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Dean Semler

Dean Semler

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Also Known As: Died:
Born: Cause of Death:
Birth Place: Australia Profession: director of photography, director, 2nd unit director

Biography CLOSE THE FULL BIOGRAPHY

Semler gained his training as a camera operator at a local TV station in his native Australia. Within months, he had begun to work as a cameraman, shooting news stories for the station, which, in turn, led to a nine-year stint at Film Australia. Not only did Semler work as a documentary filmmaker but he also shot anthropological films for educational and research purposes.Semler shot his first film, Chris Noonan's "Stepping Out" (1980). He garnered attention in his homeland for his stunning work on "Hoodwink" (1981), which imbued the beauty of the Outback with symbolism. International attention came the same year for his kinetic depiction of arid, detritus-strewn wastelands in George Miller's "The Road Warrior". He went on to shoot the equally bleak landscape for "Mad Max Beyond Thunderdome" (1985). Semler was also responsible for the thrilling camerawork on Simon Wincer's "The Lighthorseman" (1987), the innovative look of the Australian comic Western "Bullseye" and the tension-inducing beauty of isolation of Philip Noyce's "Dead Calm" (both 1989).Hollywood beckoned in 1988 with Roger Donaldson's pleasant but forgettable "Cocktail" and Christopher Cain's revisionist Western "Young Guns". Semler won...

Semler gained his training as a camera operator at a local TV station in his native Australia. Within months, he had begun to work as a cameraman, shooting news stories for the station, which, in turn, led to a nine-year stint at Film Australia. Not only did Semler work as a documentary filmmaker but he also shot anthropological films for educational and research purposes.

Semler shot his first film, Chris Noonan's "Stepping Out" (1980). He garnered attention in his homeland for his stunning work on "Hoodwink" (1981), which imbued the beauty of the Outback with symbolism. International attention came the same year for his kinetic depiction of arid, detritus-strewn wastelands in George Miller's "The Road Warrior". He went on to shoot the equally bleak landscape for "Mad Max Beyond Thunderdome" (1985). Semler was also responsible for the thrilling camerawork on Simon Wincer's "The Lighthorseman" (1987), the innovative look of the Australian comic Western "Bullseye" and the tension-inducing beauty of isolation of Philip Noyce's "Dead Calm" (both 1989).

Hollywood beckoned in 1988 with Roger Donaldson's pleasant but forgettable "Cocktail" and Christopher Cain's revisionist Western "Young Guns". Semler won further praise for his work on John Milius' "Farewell to the King" (1989) and garnered some of the best notices of his career and a 1990 Oscar for Best Cinematography for the stirring images (breathtaking landscapes, battle sequences and a buffalo stampede) of Kevin Costner's autumnal Western "Dances With Wolves". Subsequent work has included Ron Underwood's "City Slickers" (1991), the video game universe of "Super Mario Brothers", the cartoon-like world of "The Last Action Hero" (both 1993) and a return to the "Mad Max" post-apocalyptic look in Kevin Reynolds' "Waterworld" (1995).

Despite his big screen success, Semler has still worked on TV projects, including the Australian soap operatic miniseries "Return to Eden" (syndicated, 1984) and the Joseph Sargent- directed American TV-movie, "Passion Flower" (CBS, 1986). He has also acted as 2nd unit director on two epic miniseries: Simon Wincer's Western "Lonesome Dove" (CBS, 1989), which included numerous scenes of a cattle drive; and "Son of the Morning Star" (ABC, 1991), which recreated the Battle of Little Bighorn.

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Filmographyclose complete filmography

DIRECTOR:

1.
  Firestorm (1998) Director
2.
3.
  Super Mario Bros. (1993) 2nd Unit Director (2nd Unit)
4.

CAST: (feature film)

1.
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

:
Began career as camera operator at a TV station before becoming a TV news cameraman
:
Worked as documentary cameraman with Film Australia for nine years (shot 23 films; eight of which won major awards) and shot anthropological films designed for education and research
1976:
First credit as director of photography on a fiction film, "Let the Balloon Go", shot for public TV
1981:
First theatrical feature, "Hoodwink"
1981:
First collaboration with George Miller, "The Road Warrior"
1985:
Shot Miller's "Mad Max Beyond Thunderdome"
1986:
American TV-movie debut, "Passion Flower"
1987:
Was director of photography for Simon Wincer's "The Lighthorseman"
1988:
First US production, "Cocktail"
1988:
First film shot in US, "Young Guns"
1989:
American TV miniseries debut, "Lonesome Dove", directed by Wincer
1990:
First collaboration with Kevin Costner, "Dances With Wolves"
1995:
Was cinematographer on "Waterworld", starring Costner
1998:
Feature directorial debut, "Firestorm"
1999:
Shot "The Bone Collector"
2000:
Was cinematograper on "Nutty Professor II: The Klumps"
2002:
Garnered praise for lensing "We Were Soldiers"
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Companions close complete companion listing

wife:
Annie Semler.

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