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Fiona Shaw

Fiona Shaw

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Also Known As: Fiona Mary Shaw Died:
Born: July 10, 1958 Cause of Death:
Birth Place: Cork, IE Profession: actor

Biography CLOSE THE FULL BIOGRAPHY

An Irish-born stage actress often (to her dismay) compared to Vanessa Redgrave, Fiona Shaw has been making inroads onscreen as well since the late 1980s. Intense and fiercely intellectual off-stage and on, this statuesque brunette with a great aquiline profile graduated from the Royal Academy of Dramatic Art in 1982 and promptly made her debut in "Love's Labour's Lost." Since then, she has turned in one powerful--sometimes controversial--stage performance after another, including Celia in "As You Like It" (1985), Erika in "Mephisto" (1986), a near-psychotic Katherine in "The Taming of the Shrew" (1987-1988) and "Mary Stuart" (1988 and 1996), earning a reputation as a superb classical actress/daredevil. Shaw's most hotly-debated role was as "Richard II," which she played in 1995 and which marked her sixth collaboration (since 1988) with her longtime friend, director Deborah Warner. The two made their NYC debut in 1996 with a hit staging of "The Waste Land," T. S. Eliot's 433-line poem about death and resurrection. Critics praised Shaw for her brilliant performance in the tour de force which had the actress standing alone on a bare stage, conjuring up a bleak gallery of characters lost in a realm of...

An Irish-born stage actress often (to her dismay) compared to Vanessa Redgrave, Fiona Shaw has been making inroads onscreen as well since the late 1980s. Intense and fiercely intellectual off-stage and on, this statuesque brunette with a great aquiline profile graduated from the Royal Academy of Dramatic Art in 1982 and promptly made her debut in "Love's Labour's Lost." Since then, she has turned in one powerful--sometimes controversial--stage performance after another, including Celia in "As You Like It" (1985), Erika in "Mephisto" (1986), a near-psychotic Katherine in "The Taming of the Shrew" (1987-1988) and "Mary Stuart" (1988 and 1996), earning a reputation as a superb classical actress/daredevil. Shaw's most hotly-debated role was as "Richard II," which she played in 1995 and which marked her sixth collaboration (since 1988) with her longtime friend, director Deborah Warner. The two made their NYC debut in 1996 with a hit staging of "The Waste Land," T. S. Eliot's 433-line poem about death and resurrection. Critics praised Shaw for her brilliant performance in the tour de force which had the actress standing alone on a bare stage, conjuring up a bleak gallery of characters lost in a realm of spiritual blight.

Shaw's best-known film role to date was as the sympathetic therapist with whom the cerebral palsy-afflicted Christy Brown (Daniel Day-Lewis) falls unrequitedly in love in "My Left Foot" (1988). The actress has easily moved between comedy and tragedy onstage and her film performances have also captured her facility with these shifts. Shaw made her debut as a nun caring for children during World War II in "Sacred Hearts" (1984) and following her "My Left Foot" success, has shown her versatility in diverse role ranging from the free-spirited wife of explorer Sir Richard Burton (Patrick Bergin) in "Mountains on the Moon" (1990) to her scene-stealing turn as the sex-starved head of Pileforth Academy in the comedy sequel, "Three Men and a Little Lady" (1990) to a lascivious liberal in "London Kills Me" (1991). She played over-the-top villainesses in the unworthy comedies "Super Mario Bros." and "Undercover Blues" (both 1993) before essaying fine supporting turns in "Persuasion" (1995), as the sister of the heroine's true love, and "Charlotte Bronte's 'Jane Eyre'" (1996), as the dreadful aunt. Under Warner's watchful eye, she recreated her stage triumphs as "Hedda Gabler" (1993, with Stephen Rea) and "The Waste Land" (1995). Shaw once again appeared onscreen alongside Rea and newcomer Eamonn Owens as Mrs. Nugent, the bane of existence for Owens' "The Butcher Boy" (1997) in Neil Jordan's acclaimed dark comedy about a serial killer. She was wasted in support of Sean Bean and Sophie Marceau in Bernard Rose's remake of "Anna Karenina" (also 1997) and Ralph Fiennes and Uma Thurman as a senior intelligence officer in the disastrous big screen version of "The Avengers" (1998).

Shaw lent her intelligence to the role of Hedda Hopper in the acclaimed HBO movie "RKO 281" (1999), which traced the behind the scenes machinations during the making of "Citizen Kane" in 1940-41. In 2000, she appeared in the popular BBC miniseries "Gormenghast" as Irma Prunesquallor and was prominently featured in Warner's big-screen debut "The Last September" as a sophisticated Anglo-Irish woman caught up in the decline of a great house. Co-starring stage legends Maggie Smith and Michael Gambon and executive produced by Jordan, "The Last September" was well-received by critics and art-house audiences, with Shaw singled out for praise for her virtuoso performance. Just weeks after the film hit American screens the actress returned to the stage at Dublin's Abbey Theatre as the tragic heroine in another Warner-helmed project, "Medea."

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Filmographyclose complete filmography

CAST: (feature film)

1.
2.
3.
 We Believed (2011)
5.
 Dorian Gray (2009)
7.
8.
 Fracture (2007)
9.
10.
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1980:
Trained at the Royal Academy of Dramatic Art (RADA) in London
1983:
Made professional stage debut in "Love's Labor's Lost"
1983:
Played Julia Melville in "The Rivals" at London's Olivier Theatre
1984:
Made her film debut as Sister Felicity in "Sacred Hearts"
1984:
Essayed the role of Mary Shelley in Howard Brenton's London play, "Bloody Poetry"
1985:
Joined the Royal Shakespeare Company
1986:
Portrayed Portia and Beatrice in the Royal Shakespeare Company's touring productions of "The Merchant of Venice" and "Much Ado About Nothing"
1987:
Essayed the role of Prudence in "The New Inn"
1988:
First stage collaboration with director Deborah Warner, the title role in "Electra"
1988:
Breakthrough film role, Played Dr. Eileen Cole in "My Left Foot"
1990:
Played Isabel Arundell, explorer Richard Burton's free-spirited wife, in "Mountains of the Moon"
1990:
Had a memorable role in "Three Men and a Little Lady"
1993:
Featured in "Super Mario Brothers," based on the popular video game
1995:
Portrayed the title character in Deborah Warner's London play, "Richard II"
1996:
Performed T. S. Eliot's poem "The Waste Land" as a one-person show at the Liberty Theatre in New York
1998:
Co-starred as the imperious neighbor in Neil Jordan's "The Butcher Boy"
1998:
Starred in London revival of "The Prime of Miss Jean Brodie"
1998:
Co-starred opposite Ralph Fiennes and Uma Thurman in the big-screen version of "The Avengers"
1999:
Portrayed Hollywood gossip columnist Hedda Hopper in HBO's "RKO 281"
1999:
Co-starred in Deborah Warner's feature directorial debut, "The Last September"
1999:
Made her Royal National Theatre directorial debut with the touring production of George Bernard Shaw's "Widowers' Houses"
2000:
Appeared as Irma Prunesquallor in the BBC miniseries, "Gormenghast"
2000:
Directed by Deborah Warner in "Medea" at Dublin's Abbney Theatre
2001:
Played Aunt Petunia in "Harry Potter and the Sorcerer's Stone"
2002:
Reprised role of Aunt Petunia for "Harry Potter and the Chamber of Secrets"
2004:
Appeared in the thriller, "Close Your Eyes"
2004:
Reprised role of Aunt Petunia for "Harry Potter and the Prisoner of Azkaban"
2007:
Reprised role of Aunt Petunia for "Harry Potter and the Order of the Phoenix"
2007:
Co-starred with Jennifer Garner in "Catch and Release"
2008:
Directed her first opera, "Riders to the Sea" at the English National Opera
2009:
Played the lead role in Tony Kushner's translation of "Bertolt Brecht's Mother Courage and Her Children"
2010:
Reprised role of Aunt Petunia for the seventh and final installment of the series directed by David Yates, "Harry Potter and the Deathly Hallows: Part 1"
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Education

University College, Cork: -
Royal Academy of Dramatic Art: London , England - 1982

Notes

"I take the theatre seriously in that I loathe it, I'm bored by it. I find it incredibly tedious, I hate that it murders itself with its own conservative pomposity . . . It's praised for fulfilling the expectations of the audience when it should surpass the expectations of the audience . . . The nice thing about movie roles is that someone else has done all the worrying. I had lots of qualms about doing 'Three Men and a Little Lady,' only to find that it caused more delight to more children in the world than all my worried projects put together." --Fiona Shaw quoted at Salon in 1995

Sydney Weinberg in Time Out New York, (November 21-28, 1996) describes Fiona Shaw and Deborah Warner as "not so much The Terrible Twins as T.S. Eliot's 'mermaids singing to each other'."

Describing long-time collaborator Deborah Warner at Salon (January 17, 1997), Shaw said: "I can be brave as a lion and go further than I would dare go with anyone else because I trust her totally. Her taste is impeccable".

"I don't suppose any of us involved in the classical theater here thought we could have or particularly wanted film careers. Film is about faces, especially for women, and theater is about acting". --Fiona Shaw to the Daily News April 23, 2000

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