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|Also Known As:||Steve Van Zandt, Little Steven, Steven Lento||Died:|
|Born:||November 22, 1950||Cause of Death:|
|Birth Place:||Boston, Massachusetts, USA||Profession:||actor, musician, arranger, songwriter, record producer, producer|
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A key figure in two of the most acclaimed organizations in popular culture â¿¿ Bruce Springsteenâ¿¿s E Street Band and "The Sopranos" (HBO, 1999-2007) â¿¿ Steven Van Zandt was a musician, songwriter and composer who served as Springsteenâ¿¿s producing and performing partner for over three decades before making an auspicious debut as an actor on the Emmy-winning crime series. Though his stage presence straddled the border between comic and menacing, Van Zandt was a passionate fan of â¿¿50s and â¿¿60s-era rock and a savvy producer whose collaborations with Springsteen included some of his greatest albums, including Born to Run (1976) and Born in the U.S.A. (1984). After leaving the E Street Band in the 1980s, he recruited a host of music luminaries, including Springsteen, for "Sun City" (1985), an anti-apartheid protest song that helped bring the racial inequalities of South Africaâ¿¿s government into a global spotlight. He reunited with Springsteen in the late â¿¿90s for a series of celebrated records while impressing critics and audiences alike as the phlegmatic Silvio Dante on "The Sopranos." During this busy period, he also hosted his own syndicated radio show, which soon blossomed into a satellite...
A key figure in two of the most acclaimed organizations in popular culture â¿¿ Bruce Springsteenâ¿¿s E Street Band and "The Sopranos" (HBO, 1999-2007) â¿¿ Steven Van Zandt was a musician, songwriter and composer who served as Springsteenâ¿¿s producing and performing partner for over three decades before making an auspicious debut as an actor on the Emmy-winning crime series. Though his stage presence straddled the border between comic and menacing, Van Zandt was a passionate fan of â¿¿50s and â¿¿60s-era rock and a savvy producer whose collaborations with Springsteen included some of his greatest albums, including Born to Run (1976) and Born in the U.S.A. (1984). After leaving the E Street Band in the 1980s, he recruited a host of music luminaries, including Springsteen, for "Sun City" (1985), an anti-apartheid protest song that helped bring the racial inequalities of South Africaâ¿¿s government into a global spotlight. He reunited with Springsteen in the late â¿¿90s for a series of celebrated records while impressing critics and audiences alike as the phlegmatic Silvio Dante on "The Sopranos." During this busy period, he also hosted his own syndicated radio show, which soon blossomed into a satellite network and record label. A bonafide renaissance man of the 21st century, Steven Van Zandt proved that a life spent in pursuit of great music could yield extraordinary results.
Born Steven Lento on Nov. 22, 1950 in Winthrop, MA, he took his surname from his stepfather, William Van Zandt, who moved the family to Middletown Township, NJ in 1957. Like many young men and women of his generation, Van Zandt was consumed by the idea of starting his own rock-n-roll band after seeing the Beatles perform on "The Ed Sullivan Show" (CBS, 1948-1971). He found a compatriot in Bruce Springsteen, a fellow Italian-American whose passion for music had spurred him to form several bands in the Asbury Park, New Jersey area. Van Zandt and Springsteen would perform together in an ever-changing array of bands between the late â¿¿60s and the mid-1970s, including Springsteenâ¿¿s Steel Mill, Steve Van Zandt and Friends, Friendly Enemies, The Sundance Blues Band and The Bruce Springsteen Band. At the same time, Van Zandt, who was frequently billed as "Miami Steve Van Zandt," was regularly performing with another singer from New Jersey, John Lyon, with whom he would form the long-running band Southside Johnny and the Asbury Jukes, and as a sideman for The Dovells, the Philadelphia group responsible for the million-selling "Bristol Stomp" single.
While performing with the Asbury Jukes, Van Zandt was tapped by Springsteen to aid him during the recording of his third album, Born to Run (1975). The singer had released two previous albums, both critical hits but commercial failures, and the stakes were high to produce a hit record. Springsteen was struggling with arrangements for the horn parts on an ambitious track called "Tenth Avenue Freeze-Out," and called on Van Zandt for assistance. A walking encyclopedia of rock, soul and blues, Van Zandt not only created the songâ¿¿s stately horn intro, but also its signature guitar line. "Tenth Avenue Freeze-Out" was one of the strongest tracks on Born to Run, which provided him with his breakthrough into mainstream radio and the beginning of his long and storied career. Van Zandt was subsequently made a member of Springsteenâ¿¿s group, The E Street Band, and would serve as a trusted advisor and producer on several of his most significant albums. On stage, he cut an imposing figure, his head swathed in elaborate scarves or hats and his face a mask of menace with a hint of dangerous glee. The headgear was equal parts necessity and fashion choice: a childhood car accident had left him with a head injury that drastically altered his hairline.
While performing with the E Street Band and sharing co-producer credits with Springsteen on 1980â¿¿s The River, Van Zandt maintained his ties with Southside Johnny, producing a four-song demo that landed them a record contract at Epic. He subsequently produced their first three albums, including their debut, I Donâ¿¿t Want to Go Home (1976). By 1979, however, his commitments to Springsteen and other artists, including seminal â¿¿60s soul rocker Gary U.S. Bonds, demanded that he sever ties with the Asbury Jukes. But after completing work on Born in the U.S.A. (1984), Van Zandt split from Springsteen to pursue a solo career. He launched a new group, Little Steven and the Disciples of Soul, which released five albums between 1980 and 1989. Though never particularly successful from a chart perspective, Van Zandtâ¿¿s work with the Disciples of Soul showcased a growing interest in political issues, especially the conservative politics of Ronald Reaganâ¿¿s presidency.
These concerns would find their most effective voice in Van Zandtâ¿¿s 1985 project, Artists United Against Apartheid. Comprised of an all-star lineup of rock, rap and jazz musicians, the activist group released the single "Sun City," which urged fellow performers to boycott the eponymous location, a South African casino that hosted popular world acts during the height of apartheid. The song reached the Top 40 in America and shed considerable negative light on the white-dominated government of South Africa, as well as the Reagan administrationâ¿¿s policy of tolerance towards apartheid. It would be Van Zandtâ¿¿s most significant solo effort, though he would continue to release albums, both with the Disciples of Soul and on his own until the early 1990s.
In 1995, Van Zandt reunited with Springsteen and the E Street band for a handful of new tracks for the Greatest Hits. Four years later, the reunion became permanent when Springsteen officially revived the group for a massive, yearlong tour. Though no longer the bandâ¿¿s lead guitarist, he and Clarence Clemons were unquestionably its most animated members, with Van Zandt serving as Springsteenâ¿¿s tough, cool right arm while Clemens remained his untouchable, soul-driven left. Van Zandtâ¿¿s trademark sneer and B-movie menace had deepened over the years, and that persona, as well as his knack for penning clever, highly informed speeches, made him a popular guest at music industry tributes and award shows. After writer-producer David Chase saw Van Zandt at a televised event, he was inspired to create the role that would introduce the singer to an even wider audience than through his music career.
Van Zandt was cast as Silvio Dante, the cagey, trusted consigliore to mob boss Tony Soprano on Chaseâ¿¿s iconic "Sopranos" series. Van Zandt frequently told interviews that Silvoâ¿¿s colossal pompadour wig did much of the acting for him, but in truth, he offered a smart, measured performance that balanced the comic aspects of the characterâ¿¿s personality â¿¿ in particular, his penchant for imitating Al Pacino â¿¿ with his role as sage advisor and voice of reason in the violent, testosterone-charged world of the Soprano family. For many episodes, his real-life wife, Maureen, who played Silvioâ¿¿s wife, Gabrielle Dante, joined Van Zandt. Silvio was one of the showâ¿¿s core characters, and would last with "The Sopranos" from its premiere episode to its controversial conclusion, which saw him hospitalized after a botched assassination attempt by a rival crew.
In 2002, Van Zandt became the host of Little Stevenâ¿¿s Underground Garage, a weekly syndicated radio show that celebrated his undying love for garage rock, punk, R&B and psychedelic music. The show became exceptionally popular with listeners, and spawned two satellite radio networks: Underground Garage, which featured 24-hour broadcasts of the radio showâ¿¿s core music and guest DJs like Joan Jett, producer Kim Fowley and others; and Outlaw Country, a roots-oriented country station. In 2006, he added record label owner to the expanding Underground Garage empire with Wicked Cool Records, with the Rock and Roll Forever Foundation, coming the following year. Its first initiative was Rock and Roll High School, an education initiative that examined world events from the perspective of rockâ¿¿s development through the decades. Van Zandt was later named as director of the music selection committee for the hit video game Rock Band, which put him in charge of finding new music for the game. Though Van Zandt frequently denied interest in more acting roles, he was top-billed in 2012â¿¿s "Lilyhammer" (NRK), a Norwegian comedy series about an American mobster (Van Zandt) dispatched to rural Norway after testifying against former gang members.
By Paul Gaita
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CAST: (feature film)
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Van Zandt on resuming his music career after a ten year break between solo albums: "It wasn't so much a decision as a revelation that I missed rock music, which has probably never been less fashionable than it is now.
"I missed making rock music, but I struggled with the question of how do you make rock music that is not redundant, that has not been done before. Then I realized that rock 'n' roll in redundant by definition. And that's OK, as long as you bring it somewhere that works for you." --quoted in the Boston Herald, November 5, 1999
"I'm not kidding when I say the hair is doing the acting. The look is very important to me. When I look in the mirror I've got to see Silvio." --the usually bandana-clad Steven Van Zandt on the black bouffant wig he dons to play Mafia henchman Silvio Dante on "The Sopranos", quoted in People, September 13, 1999
Steven Van Zandt on his successful audition for "The Sopranos": "I sat down with David [Chase, creator of "The Sopranos"] and told him I was a little awkward about taking the part. I didn't feel comfortable taking an actor's job. . . You always read about how actors are out of work . . . and how they work their whole life taking these classes, and here I am, a guitar player, stepping in and maybe taking someone's job. David said 'OK, I'll tell you what, I'll create a new character for you so you won't be taking anybody's job.' And I was OK with that." --quoted in Los Angeles Times, December 19, 1999
Van Zandt on the popularity of "The Sopranos": "What I think makes the show connect with so many people is that the problems they have, generally speaking, are the problems that everybody has. Everybody has two families. Everybody has their family at home and their family at work. Everybody has those kind of complicated human relations. That's what a lot of the show is about. It's not just about gangster stuff. Take Silvio [Van Zandt's character] for instance. There are some funny quirks in his character. When it comes to life-threatening situations, he's a very, very cool professional. But he'll completely lose his temper at his daughter's soccer game." --quoted in Los Angeles Times, December 19, 1999
Steven Van Zandt on balancing concurrent work on "The Sopranos" with the E Street Band reunion tour: "It's gotten a little tricky juggling the two things. Thank God, HBO and the 'Sopranos' people went out of their way to schedule my scenes on days off, which was really, really nice of them. They've bent over backward. And Springsteen's people did what they could to make it all work out." --quoted in Chicago Sun-Times, January 17, 2000
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