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Charles Schoenbaum

Charles Schoenbaum

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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Cinematography (feature film)

1.
Duchess of Idaho (1950) as Director of Photography
During a Sun Valley vacation, a woman tries to solve her roommate's romantic problems only to get caught in a love triangle of her own.
2.
The Outriders (1950) as Director of Photography
Rebel soldiers try to hijack a Union gold shipment.
3.
Stars in My Crown (1950) as Director of Photography
A parson uses six-guns and the Bible to bring peace to a Tennessee town.
4.
Challenge to Lassie (1949) as Director of Photography
A faithful dog changes the lives of all who know her after her master dies.
5.
Little Women (1949) as Director of Photography
The four daughters of a New England family fight for happiness during and after the Civil War.
6.
Hills of Home (1948) as Director of Photography
Lassie helps a Scottish doctor deal with his patients' problems.
7.
Summer Holiday (1948) as Director of Photography
Musical remake of Ah, Wilderness!, about a small-town boy's struggles with growing up.
8.
Cynthia (1947) as Director of Photography
A sheltered girl uses music as a means of winning her independence.
9.
Good News (1947) as Director of Photography
A football hero falls in love with his French tutor.
10.
The Mighty McGurk (1947) as Director of Photography
A punch-drunk prizefighter living on the Bowery takes in an orphaned boy.
11.
High Barbaree (1947) as Fill-in photog
A downed pilot looks back on his life as he awaits rescue in the South Pacific.
12.
Bad Bascomb (1946) as Director of Photography
A western bandit is reformed by his love for a little girl.
13.
Bud Abbott and Lou Costello in Hollywood (1945) as Director of Photography
A pair of wacky lackeys try to take Tinseltown by storm.
14.
Son of Lassie (1945) as Director of Photography
The beloved collie goes to war to help the resistance in occupied Norway.
15.
Salute to the Marines (1943) as Director of Photography
A retired Marine gets caught in the middle of the Philippines campaign.
16.
Junior Army (1942) as Director of Photography
An English refugee and a street thug go to military school together.
17.
The Remarkable Andrew (1942) as 2nd Camera
When Andrew Long, hyper-efficient small town accountant, finds a $1240 discrepancy in the city budget, his superiors try to explain it away. When he insists on pursuing the matter, he's in danger of being blamed himself. In his trouble, the spirit of Andrew Jackson, whom he idolizes, visits him, and in turn, summons much high-powered talent from American history...which only Andrew can see. Can he get out of trouble before too many people think he's crazy?
18.
Caught in the Draft (1941) as Photography
Don Bolton is a movie star who can't stand loud noises. To evade the draft, he decides to get married...but falls for a colonel's daughter. By mistake, he and his two cronies enlist. In basic training, Don hopes to make a good impression on the fair Antoinette and her father, but his military career is largely slapstick. Will he ever get his corporal's stripes?
19.
New York Town (1941) as Director of Photography
20.
Always a Bride (1940) as Director of Photography
A society girl pushes her working class boyfriend into politics.
21.
Fisherman's Wharf (1939) as Photography
An Italian fisherman's extended family is disrupted by the arrival of his widowed sister-in-law.
22.
All Women Have Secrets (1939) as Director of Photography
When they decide they might as well be penniless husbands and wives as penniless campus sweethearts, three couples at a Midwestern university, against the advice of their friends, get married. Joe (John Arledge) and Susie Tucker (Betty Moran) prove that two can live as cheap as one by setting up housekeeping in a trailer, and working at whatever odd jobs turn up. Slats (Peter Lind Hayes as Peter Hayes) and Jennifer Warwick (Virginia Dale) marry because they can fight better under the same roof then when separated, and use Jennifer's allowance from home to pay for their groceries. John Gregory (Joseph Allen Jr.), a brilliant pre-med student, and his bride, Kay (Jean Cagney), are in the most serious situation. Kay's allowance is suddenly cut off by her unsympathetic step-mother, while the scholarship on which John is depending is threatened by his inability to do two jobs at once - study all day and work at night to support them. Kay, determined to prevent John from giving up college, takes a series of back-breaking jobs in order to give him time to study. She gets a job singing in a night club, but has to quit when the stork announces an imminent arrival. Her secret, being pregnant, helps her to make up her mind to go back home and leave John free to accept the offer of a professor who wants the promising student to work with him abroad.
23.
Way Down South (1939) as Photography
A young orphan fights off attempts to steal his inheritance.
24.
Honeymoon in Bali (1939) as Fill-in dir of photog
25.
Escape to Paradise (1939) as Photography
26.
Dangerous to Know (1938) as Photography
Racketeer Steve Recka (Akim Tamiroff), art patron and political power-maker, rules his town and Madame Lan Ying (Anna May Wong), his beautiful Oriental friend and hostess (read:mistress), with an iron hand. He meets Margaret Van Kase (Gail Patrick), a socialite not impressed by his power nor his wealth, having no money herself, and Steve makes frantic efforts to win her and turns away from the loyal Lin Yang. Margaret ignores him as she plans to wed Philip Easton (Harvey Stephens), a penniless bond salesman. The furious Recka, poses as a friend to Easton, while planning to ruin him. His henchmen kidnap Easton when he is carrying a large assignment of bonds, and he is branded as a runaway thief. The only doubters are Margaret and Police Inspector Brandon (Lloyd Nolan), who knows Recka's methods and suspects foul play. Easton is found in an abandoned house and arrested as the gangsters have taken the bonds and tipped the police where to find him. Recka offers to clear Easton if Margaret will become his bride and, while her hatred for Recka is intense, her love for Easton is greater and she consents. Recka, however, has reckoned without Lan Ying.
27.
Bluebeard's Eighth Wife (1938) as Camera
A millionaire who's been married seven times courts wife number eight.
28.
Sons of the Legion (1938) as Photography
29.
Daughter of Shanghai (1938) as Photography
A young woman tracks down the smugglers who killed her father.
30.
Love on Toast (1937) as Photography
31.
Secret Valley (1937) as Photography
32.
On Such a Night (1937) as Photography
33.
Rainbow on the River (1936) as Photography
Young Phillip Ainsworth, (Bobby Breen), an orphan of the US Civil War, has been lovingly raised by Toinette, (Louise Beavers) a former slave. Toinette has big plans for the boy. She has saved her money to send him to a private school. But when the local priest, Father Josef, (Henry O'Neill) finds Phillip's family living in New York, the boy is sent north to live with people who refuse to accept him as their own. His only friend is the butler, Barrett, (Charles Butterworth). But his curmodgeon of a grandmother, (May Robson) is finally broken down by the boy's charm and good manners, and all ends happily. Along the way Breen has ample opportunity to show off his voice by singing several songs, including the title song three times.
34.
It's in the Air (1935) as Photography
35.
Here Comes the Band (1935) as Photography
A songwriters takes on the corrupt publisher who stole his music.
36.
Racetrack (1933) as Photography
37.
Skyway (1933) as Photography
38.
Tomorrow at Seven (1933) as Cinematographer
39.
Goodbye Love (1933) as Photography
40.
Sailor Be Good! (1933) as Cinematographer
41.
Men Are Such Fools (1932) as Cinematographer
42.
If I Had a Million (1932) as Photog "Death Cell" and "The Three Marines"
A dying tycoon selects his heirs at random, and each reacts differently to the good fortune.
43.
Women Go on Forever (1931) as Photography
44.
Command Performance (1931) as Photography
45.
Salvation Nell (1931) as Photography
46.
Hell Bound (1931) as Photography
47.
Woman Hungry (1931) as Photography
48.
She Got What She Wanted (1930) as Director of Photography
49.
The Rogue Song (1930) as Director of Photography
In czarist Russia, a princess falls for a dashing bandit leader, but their romance proves a stormy one.
50.
Bride of the Regiment (1930) as Director of Photography
51.
Sally (1929) as Director of Photography
A waitress dreams of becoming a Broadway star.
52.
The Water Hole (1928) as Director of Photography
53.
The Vanishing Pioneer (1928) as Director of Photography
54.
Beau Sabreur (1928) as Director of Photography
55.
Under the Tonto Rim (1928) as Director of Photography
56.
Nevada (1927) as Director of Photography
57.
Arizona Bound (1927) as Director of Photography
58.
The Mysterious Rider (1927) as Director of Photography
59.
Drums of the Desert (1927) as Director of Photography
60.
Man of the Forest (1926) as Director of Photography
61.
Born to the West (1926) as Director of Photography
62.
Forlorn River (1926) as Director of Photography
63.
The Last Frontier (1926) as Director of Photography
64.
The Vanishing American (1926) as Director of Photography
A Native American man returning from college meets racial intolerance upon returning to his reservation.
65.
Adventure (1925) as Director of Photography
David Sheldon owns a plantation in the Solomon Islands. Many of his field hands die of blackwater fever, and then he becomes sick himself. Joan Lackland, a female soldier of fortune, arrives by schooner in the islands. With the help of her Kanaka crew, she protects David from an attack by the natives who are led by Googomy. Joan nurses David back to health and becomes his business partner, protecting his mortgaged property from two avaricious moneylenders. Seeking vengeance, the moneylenders incite the natives to revolt.
66.
A Son of His Father (1925) as Director of Photography
'Big Boy' Morgan and his friend, invalid Charlie Grey, must overcome the efforts of the villainous Holdbrook to foreclose on the Los Rosas ranch and make off with the beautiful Nora Shea.
67.
The Devil's Cargo (1925) as Director of Photography
68.
In the Name of Love (1925) as Director of Photography
69.
The Heritage of the Desert (1924) as Director of Photography
70.
The Heart Raider (1923) as Director of Photography
71.
Nobody's Money (1923) as Director of Photography
72.
Mr. Billings Spends His Dime (1923) as Director of Photography
73.
Rent Free (1922) as Director of Photography
74.
Too Much Speed (1921) as Director of Photography
75.
The Charm School (1921) as Director of Photography
76.
The Hell Diggers (1921) as Director of Photography
77.
Too Much Johnson (1920) as Camera
78.
Always Audacious (1920) as Camera
79.
Held by the Enemy (1920) as Camera
80.
The Six Best Cellars (1920) as Camera
81.
Burglar Proof (1920) as Camera
82.
Miss Hobbs (1920) as Camera
83.
Love Insurance (1919) as Camera
84.
The Woman Next Door (1919) as Camera
85.
The Best Man (1919) as Camera
86.
A Very Good Young Man (1919) as Camera
87.
The Winning Girl (1919) as Camera
88.
Something to Do (1919) as Camera
89.
Why Smith Left Home (1919) as Camera
90.
It Pays to Advertise (1919) as Camera
91.
Women's Weapons (1918) as Camera
92.
The Mystery Girl (1918) as Camera
93.

Film Production - Main (feature film)

94.
Sob Sister (1931) as Still photog

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