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Overview for LeRoy Prinz
LeRoy Prinz

LeRoy Prinz



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Also Known As: Died: September 15, 1983
Born: July 14, 1895 Cause of Death: natural causes
Birth Place: St Joseph, Missouri, USA Profession: Dance ...


Director (feature film)

Deception (1946) as Orch numbers staged by
A woman tries to protect her refugee husband from her rich and powerful ex-lover.
All-American Co-Ed (1941) as Director
A college boy dresses as a girl to infiltrate a women''''s college.
Fiesta (1941) as Director
A lady rancher upsets her family by bringing home a fiance from the city.

Cast (feature film)

Starlift (1951) as Himself
An actress and an air transport crewman fall in love in this star-studded salute to the Korean war.
Show Boat (1936) as Dance director
Riverboat entertainers find love, laughs and hardships as they sail along "Old Man River."

Writer (feature film)

All-American Co-Ed (1941) as From an orig story by
A college boy dresses as a girl to infiltrate a women''''s college.

Producer (feature film)

All-American Co-Ed (1941) as Producer
A college boy dresses as a girl to infiltrate a women''''s college.
Fiesta (1941) as Producer
A lady rancher upsets her family by bringing home a fiance from the city.

Music (feature film)

The Eddie Cantor Story (1954) as Mus numbers staged and dir by
The beloved entertainer rises to stardom from humble beginnings in the slums.
Artists and Models Abroad (1938) as Mus numbers staged by

Dance (feature film)

South Pacific (1958) as Boar's Tooth Ceremonial number
A Navy nurse must choose between love and prejudice during World War II.
The Helen Morgan Story (1957) as Mus numbers staged by
A singer rises from sordid beginnings to fame and fortune... only to lose it all.
Sayonara (1957) as Matsubayashi Girls Revue numbers supv
American soldiers in post-war Japan defy convention when they fall in love with local women.
The Ten Commandments (1956) as Choreography
To escape the edict of Egypt's Pharoah, Rameses I, condemning all first-born Hebrew males, the infant Moses is set adrift on the Nile in a reed basket. Saved by the pharaoh's daughter Bithiah, he is adopted by her and brought up in the court of her brother, Pharaoh Seti. Moses gains Seti's favor and the love of the throne princess Nefertiri, as well as the hatred of Seti's son, Rameses. When his Hebrew heritage is revealed, Moses is cast out of Egypt, and makes his way across the desert where he marries, has a son and is commanded by God to return to Egypt to free the Hebrews from slavery. In Egypt Moses's fiercest enemy proves to be not Rameses, but someone near to him who can 'harden his heart'.
Stop, You're Killing Me (1953) as Dances staged by
The surprise appearance of four corpses interferes with a beer baron's plans to crash high society.
April in Paris (1953) as Mus numbers staged and dir by
A bureaucrat's mistake sends a chorus girl to Paris representing American theatre in place of a star actress.
The Desert Song (1953) as Musical numbers staged and dir
A French professor secretly leads a band of desert freedom fighters.
The Jazz Singer (1953) as Mus numbers staged and dir
A cantor's son goes against family tradition to become a popular singer.
So This Is Love (1953) as Mus numbers staged and dir
Opera singer Grace Moore turns to popular music when her dreams of a classical career fail to materialize.
Three Sailors and a Girl (1953) as Mus numbers staged and dir
Three sailors on leave back a Broadway hit.
She's Back on Broadway (1953) as Mus numbers staged and dir
A fading Hollywood star returns to the stage to work with the man who discovered her.
She's Working Her Way Through College (1952) as Mus numbers staged and dir by
A professor helps a burlesque queen get a college education.
I'll See You In My Dreams (1952) as Mus numbers staged and dir by
Songwriter Gus Kahn fights to make his name, then has to fight again to survive the Depression.
About Face (1952) as Mus numbers staged and dir by
Two military school cadets discover their best friend is married.
On Moonlight Bay (1951) as Mus numbers staged and dir by
A small-town tomboy falls for the boy-next-door in the years before World War I.
Starlift (1951) as Mus numbers staged and dir by
An actress and an air transport crewman fall in love in this star-studded salute to the Korean war.
Painting the Clouds with Sunshine (1951) as Mus numbers staged and dir
Three chorus girls hit Las Vegas in search of rich husbands.
Tea for Two (1950) as Mus numbers dir by
An heiress has to say no to every question for 24 hours if she wants to star on Broadway.
The West Point Story (1950) as Dance numbers dir by
A Broadway producer tries to put on a show at the legendary military academy.
The Daughter of Rosie O'Grady (1950) as Mus numbers staged and dir by
Against her widowed father's wishes, a vaudeville star's daughter takes to the stage.
Look for the Silver Lining (1949) as Mus numbers staged and dir by
Musical biography of Marilyn Miller, who overcame heartache to become a Broadway star.
My Dream Is Yours (1949) as Mus numbers staged by
A talent scout turns a young unknown into a radio singing star.
One Sunday Afternoon (1949) as Mus numbers staged by
A dentist in turn-of-the-century New York thinks he may have married the wrong girl.
It's a Great Feeling (1949) as Mus numbers staged and dir by
When nobody at Warner Bros. will work with him, movie star Jack Carson decides to turn an unknown into his co-star.
Always Leave Them Laughing (1949) as Mus numbers staged and dir by
A vaudeville clown neglects his family while fighting for stardom.
April Showers (1948) as Mus numbers created and staged by
A family vaudeville act is torn apart by the father's drinking problem.
Two Guys from Texas (1948) as Mus numbers created and dir by
Two vaudevillians on the run from crooks try to pass themselves off as cowboys.
My Wild Irish Rose (1947) as Mus numbers created and dir by
Musical biography of Irish songwriter Chauncey Olcott.
Escape Me Never (1947) as Ballet seq staged and dir by
A composer forsakes his innocent bride to romance his brother's fiancee.
Night and Day (1946) as Dance nos created and dir
Fanciful biography of songwriter Cole Porter, who rose from high society to find success on Tin Pan Alley.
The Time, the Place and the Girl (1946) as Mus seq created and staged by
Two producers and their girls look for a backer for their big show.
Rhapsody in Blue (1945) as Dance numbers created and dir by
Fictionalized biography of George Gershwin and his fight to bring serious music to Broadway.
Shine on Harvest Moon (1944) as Mus nos staged by
Song-filled look behind the scenes of vaudeville, based on the lives of Nora Bayes and Jack Norworth.
Hollywood Canteen (1944) as Mus nos created and dir by
A serviceman and a starlet find love at the star-staffed serviceman's center.
The Desert Song (1943) as Dance numbers staged and dir by
The Hard Way (1943) as Dance numbers staged and dir by
An ambitious woman doesn't care who she hurts in her drive to make her sister a star.
Mission to Moscow (1943) as Ballet staged by
True story of U.S. Ambassador Joseph E. Davies' attempts to forge a wartime alliance with the Soviet Union.
This Is the Army (1943) as Prod nos staged by
A song-and-dance man's son stages a big show starring World War II soldiers.
Thank Your Lucky Stars (1943) as Dance numbers created and staged by
An Eddie Cantor look-alike organizes an all-star show to help the war effort.
Yankee Doodle Dandy (1942) as Dance numbers staged and dir
A musical portrait of composer/singer/dancer George M. Cohan. From his early days as a child-star in his family's vaudeville show up to the time of his comeback at which he received a medal from the president for his special contributions to the US, this is the life- story of George M. Cohan, who produced, directed, wrote and starred in his own musical shows for which he composed his famous songs.
Aloma of the South Seas (1941) as Mus numbers staged by
A young South Seas native boy is sent to the U.S. for his education, returns to his island after his father dies to try to stop a revolution.
Las Vegas Nights--"The Last Frontier Town" (1941) as Mus numbers staged by
A vaudeville act tries to turn a broken-down house into a posh nightclub.
Kiss the Boys Goodbye (1941) as Dance Director
There's Magic in Music (1941) as Dances staged by
Time Out for Rhythm (1941) as Mus numbers dir by
The producers of a musical each hire different women to star.
Road to Zanzibar (1941) as Mus numbers staged by
A lady con artist scams two out-of-work entertainers into financing a safari.
You're the One (1941) as Mus numbers staged by
Too Many Girls (1940) as Dance numbers
Four college football stars are hired to chaperon a reckless heiress to a Wild West college.
Buck Benny Rides Again (1940) as dance numbers staged by
Radio star Jack Benny, intending to stay in New York for the summer, is forced by the needling of rival Fred Allen to prove his boasts about roughing it on his (fictitious) Nevada ranch. Meanwhile, singer Joan Cameron, whom Jack's fallen for and offended, is maneuvered by her sisters to the same Nevada town. Jack's losing battle to prove his manhood to Joan means broad slapstick burlesque of Western cliches.
Love Thy Neighbor (1940) as Rochester's dance staged by
Jack Benny (Himself) is preparing his New Year's Eve radio broadcast but takes time out to take his valet Rochester (Eddie Anderson) to meet his girlfriend Josephine (Theresa) arriving on a steamer. Fred Allen (Himself) and his sister Barbara (Verree Teasdale) are also enroute to the dock to meet Barbara's daughter Mary (Mary Martin), returning from a personal appearance tour in South America. Josephine is her maid. Their cars get involved in an accident and, in a bumping contest, Fred reduces Jack's old Maxwell to junk, and is taken to jail. Mary loses her dress in an accident and Jack offers to get her another one, but winds up being arrested for stealing. Barbara tells Mary that Fred is a nervous wreck because of Jack's continual slander of him on Jack's radio program. Jack hires the Merry Macs (Joe McMichael, Judd McMichael, Ted McMichael, Helen Carroll) away from Fred and Fred decides to go to Miami for a rest. Jack decides to open his radio program from Miami. They meet, have another brawl, and end up in jail again. The two are in a motorboat accident where both are knocked unconscious and Mary, in an effort to end the feud, tells Fred that Jack saved his life. They have dinner together at Fred's apartment and Rochester, whom Fred has hired away from Jack, appears and the feud is on again.
Road to Singapore (1940) as Dances staged by
A runaway tycoon and his sailor buddy try to con their way through the South Seas.
Dancing on a Dime (1940) as Mus numbers staged by
Remember the Night (1940) as Dance Director
An assistant D.A. takes a shoplifter home with him for Christmas.
The Great Victor Herbert (1939) as Mus numbers staged by
The Star Maker (1939) as Mus numbers staged by
The Magnificent Fraud (1939) as Dances staged by
I'm from Missouri (1939) as Dances staged by
Paris Honeymoon (1939) as Dance Director
A Texas millionaire travels to Europe to meet his girlfriend, a European countess. He stops in a rustic mountain village and meets a beautiful peasant girl. He falls in love with her, then must decide if he wants her or the rich countess.
Sudden Money (1939) as Dances staged by
Zaza (1939) as Dances staged by
Zaza is a spicy Parisian cabaret performer who falls in love with wealthy rogue Dufresne. Quitting show biz to be with Dufresne for all time, Zaza is taken aback to discover that he's already married...
Saint Louis Blues (1939) as Dance numbers staged by
Man About Town (1939) as Mus numbers staged by
Producer Bob Temple, who's brought an American show to London, loves his star Diana, but she won't take him seriously as a lover. To show her, he picks up stranger Lady Arlington, whose financier husband neglects her. On a weekend at the Arlington country house, Bob is used by both Lady A. and her friend to make their husbands jealous; this works all too well, and Bob is in danger from both husbands.
The Big Broadcast of 1938 (1938) as Dances staged by
A radio announcer tries to juggle musical acts and his ex-wives while broadcasting from an ocean liner.
Give Me a Sailor (1938) as Dances
A series of romantic complications ensue between two brothers in the U.S. Navy and two sisters.
Stolen Heaven (1938) as Dances staged by
Every Day's a Holiday (1938) as Ensembles
Romance in the Dark (1938) as Dances staged by
Tropic Holiday (1938) as Dance Director
Thrill of a Lifetime (1938) as Dances under dir of
Waikiki Wedding (1937) as Dance Director
A laid-back marketing man for a Hawaiian pineapple company enjoys his life in the tropical paradise until a beautiful woman arrives on the island and turns his life upside down.
Swing High, Swing Low (1937) as Dance eff
When success goes to his head, a bandleader could lose everything.
High, Wide and Handsome (1937) as Dance Director
The setting is a small town in 1870s Pennsylvania. Sally Waterson and her father have stopped in town with their traveling medicine show, but when their wagon catches fire, they find themselves stranded. They're taken in by Mrs. Cortlandt and her grandson, Peter, who is trying to set up a pipeline that will supply oil throughout the state. Sally and Peter soon fall in love and marry. Neither their marriage nor Peter's pipe dreams flow too smoothly.
Artists and Models (1937) as Mus numbers staged by
An ad man gets his model girlfriend to pose as a debutante for a new campaign.
Turn Off the Moon (1937) as Dance Director
Mountain Music (1937) as Dance Director
Champagne Waltz (1937) as Dances staged by
This Way Please (1937) as Dances staged by
Double or Nothing (1937) as Dances staged by
A dying millionaire instructs his laywer to drop four purses on the streets of New York City. Four honest people find them and return them to the lawyer. Under the terms of the will, each of them is given $1,000,000, which they must double within 30 days in order to claim his entire estate. However, the greedy relative cut from the will are determined to thwart each one's plans.
College Holiday (1936) as Dances staged by
A group of men are invited to spend the summer with a lady hotelier interested in eugenics.
Anything Goes (1936) as Dance ensembles staged by
A young man falls in love with a beautiful blonde. When he sees her being forced onto a luxury liner, he decides to follow and rescue her. However, he discovers that she is an English heiress who ran away from home and is now being returned to England. He also discovers that his boss is on the ship. To avoid discovery, he disguises himself as the gangster accomplice of a minister, who is actually a gangster on the run from the law.
Show Boat (1936) as Dance numbers staged by
Riverboat entertainers find love, laughs and hardships as they sail along "Old Man River."
Rose of the Rancho (1936) as Dance ensembles staged by
The Big Broadcast of 1937 (1936) as Dance ensembles staged by
A failing radio station needs to put on a ratings winner to have any chance of continued operation.
Collegiate (1935) as Dance ensembles staged by
All the King's Horses (1935) as Dance and ensembles staged by
Stolen Harmony (1935) as Dance specialties staged by
Band leader Jack Conrad is impressed by prison inmate Ray Ferrera on saxophone. Conrad hires Ray to join his band and tour upon his release. Ray hooks up with Jean, a dancer in the show, and the two become a successful dance act. However, when an ex-inmate buddy of Ray's robs the tour bus, Ray is suspected of wrongdoing by Jack and the others in the group. After a gang of thugs hijacks the tour bus, Ray tries to use his street smarts to redeem his reputation.
The Big Broadcast of 1936 (1935) as Dance ensembles staged by
A radio star''s efforts to save his station get him mixed up with con men, enemy agents and a beautiful countess.
Coronado (1935) as Dance ensembles staged by
Rumba (1935) as Dances & ensembles staged by
Murder at the Vanities (1934) as Dance numbers
Shortly before the curtain goes up the first time at the latest performance of Earl Carroll's Vanities, someone is attempting to injure the leading lady Ann Ware, who wants to marry leading man Eric Lander. Stage manager in charge Jack Ellery calls in his friend, policeman Bill Murdock, to help him investigate. Bill thinks Jack if offering to let him see the show from an unusual view point, after he forgot to get him tickets for the performance, but then they find the corpse of a murdered women. Bill suspects Eric of the crime, especially, after the second female lead Rita Ross told him she saw the women leaving from Eric's room. Then Rita is shot onstage with Eric's gun. Jack and Bill decide not to stop the show, but Bill preparing to arrest Eric. Is he on the right track ?
Search for Beauty (1934) as Dance Director
Three con artists dupe two Olympians into serving as editors of a new magazine which is a front for salacious stories and pictures.
Mrs. Wiggs of the Cabbage Patch (1934) as Dance Director
The Wiggs family plan to celebrate Thanksgiving in their rundown shack with leftover stew, without Mr. Wiggs who wandered off long ago an has never been heard from. Do-gooder Miss Lucy brings them a real feast. Her boyfriend Bob arranges to take Wiggs' sick boy to a hospital. Their other boy makes some money peddling kindling and takes the family to a show. Mrs. Wiggs is called to the hopsital just in time to see her boy die. Her neighbor Miss Mazy wants to marry Mr. Stubbins who insists on tasting her cooking. Mrs. Wiggs sneaks her dishes past Stubbins who agrees to marriage. Mr. Wiggs appears suddenly, in tatters, with just the amount of money (twenty dollars) needed to save the family from foreclosure. Miss Lucy and Bob get married.
We're Not Dressing (1934) as Specialty numbers
A marooned socialite finds herself taking orders from the sailor she had snubbed before their shipwreck.
College Rhythm (1934) as Dances and ensembles staged by
Too Much Harmony (1933) as Dance ensembles by
Madame Satan (1930)
A socialite masquerades as a notorious femme fatale to win back her straying husband.

Director (short)

A Boy and His Dog (1946)
A young boy fights to save a dog from his cruel owner in this Academy Award winning film for Best Live Action Short Subject. Vitaphone Release 1556A.
Bob Wills and His Texas Playboys (1944)
In this short film, Bob Wills and His Texas Playboys perform such popular musical numbers as "Ride On" and "My Adobe Hacienda." Vitaphone Release 1256A.
Musical Movieland (1944)
In this short film, a group of tourists are given a studio tour of several locations of famous movie musicals.
Vaudeville Days (1942)
This short film provides a historical revue of vaudeville performances. Vitaphone Release 1077A.

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