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With significant accomplishments to his credit as a photographer, journalist, filmmaker, screenwriter, novelist, poet, composer and librettist to his credit, Gordon Parks may well be the African-American Renaissance man par excellence. He has won over 20 awards and received 23 (as of 1995) honorary degrees in literature, fine arts and humane letters. Parks is reputed to be Hollywood's first black director of major films but he first gained acclaim as a preeminent photojournalist at LIFE magazine from 1948-68. His subjects included such diverse topics as the black Muslims, Ernest Hemingway's Paris and life in American ghettoes. "The Learning Tree", Parks' autobiographical novel about growing up black in 1920s Kansas, provided the foundation for his moving, sometimes didactic and stunningly photographed 1969 feature debut which he produced, wrote, directed and scored.In 1989, "The Learning Tree" was among the first 25 films deemed "culturally, historically, or esthetically significant" enough to be included in the National Film Registry for future preservation. Parks' second feature, "Shaft" (1971), actually had a far greater cultural impact. A major commercial success, the gritty NYC-lensed black...
With significant accomplishments to his credit as a photographer, journalist, filmmaker, screenwriter, novelist, poet, composer and librettist to his credit, Gordon Parks may well be the African-American Renaissance man par excellence. He has won over 20 awards and received 23 (as of 1995) honorary degrees in literature, fine arts and humane letters. Parks is reputed to be Hollywood's first black director of major films but he first gained acclaim as a preeminent photojournalist at LIFE magazine from 1948-68. His subjects included such diverse topics as the black Muslims, Ernest Hemingway's Paris and life in American ghettoes. "The Learning Tree", Parks' autobiographical novel about growing up black in 1920s Kansas, provided the foundation for his moving, sometimes didactic and stunningly photographed 1969 feature debut which he produced, wrote, directed and scored.
In 1989, "The Learning Tree" was among the first 25 films deemed "culturally, historically, or esthetically significant" enough to be included in the National Film Registry for future preservation. Parks' second feature, "Shaft" (1971), actually had a far greater cultural impact. A major commercial success, the gritty NYC-lensed black detective story was one of the key early films in the 70s "Blaxploitation" movement. "Shaft" generated a hit theme song, two sequels (the first, 1971's "Shaft's Big Score", was also helmed by Parks) and a TV series. Continuing to work in the action genre for the next several years, Parks displayed increasing technical and narrative proficiency and was rewarded with bigger budgets for his efforts. What was missing was the personal and committed elements in evidence in "The Learning Tree". He recaptured some of those qualities in "Leadbelly" (1976), a fine if somewhat sanitized biopic about legendary blues singer Huddie Ledbetter.
Perhaps Parks' most accomplished film, "Leadbelly" boasted a strong and charismatic central performance by Roger E. Mosley (best known as laid-back helicopter pilot T.C. on TV's "Magnum, P.I."), great music and awe-inspiring cinematography from Bruce Surtees. Produced by a tax shelter group and copyrighted by a Netherlands entity, the film failed to find the large audience it so richly deserved due partially to poor marketing and distribution but moreover because young modern filmgoers neither knew nor cared about the subject. This turned out to be Parks' swan song as a feature director.
Parks went on to write several volumes of poetry and fiction. An accomplished self-taught pianist, he composed a number of piano sonatas, a symphony and other works for the concert stage. Parks directed and composed music for several interesting projects for PBS in the 80s (the 1984 historical drama "Solomon Northrup's Odyssey" and the autobiographical documentary "Gordon Parks: Moments Without Proper Names" and ushered in the 90s with "Martin" (PBS, 1990), an original, five-movement ballet about the life of Dr. Martin Luther King. Parks served as executive producer, director, composer, keyboardist and documentary photographer for this boldly ambitious project. Father of the late director Gordon Parks Jr, who was best known for "Superfly" (1972).
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Parks was awarded the first Julius Rosenwald Fellowship in Photography Award in 1942.
From PR from KCET Los Angeles for "Martin: A Ballet Tribute to Martin Luther King": "An accomplished self-taught pianist, he is the composer of "Concerto for Piano and Orchestra", "Tree Symphony", five piano sonatas (all performed in New York and Boston) and a work for piano and woodwinds."
Honored by the National Council of Christians and Jews in 1964.
Parks has been the recipient of numerous awards over the course of his long and spectacular career. A partial listing of the honoring institutions follow: Syracuse University School of Journalism (1964); Philadelphia Museum of Art (1964); New York Art Directors Club (1964, 1968); Frederic W. Brehm Award (1962); Carr Van Anda Journalism Award from the University of Miami (1964); Carr Van Anda Journalism Award from the University of Ohio (1970); named Kansan of the Year by Native Sons and Daughters of Kansas (1986); the 1972 Spingarn Award from the NAACP.
As of 1995, Parks had received 23 honorary degrees in literature, fine arts and humane letters. A partial listing of the institutions and the honorary degrees they granted follows: a degree from Syracuse University in 1963; a Doctor of Fine Arts from Maryland Institute in 1968; a Doctor of Fine Arts from Fairfield U and a doctorate from Boston U in 1969; a Doctor of Letters from Kansas State U in 1970; a Doctor of Humanities from St Olaf College in 1973; a Doctor of Fine Arts from Colby Coll and a Doctor of Literature from MacAlester Coll in 1974; a doctorate from Lincoln U in 1975; a Doctor of Humanities from Thiel Coll in 1976; a Doctor of Arts from Columbia Coll in 1977; a Doctor of Fine Arts from Rutgers U in 1980; a DFA from Pratt Institute Pratt Institute in 1981; a Doctor of Humane Letters from Suffolk U in 1982; a Doctor of Fine Arts from the Kansas City Art Inst in 1984; and a Doctor of Humane Letters from Art Center Coll of Design in 1986.
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