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Overview for Milt Rice
Milt Rice

Milt Rice



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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Visual Effects ...


Visual Effects (feature film)

Buddy, Buddy (1981) as Special Effects
A suicidal neurotic keeps getting between a hit man and his job.
Urban Cowboy (1980) as Special Effects Supervisor
A Texas boy learns about love the hard way at the local honky tonk.
Stunt Man, The (1980) as Special Effects
A disturbed Vietnam vet stumbles upon a movie set and pretends to be a stunt man for an egocentric director.
Urban Cowboy (1980) as Special Effects
A Texas boy learns about love the hard way at the local honky tonk.
The In-Laws (1979) as Special Effects
The father of the groom drags the bride''s father into a series of madcap adventures.
Nightwing (1979) as Special Effects
Rabid vampire bats which are indiscriminately slaughtering cattle and humans alike on a New Mexico Indian reservation are tracked to their deadly lair by an English Biologist (David Warner) in an effort to avenge the death of his father, who was eaten by them. Duran (Nick Mancuso) is a reservation cop who doesn''t believe the tribal lore that explains the bats'' strange behavior as part of some sort of spiritual revenge.
Outlaw Blues (1977) as Special Effects
Suspected of murdering the country-western star who stole his song, an ex-convict takes it on the lam.
Damnation Alley (1977) as Special Effects
A small group of survivors at a military installation who survived World War 3 attempt to drive across the desolate wasteland to where they hope more survivors are living. Hopefully their specially built vehicles will protect them against the freakish weather mutated plant and animal life and other dangers along the way.
Gargoyles (1972)
A horror tale involving an anthropologist researching his book on demonology with his photographer daughter in a bizarre adventure that has a group of gargoyles, descendants of a monster whose skeleton the two have stumbled on, menacing the pair in order to retrieve the bones of their ancestor.
The Last Movie (1971) as Special Effects
A film shoot in Peru goes badly wrong when an actor is killed in a stunt, and the unit wrangler, Kansas, decides to give up film-making and stay on in the village, shacking up with local prostitute Maria. But his dreams of an unspoiled existence are interrupted when the local priest asks him to help stop the villagers killing each other by re-enacting scenes from the film for real because they don't understand movie fakery...
The Extraordinary Seaman (1969) as Spec visual eff
Marooned sailors discover a World War II ship haunted by its late captain.
Villa Rides (1968) as Special Effects
Drama detailing the bandit career of Mexico's folk hero, Pancho Villa.
Maya (1966) as Special Effects
An American boy runs away in the Indian jungle after a fight with his father.
Grand Prix (1966) as Special Effects
Auto racers find danger and romance at the legendary European road race.
Kiss Me, Stupid (1964) as Special Effects
A small-town songwriter tries to sell his work to a stranded singing star.
Irma La Douce (1963) as Special Effects
A Parisian policeman gives up everything for the love of a free-living prostitute.
The Magic Sword (1962) as Spec mechanical eff
A good witch''''s son uses his mother''''s magic to rescue a princess from an evil sorcerer.
Kid Galahad (1962) as Special Effects
A ruthless fight promoter tries to turn a singing mechanic into a champion.
One, Two, Three (1961) as Special Effects
A Coca-Cola executive in West Berlin tries to keep the boss's daughter from marrying a Communist.
The Apartment (1960) as Special Effects
An aspiring executive lets his bosses use his apartment for assignations, only to fall for the big chief's mistress.
The Magnificent Seven (1960) as Special Effects
Seven American gunmen hire themselves out to protect a Mexican village from bandits.
The Gunfight at Dodge City (1959) as Special Effects
Bat Masterson fights to clean up Dodge City.
Cast a Long Shadow (1959) as Special Effects
A hard-drinking drifter tries to claim a deceased cattle baron''''s estate.
Some Like It Hot (1959) as Special Effects
Two musicians on the run from gangsters masquerade as members of an all-girl band.
The Man in the Net (1959) as Special Effects
An artist falsely accused of ransacking his own house is proved innocent by the children of the neighborhood.
The Beast of Budapest (1958) as Special Effects
Joy Ride (1958) as Special Effects
Paul (Rad Fulton) and three other punks, Arnie (Nicholas King), Vince (Robert Levin) and Dirk (Jim Bridges), are admiring a parked sports car and intending to take it for a joy ride, when they are surprised by its owner, Miles (Regis Toomey) who orders them away and is met with a barrage of fifthy names. A few nights later they break into Miles' garage and he catches them and threatens to call the police. Paul tells him they want the car for a ride and they will have it sooner or later. The young hoods then launch a campaign of terror against Miles and his wife (Ann Doran). Paul realizes he has more pleasure in frightening Miles than in trying to get the car, and one day they force their way into the Miles home and brutally attack Mrs. Miles after she refuses to produce the car keys. Now thinking that Miles is in his power, Paul meets him to take delivery of the car. When Paul steps into the car, Miles pulls a gun and orders him to drive out of town at a breakneck speed. The more frightened Paul becomes, the more dangerously Miles makes him drive, until finally, in tears, Paul begs to be allowed to stop his "joy ride." Miles directs him to pull up in front of the police station and Paul's arrest is followed by that of the other three boys.
Hell's Five Hours (1958) as Special Effects
Queen of Outer Space (1958) as Special Effects
A space mission to Venus discovers a society of Amazons.
In the Money (1958) as Special Effects
The Bowery Boys escort a diamond concealing poodle on a cruise.
Man from God's Country (1958) as Special Effects
George Montgomery, Randy Stuart, Gregg Barton, Kim Charney, Susan Cummings. A retired sheriff and his former partner find themselves on opposite sides of the law when local ranchers feud over valuable railroad property.
Up In Smoke (1957) as Special Effects
The Bowery Boys'' leader sells his soul to the devil for help betting on the horses.
Death in Small Doses (1957) as Special Effects
A government agent tries to stop the illegal use of amphetamines by truck drivers.
Gun Battle at Monterey (1957) as Special Effects
An outlaw saved by a Mexican girl hunts the holdup partner who shot him in the back.
The Tall Stranger (1957) as Special Effects
When rustlers leave him for dead, a Westerner throws in his lot with the wagon train whose inhabitants have rescued him.
Dig That Uranium (1956) as Special Effects
The Bowery Boys battle crooks for control of a uranium mind out West.
Invasion of the Body Snatchers (1956) as Special Effects
Soulless pods take over the inhabitants of a small California town.
Shotgun (1955) as Special Effects
Dial Red O (1955) as Special Effects
The first of the five films where Bill Elliott played a detective lieutenant in the L.A Sheriff's department, Dial Red "O" (the correct title with the number 0 (zero), as on a telephone dial, shown in ") opens with war-torn veteran Ralph Wyatt (Keith Larsen) getting word that his wife is divorcing him, and he flees the psychiatric ward of the veteran's hospital, wanting to talk to her. His escape touches off an all-out manhunt, led by Lieutenant Andy Flynn (Bill Elliott) of the sheriff's department. Wyatt's wife, Connie (Helene Stanley) is having an affair with Norman Roper (Paul Picerni), a judo expert in Wyatt's old Marine unit. When Roper refuses to divorce his own wife (Regina Gibson) to marry Connie, they have a violent quarrel in Connie's apartment. Roper kills Connie and incriminates Wyatt, who is arrested and held on suspicion of homicide. Convinced that Roper is the real murderer, Wyatt escapes from his cell in the Hollywood Sheriff's office, and goes to Roper's home. Lt. Flynn has discovered evidence pointing to Roper as the killer, and arrives in time to prevent Wyatt from killing him. Jazzman Shorty Rogers (and his Giants) are also on hand as part of the Hollywood night life. The Elliott role name was changed to Andy Doyle for the following four films in the series, as there was a real Andy Flynn working in law enforcement in Los Angeles.
Wichita (1955) as Special Effects
Wyatt Earp fights to straighten out a crooked cow town.
Jail Busters (1955) as Special Effects
The Bowery Boys help a reporter who was beaten up during an undercover investigation at a local prison.
Lord of the Jungle (1955) as Special Effects
The jungle boy tries to stop a herd of rogue elephants.
Seven Angry Men (1955) as Special Effects
A fanatical abolitionist leads a personal war against slave owners in Kansas.

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