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Peter Bogdanovich

Peter Bogdanovich


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Mask DVD ... "Mask" (1985) is a true story about Rocky Dennis, a young boy who suffers from a... more info $9.99was $9.99 Buy Now

The Cat's... The 1920s provide the backdrop for Peter Bogdanovich's 2001 film, a fictitious... more info $14.98was $14.98 Buy Now

Nickelodeon /... This director's-choice double feature includes two classics from filmmaker Peter... more info $22.99was $22.99 Buy Now

The Last... Peter Bogdanovich directed this love letter to the golden age of Hollywood about... more info $14.99was $14.99 Buy Now

The Dukes DVD ... Chazz Palminteri and Robert Davis hit high notes in the jazzy heist comedy"The... more info $14.98was $14.98 Buy Now

A Decade Under... Take a look back at the 1970s - an amazing era in film - with the men who made... more info $19.95was $19.95 Buy Now

Also Known As: Died:
Born: July 30, 1939 Cause of Death:
Birth Place: Kingston, New York, USA Profession: Cast ...


"I always looked at them [Bogdanovich and Polly Platt] like a replay of the old saying about Fred Astaire and Ginger Rogers: 'He gave her class, she gave him sex.' With Peter and Polly, it was: 'He gave her the nerve, she gave him all her best ideas.'" --an unidentified former friend of the couple, quoted in Movieline, c. 1995.

"I think [Fritz] Lang said he was advised don't have an affair with an actress. And Lang said, 'I didn't listen.' And I thought when I was doing the interview, I didn't know what was in store. That was five years before "The Last Picture Show" (and the affair with Cybill Shepherd). Well, it's an occupational hazard--you're creating somebody in a way." --Peter Bogdanovich to the Los Angeles Times, May 15, 1997.

" ... The generation that we're dealing with in my book, which covers 16 directors who were born between 1885 and 1924, grew up either with no films or silent films. Silent film was a medium in which the goal was to convey everything visually without dialogue and without titles.

"When sound came in, the whole question of 'how do you convey this fleeting thought, this plot point, this nuance of character visually' became, 'What kind of dialogue can we write?' There's the difference right there. It's only because the great veterans of the silent era--most of them--continued well into the talking era that the talkies from '29 to '61 or '62 had as much visual power and impact as they did. Despite the fact that sound or dialogue came to dominate, the most effective moments in all their films are still silent moments, and they knew that." --Bogdanovich in Moviemaker, January 1998.

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