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Overview for Sam Shepard
Sam Shepard

Sam Shepard


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The Right... REPACKAGED. ECO AMARAY. In the middle of the 20th century, America pondered it's... more info $7.46was $14.98 Buy Now

The Pelican... Riveting thriller based on John Grisham's bestseller stars Julia Roberts as a... more info $7.46was $5.98 Buy Now

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Fool for Love ... Cowboy drifter Eddie (Shepard) reconnects with May (Basinger), the love of his... more info $11.45was $19.98 Buy Now

Bright Angel ... A teenaged Montana boy, shaken by events at home, agrees to take a runaway girl... more info $11.45was $19.95 Buy Now

Far North ... Charles Durning, Jessica Lange, Sam Shepard. The story of a city woman who, upon... more info $11.45was $19.95 Buy Now

Also Known As: Died: July 30, 2017
Born: November 5, 1943 Cause of Death: Amytrophic lateral sclerosis (Lou Gehrig's disease)
Birth Place: Fort Sheridan, Illinois, USA Profession: Cast ...


He received a 1967 Rockefeller Foundation grant and a 1968 Guggenheim Foundation grant.

Shepard was awarded a fellowship from Yale University in 1968 and one from the University of Minnesota in 1969

Brandeis University presented him with the Creative Arts Medal in 1976.

"I still haven't gotten over this thing of walking down the street and somebody recognizing you because you've been in a movie. There's this illusion that movie stars only exist in the movies. And to see one live is like seeing a leopard let out of the zoo." --Sam Shepard quoted in The New York Times, November 13, 1994.

About why betrayal is so central to his work: "I feel it's in my bones somehow. It's something that has not only affected me personally, being raised up in this country, but that is in the whole fabric of the culture. I can't put my finger on it and I don't have the cure for it and I would never pretend to. It certainly feels, as time goes by, that there is a very mysterious betrayal of some kind that we don't understand. We keep paying for it and paying for it and we don't know why we're paying for it. There's all kinds of sociological bullshit you can explain it away with--genocide, for example--but we can't seem to come to terms with it as Americans. We don't seem to be able to face what has actually become of us." --Shepard in Interview, June 1996.

Writing to Joseph Chaikin in 1983: "Something's been coming to me lately about this whole question of being lost. It only makes sense to me in relation to an idea of one's identity being shattered under severe personal circumstances--in a state of crisis where everything that I've previously identified with myself suddenly falls away. A shock state, I guess you might call it. I don't think it makes much difference what the shock itself is--whether it's trauma to do with a loved one or a physical accident or whatever--the resulting emptiness or aloneness is what interests me. Particularly to do with questions like home? family? the identification of others over time? people I've known who are now lost to me even though still alive." --Sam Shepard quoted in American Theatre, July-August 1997.

"The really tragic thing about [Oedipus] isn't that he lost his eyes. The tragic thing is that he did everything he could to get out of his fate, and he just went falling right into it ... That really compels me." --Sam Shepard to New York, February 2, 1998.

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