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Victor Seastrom

Victor Seastrom

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Also Known As: Victor Seastrom, Viktor David Sjostrom, Victor Sjstrm Died: January 3, 1960
Born: September 20, 1879 Cause of Death:
Birth Place: Sweden Profession: director, actor

Biography CLOSE THE FULL BIOGRAPHY

One of the most influential forces in the development of the Swedish cinema, Sjostrom began his career as a professional actor in 1896, as a member of Ernst Ahlbom's travelling theater company. He worked as both an actor and director for a number of Swedish companies during the next 16 years. In 1911 he formed his own company along with Einar Froberg, and, in 1913, was offered a film contract by Svenksa Bio.Throughout his career, reviewers of Sjostrom's performances seldom failed to mention his distinctive, monumental face, as rich and alive as any landscape. Likewise, Sjostrom's films as a director, which he often wrote and starred in, gained their greatest acclaim for his expressive use of landscape and natural scenery. Sjostrom's first great success came during the years 1917-1921, which saw his four film adaptations of novels by Swedish Nobel laureate Selma Lagerlof (three of which he also starred in), including two films that many consider as among his directorial masterpieces, "The Outlaw and His Wife" (1918) and "Thy Soul Shall Bear Witness/The Phantom Chariot" (1920).Although Sjostrom's Swedish films were generally considered too downbeat for American audiences (a trade magazine warned...

One of the most influential forces in the development of the Swedish cinema, Sjostrom began his career as a professional actor in 1896, as a member of Ernst Ahlbom's travelling theater company. He worked as both an actor and director for a number of Swedish companies during the next 16 years. In 1911 he formed his own company along with Einar Froberg, and, in 1913, was offered a film contract by Svenksa Bio.

Throughout his career, reviewers of Sjostrom's performances seldom failed to mention his distinctive, monumental face, as rich and alive as any landscape. Likewise, Sjostrom's films as a director, which he often wrote and starred in, gained their greatest acclaim for his expressive use of landscape and natural scenery. Sjostrom's first great success came during the years 1917-1921, which saw his four film adaptations of novels by Swedish Nobel laureate Selma Lagerlof (three of which he also starred in), including two films that many consider as among his directorial masterpieces, "The Outlaw and His Wife" (1918) and "Thy Soul Shall Bear Witness/The Phantom Chariot" (1920).

Although Sjostrom's Swedish films were generally considered too downbeat for American audiences (a trade magazine warned theater owners that they would have a better time attending their own funerals than a screening of "Thy Soul Shall Bear Witness"), the enthusiastic reviews they received for artistic excellence and sheer pictorial power made Sjostrom, along with the likes of Ernst Lubitsch, Erich von Stroheim, and Sjostrom's colleague Mauritz Stiller, a prime candidate for American import.

In 1923, Svensk Filmindustri sent Sjostrom on a study trip to America, retaining the Scandinavian distribution rights to the films he would direct for Samuel Goldwyn. During his seven-year residence in Hollywood (1923-1930), Seastrom, as he was billed in the USA, directed top stars of the day such as Lillian Gish ("The Scarlet Letter" 1926, "The Wind" 1927), Greta Garbo ("The Divine Woman" 1927), Lon Chaney and Edward G. Robinson. In a 1924 interview, Charlie Chaplin called him "the greatest director in the world."

Sjostrom made his reputation as a master of silent films by virtue of his expressive imagery and minimal use of titles. With the advent of talkies, however, his style of filmmaking was quickly outdated. He returned to Sweden in 1930 and resumed his career on the stage, although he continued to appear frequently in the films of other directors, concluding with his most memorable role, at the age of 78, as Professor Isak Berg in Ingmar Bergman's "Wild Strawberries" (1957).

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

DIRECTOR:

1.
  Under the Red Robe (1937) Director
2.
  Die Sehnsucht Jeder Frau (1930) Regie [Dir]
3.
  A Lady to Love (1930) Director
4.
  The Wind (1928) Director
5.
  The Divine Woman (1928) Director
6.
  The Masks of the Devil (1928) Director
7.
  The Scarlet Letter (1927) Director
8.
  The Tower of Lies (1925) Director
9.
  Confessions of a Queen (1925) Director
10.
  He Who Gets Slapped (1924) Director

CAST: (feature film)

1.
 Till Gladje (1973) Sonderby--Orchestra Conductor
2.
 Wild Strawberries (1957) Professor Isak Borg
3.
 Karin Ingmarsdotter (1919) Old Ingmar
5.
 Thomas Graals Basta Film (1917) Thomas Graal
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

:
Became professional actor at age 16
1911:
Made unsuccessful attempt at combining movies with live shows
:
Joined "Svenska Bio" film company
1912:
Film acting debut in "The Black Masks"
:
Made several three-reel films, including "Master of the Garden" (1912)
1913:
Debut as feature film director with "Ingeborg Holm"
1923:
Moved to Hollywood
1930:
Directed last Hollywood feature and first sound film, "A Lady to Love"
1937:
Directed last feature film in Britain, "Under the Red Robe"
1957:
Last film acting appearance in "Wild Strawberries"
VIEW ALL MILESTONES

Companions close complete companion listing

wife:
Sascha Stjagoff. Actor. First wife.
wife:
Lili Beck. Actor. Second wife.

Family close complete family listing

father:
Olef Sjostrom. Lumber manufacturer, farmer.
mother:
Elisabeth Hartman. Actor.

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