Mack) to recover. Janice and Tom soon fall in love, and that brings complications as Sandy is also in love with Janice, and Tom believes that her brother Cliff (Gordon DeMain as G. D. Woods), is one of the gang members that robbed the express office. Cliff challenges Tom to a shoot-out in the street. Tom accepts, not knowing that his guns have been emptied by the jealous Sandy. The latter, in a change of heart, steps into the duel and shoots Cliff just before he is shot down from ambush by saloon owner Willis (Stanley Blystone), the secret leader of the gang. Willis is captured by Tom and Tom takes Sandy to the doctor (Si Jenks.) Cliff confesses before dying to his role in the robbery, and Tom and Janice are reconciled.
Rider of the Plains (1931) as Photography
Law of the Sea (1931) as Photography
Land of Wanted Men (1931) as Photography
Sunrise Trail (1931) as Photography
Two Fisted Justice (1931) as Photography
Partners of the Trail (1931) as Photography
Near the Trail's End (1931) as Photography
Bart Morgan controls the town of Cactus City and is keeping all men away from Jane Rankin. When Johnny Day arrives and takes an interest in Jane, Morgan tries to kick him out. Johnny refuses to go and the stage is set for a showdown.
In Line of Duty (1931) as Photography
Mother and Son (1931) as Photography
Forgotten Women (1931) as Photography
The Benson Murder Case (1930) as Director of Photography
Young Eagles (1930) as Director of Photography
Dangerous Paradise (1930) as Director of Photography
A young man named Heyst, soured on civilization, lives alone on a remote island "somewhere east of Suez". On one of his periodic visits to Sourabaya, he meets Alma, red-haired entertainer at Schomberg's bistro. To escape the sexual harassment of her bosses, Alma stows away on Heyst's boat and becomes his guest. Will she take the next steamer out... or become mistress of the island? Before this question is resolved, three cutthroats arrive seeking a mythical treasure...
The Sea God (1930) as Director of Photography
The Return of Dr. Fu Manchu (1930) as Director of Photography
Derelict (1930) as Director of Photography
Manslaughter (1930) as Director of Photography
Men Are Like That (1930) as Director of Photography
Darkened Rooms (1929) as Director of Photography
Varsity (1928) as Director of Photography
The Drivin' Fool (1923) as Director of Photography
His Nibs (1921) as Director of Photography

Visual Effects (feature film)

The Westerner (1940) as Special Effects
A drifter accused of horse stealing faces off against the notorious Judge Roy Bean.

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