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Jack Otterson

Jack Otterson

  • Time Of Their Lives, The (1946) October 02 (ET) - Reminder REMINDER
  • Saboteur (1942) October 20 (ET) - Reminder REMINDER
  • Saboteur (1942) October 23 (ET) - Reminder REMINDER
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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Art Director ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY WITH SYNOPSIS

Art Director (feature film)

1.
Pirates of Monterey (1947) as Art Director
2.
The Vigilantes Return (1947) as Art Director
3.
Michigan Kid (1947) as Art Director
4.
Song of Scheherazade (1947) as Art Director
In 1865, the cadets of a Russian Naval Academy ship have shore leave in Morocco; among them is (fictionalized) future composer 'Nicky' Rimsky-Korsakov. In search of a piano, Nicky and singing ship's doctor Klin meet a family of once-wealthy Spanish colonists...and their daughter Cara who secretly dances in a cabaret. Romantic complications ensue, but Nicky seems less interested in Cara's favors than in inspirations for his future masterpieces.
5.
Idea Girl (1946) as Art Director
Larry Brewster (Jess Barker), partner in the music publishing firm of Brewster and Crow, returns from a trip to find that his partner, J. C. Crow (Alan Mowbray) has hired Pat O'Rourke (Julie Bishop)as a song plugger. Larry doesn't approve of the plan and, in a bad mood, refuses to see composer Wilfred Potts (George Dolenz)who is offering a song for publication. Pat, in spite of Larry's objections, stays on the job. She has the firm promote an amateur song-writing contest, and the winner is a submission by Potts, but because he used the name of Wicks, the firm can't locate him and is facing prosecution on charges of using the mail to conduct a fraudulent contest.
6.
Smooth as Silk (1946) as Art Director
7.
Little Miss Big (1946) as Art Director
8.
Wild Beauty (1946) as Art Director
A pretty school teacher (Lois Collier)---make that a very pretty school teacher---, a doctor (Don Porter) who disapproves of the white man's attitude toward Indians, and a young Indian boy (Buzz Henry) do what they can in the modern west to keep Robert Wilcox and his henchies (the usual Universal suspects headed by Dick Curtis) from capturing and killing a wild horse herd so Wilcox can sell the hides. It all looks bigger than it is because director Wallace Fox makes liberal use via stock footage of the massive wild horse herds from Universal's 1936 "Stormy."
9.
Inside Job (1946) as Art Director
10.
Magnificent Doll (1946) as Art supv
Dolly Payne is adored by two leaders of the fledgling American government, James Madison and Aaron Burr. She plays each against the other, not only for romantic reasons, but also to influence the shaping of the young country. By manipulating Burr's affections, she helps Thomas Jefferson win the presidency, and eventually she becomes First Lady of the land herself.
11.
Dressed to Kill (1946) as Art Director
A convicted thief in Dartmoor prison hides the location of the stolen Bank of England printing plates inside three music boxes. When the innocent purchasers of the boxes start to be murdered, Holmes and Watson investigate.
12.
Her Adventurous Night (1946) as Art Director
13.
The Runaround (1946) as Art Director
Maverick private eyes Kildane and Quayle leave a large agency to work on their own. Their first assignment (pirated from the old firm): retrieve eloping heiress Penelope Hampton...in competition with their former boss Prentiss. Kildane finds Penelope with surprising ease and keeps her one jump ahead of Prentiss with assorted difficulties, but can he avoid a romantic complication with his lovely charge?
14.
The Cat Creeps (1946) as Art Director
15.
Blonde Alibi (1946) as Art Director
16.
Black Angel (1946) as Art Director
Kirk Bennett is falsely sentenced to death for killing blackmailer Mavis Marlowe, ex-wife of nice-guy drunk Martin Blair. Bennett's stand-up wife Catherine tries to prove him innocent, enlisting the aid of Blair, who falls in love with her. Bennett's execution draws near as the two pose as piano player and singer, trying to get the goods on sleazy nightclub owner Marko, a prime suspect. Failing to nail Marko, Catherine goes off to meet with her husband, scheduled to die the next morning, and Blair slips into an alcoholic stupor before the real killer is revealed.
17.
She-Wolf of London (1946) as Art Director
London is shaken by a series of grisly murders. Suspicion falls on an attractive young woman who is rumored to have werewolves in her family tree.
18.
She Wrote the Book (1946) as Art Director
A plain-Jane math professor (Joan Davis) at a small midwestern college is talked into journeying to New York on behalf of a colleague who has written a steamy bestseller under an assumed name. While in the big city, the math prof receives a bump on the head which brings on a form of amnesia. She begins to believe she is the author of the sultry book, and has actually lived its story. Now freed from her inhibitions, the lady professor sashays about with abandon. With a PR man (Jack Oakie) in tow, she crashes a party of swells at the home of a wealthy industrialist (Thurston Hall) and pressures him into making a large contribution to her tiny college back home.
19.
Rustler's Roundup (1946) as Art Director
While using the same title as a 1933 Universal film starring Tom Mix, this one combines elements of two Johnny Mack Brown Universal westerns, "Law and Order-1940" and "The Silver Bullet-1942", with the story stress on "Law and Order." The "Vote For Cal Dixon" song is the same as "The Vote For Emily Morgan" song in "The Silver Bullet". while the Cal Dixon name comes from a character in "Law and Order." In this one, Bob Bryan (Kirby Grant) has a marshal's badge pinned to his chest, and with the aid of his pal, Pinkerton J. "Pinky" Pratt (Fuzzy Knight),proceeds to clean up the murder-and-rustling operations in a town ran by a trio of outlaw brothers (Frank Marlo, Edmund Cobb and Ethan Laidlaw), who are basically the same as the Northup brothers from the 1932 "Law and Order" and the Daggett brothers from the 1940 "Law and Order", only they are now known as the Todds.
20.
Lover Come Back (1946) as Art Director
Kay Williams, an executive with Styles, Inc., is true to her absent husband Bill despite much harassment for dates from co-workers. But when Bill finally returns from Europe, it becomes increasingly evident to Kay that he has been a world- class philanderer. Still loving him, Kay decides to take gentle revenge by making him think she does likewise. Ensuing comic events ridicule the double standard at every opportunity.
21.
Gunman's Code (1946) as Art Director
In this slightly-modified remake of Universal's 1941 "Road Agent", Wells Fargo agents Jack Douglas (Kirby Grant) and Roscoe O'Toole (Fuzzy Knight) are sent after a gang of stage robbers. Donny Burton (Bernard Thomas), brother of Laura Burton (Jane Adams), is implicated before Jack is able to prove that saloon owner Lee Payne (Danny Morton) is the man behind the outlaw gang.
22.
White Tie and Tails (1946) as Art Director
23.
The Time of Their Lives (1946) as Art Director
Two ghosts from the Revolutionary War haunt a house until they can clear their names of treason charges.
24.
Lawless Breed (1946) as Art Director
25.
The Killers (1946) as Art Director
An insurance investigator uncovers a string of crimes when he tries to find a murdered boxer's beneficiary.
26.
Strange Conquest (1946) as Art Director
In this remake of Universal's 1938 "The Crime of Dr. Hallet", two scientists, Dr. Paul Harris (Lowell Gilmore) and Dr. William Sommers (Peter Cookson), are seeking a cure for a jungle fever. Sommers dies after inoculating himself with a new serium. Gilmore, in order to continue to receive the financial backing that Sommers had, assumes his identity and carrys on the work with newly-arrived Dr. Mary Harris (Jane Wyatt.) Sommers widow Virginia (Julie Bishop) also drops in and accuses Harris of murdering her husband. To prove his innocence, Mary, who is in love with him, inoculates herself with the Harris serium.
27.
The Dark Horse (1946) as Art Director
28.
Slightly Scandalous (1946) as Art Director
Fred Brady plays twin brothers (actually triplets in the final scene), one of whom has three girls on a romantic string and is trying to sell a television show to a fountain pen manufacturer (Walter Catlett.) The other doesn't have one girl and quietly sells insurance. The insurance seller invests money in his brother's show and, in the process of protecting his investment, gets involved with his twin's romances. Things eventually work out and the TV promoter winds up with the manufacturer's daughter (Paula Drew) and the salesman with Sheila Ryan. Lita Baron (in her Isabelita days) gets to dance a few numbers with the music of the (12th-billed) Guadalajara Trio, and Nick Moro & Frank Yaconelli, the old vaudeville team that was seen together mostly in Tom Keene westerns at Monogram in the early 1940's.
29.
Danger Woman (1946) as Art Director
30.
Cuban Pete (1946) as Art Director
Unable to complete the deal by telephone, advertising executive Roberts (Don Porter) sends his assistant Ann (Joan Fulton)to Cuba to lure a Cuban band, led by Desi Arnaz, on to an American radio program. Attracted to Ann, Arnaz and his band come to New York but complications arise when the squeaky-voiced, addle-brained sponsor (Jacqueline de Wit)of the program decides she wants to be the vocalist on the program. Ethel Smith, the King Sisters and the dance team of Igor & Yvette are on hand to fill out the remaining hour of this 20-minute plot.
31.
Tenting Tonight on the Old Camp Ground (1943) as Art Director
Wade Benson (Johnny Mack Brown), road construction boss anxious to help the East-West Company obtain the government mail franchise, is aided by his pal, Cyril Addlebert "Si" Dugan (Fuzzy Knight). Through the treachery of a rival line, Wade is forced to kill gunman Smoke Dawson (Reed Howes). Bob Courtney (Tex Ritter), representing eastern interests, witnesses the shooting, as does Kay Randolph (Jennifer Holt), and the two, being unaware of the plot against Wade, turn against him. Meanwhile, the rival company is actively frustrating the East-West plans and forces Wade's stage-line road crew to quit work. Following a fight, Bob makes up his mind to help Wade and talks the men into rushing the last bridge through to completion in time for the government's test run.
32.
The Amazing Mrs. Holliday (1943) as Art Director
33.
The Lone Star Trail (1943) as Art Director
Rancher Blaze Barker (Johnny Mack Brown) returns to Dead Falls after being framed by land-grabbers and spending two years in jail. Paroled, he can't wear a gun, but is aided by Marshal Fargo Steele (Tex Ritter). The gang is out to gain control of all of the valley land before a dam is constructed. When Blaze raises the money to pay off the taxes on his ranch, he finds it has been marked to incriminate him.
34.
It Comes Up Love (1943) as Art Director
35.
Eyes of the Underworld (1943) as Art Director
36.
Sherlock Holmes and the Secret Weapon (1943) as Art Director
Sherlock Holmes fights to keep a new bombsite design from the Nazis.
37.
Sherlock Holmes in Washington (1943) as Art Director
Sherlock Holmes tries to recover a stolen document during World War II.
38.
Hi' Ya, Chum (1943) as Art Director
39.
Raiders of San Joaquin (1943) as Art Director
40.
Cheyenne Roundup (1943) as Art Director
41.
Give Out, Sisters (1942) as Art Director
42.
The Great Impersonation (1942) as Art Director
An unconscious man is found in a boat which drifts to the landing of an isolated African outpost where Baron von Ragenstein (Ralph Bellamy), an enemy agent, recognizes the man as his exact double, Sir Edward Dominey (Ralph Bellamy), with whom von Ragenstein went to school. He plots to kill Dominey and pose as the dead man.He learns about Dominey's broken marriage to Muriel (Evelyn Ankers) and his relation to Sir Ronald (Aubrey Mather), head of home defense. Back at the Dominey estate,Muriel is delighted with the change in Dominey, and Sir Ronald gives the spy a confidential position.The situation is complicated by Bardinet(Edward Norris), Muriel's admirer who, like von Regenstein, is under orders from Seaman (Henry Danielle), chief of the enemy agents. Another difficulty is Baroness Stephanie (Kaaren Verne), a spy who loves von Regenstein. The jealous Bardinet tells Muriel that Dominey is an imposter and she tells Sir Ronald. At Police headquarters Dominey reveals that, in Africa, it was actually von Regenstein that was killed and that he, Dominey posing as von Regenstein, has been playing the dual role in order to uncover the enemy leaders.
43.
Sealed Lips (1942) as Art Director
44.
The Mystery of Marie Roget (1942) as Art Director
45.
Bombay Clipper (1942) as Art Director
46.
Arabian Nights (1942) as Production Design
Half-brothers vie for an Arabian throne and the love of a beautiful storyteller.
47.
Fighting Bill Fargo (1942) as Art Director
Bill Fargo returns from prison to find Scanlon controlling the town including the Sheriff and the editor. First Scanlon has the Sheriff's opposition in the upcoming election murdered. Then when the editor confesses to Bill, he has him killed with Bill's gun. But the editor set off Scoops' camera just as he was shot and then left a dying note. Scoop finds the note and the inept photographer tries to develop the picture.
48.
Between Us Girls (1942) as Art Director
Carrie (Diana Barrymore), ambitious young actress and her manager Mike Kilinsky (Andy Devine), travel east from Chicago to Long Island so Carrie can see the new mansion that her mother Chris (Kay Francis) has just purchased. Chris is not there when Carrie arrives by Gallagher (Ethel Griffies), the family major domo, tells Carrie that Chris is in love with the very rich Steve (John Boles.) Chris confesses to Carrie that she has lied about her age to Steve, claiming to be 31, and that the photograph of Carrie is Carrie's (non-existent) Aunt Sadie and Carrie is only twelve. Carrie insists that her mother keep up the masquerade, and she will pose as a 12-year-old. Steve arrives and brings with him his friend Jimmy Blake (Robert Cummings). More than a little confusion follows including Carrie starting a fight with another "kid" to keep Jimmy from keeping a date with his fiancee and Mike escorting Chris and the "under-age" Carrie to a night club, and other incidents that only tend to prove that Steve and Jimmy aren't the brightest bulbs shining. Diana Barrymore is better as the 12-year-old than she is later playing Joan of Arc in a Detroit theatre, where the light finally dawns on the perplexed Robert Cummings character.
49.
Deep in the Heart of Texas (1942) as Art Director
Jim Malloy (Johnny Mack Brown) returns from the Civil War to Texas to find his father, Colonel Malloy (William Franum), leading a band of land grabbers and carpet-baggers during the Reconstruction Era. He learns of this from newspaper publisher Jonathan Taylor (Pat O'Malley), who advocates the overthrow of Colonel Malloy's crooked regime, and his daughter Nan (Jennifer Holt.) Jim and his pal, "Happy" Snodgrass (Fuzzy Knight) save Taylor from Malloy's henchmen, led by Idaho (Harry Woods), and they side with the Governor's representative Brent Gordon (Tex Ritter) against the gang. When Jim kills one of the gang members, Captain Sneed (Kenneth Harlan), the Colonel's main aide, has him jailed and he is to be executed. Colonel Malloy goes to Gordon and Taylor, and they agree to take up arms to free Jim on the condition that the Colonel join their crusade against the lawlessness.
50.
Madame Spy (1942) as Art Director
51.
Tough As They Come (1942) as Art Director
52.
Moonlight in Havana (1942) as Art Director
Singing Johnny Norton (Allan Jones) is the star catcher of the Blue Sox baseball team but he is suspended because of insubordination. Producer Barney Crane (William Frawley) hears Johnny singing and signs him to appear with Gloria Jackson (Jane Frazee), with the promise their first engagement will be in Havana. Johnny, hoping to get his baseball job back, is anxious to get to Cuba where the Blue Sox are having spring training. Patsy Clark (Marjorie Lord), daughter of Blue Sox owner, Joe Clark (Wade Boteler), helps Johnny get another chance with the team. But Johnny has fallen in love with Gloria and hates to walk out on his singing contract. Johnny's troubles are solved when rain prevents the important All-Star exhibition game which was scheduled for the same evening.
53.
Jail House Blues (1942) as Art Director
54.
Who Done It? (1942) as Art Director
Two dumb soda jerks dream of writing radio mysteries. When they try to pitch an idea at a radio station, they end up in the middle of a real murder when the station owner is killed during a broadcast.
55.
Treat 'Em Rough (1942) as Art Director
Accompanied by his trainer, Hotfoot (William Frawley), and his handyman/valet, Snake-eyes (Mantan Moreland), prizefighter Bill Kingsford (Eddie Albert), aka The Panama Kid, returns to his home town to help clear his dad, Gray Kingsford (Lloyd Corrigan), of graft involving several thousand gallons of oil hijacked from his own company. Betty (Peggy Moran), Mr. Kingsford's secretary, overhears a conversation between company officials Wetherbee (Joseph Crehan) and Perkins (Truman Bradley) ordering a gunman to intercept Kingsford on a trip to check a suspicious truck movement, and she warns Bill. The henchman manages to stop and slug Kingsford, but is himself killed when he tries to flee and his car bursts into fire. The police think the dead man is Kingsford, so Bill hides him while he and Betty try to get evidence against the real culprits.
56.
Little Joe, the Wrangler (1942) as Art Director
57.
Unseen Enemy (1942) as Art Director
58.
Behind the Eight Ball (1942) as Art Director
59.
You're Telling Me (1942) as Art Director
Other than the title, this film has no connection at all to the 1934 W.C. Fields film of the same title even though some sources give the plot of the Fields' film as the plot of this film. Hubert Abercrombie Gumm (Hugh Herbert), a flighty, eccentric screwball (what else)acquires a job as an executive at a radio station at the insistence of his only-slightly less eccentric aunt Fannie Handley (Esther Dale), who is married to one of the company owners, Ernest Truex. After mixing up the script pages to the various radio programs, Hubert sets out to get the name of a returning explorer on a contract for the radio station.
60.
The Silver Bullet (1942) as Art Director
Wild Bill Jones (Fuzzy Knight) is saved from three toughs by "Silver Jim" Donovan (Johnny Mack Brown), a newcomer to Winchester. They team up to campaign for Thad Morgan (William Farnum) for state senate running against crooked incumbent Walter Kincaid (LeRoy Mason.) Morgan's campaign is headed by saloon owner Queenie Canfield (Grace Leonard.) Jim visits Doc Winslow (Harry Holman) and asks him to keep on the lookout for a man with a jagged scar on his left arm, as a man so-marked had shot Jim's father in the back with a silver bullet which Jim now wears as a watch fob, with full intentions of returning it to the former owner. Kincaid has Morgan killed, and Jim, Nancy Lee (Jennifer Holt)and others now campaign for Morgan's widow, Emily (Claire Whitney.)
61.
Butch Minds the Baby (1942) as Art Director
62.
Danger in the Pacific (1942) as Art Director
63.
Ride 'Em Cowboy (1942) as Art Director
On the run from a rodeo boss, two greenhorns get jobs as cowboys.
64.
Get Hep to Love (1942) as Art Director
65.
Strictly in the Groove (1942) as Art Director
66.
The Old Chisholm Trail (1942) as Art Director
A cattle driver gets caught in the battle between a ruthless female rancher and the woman running a trading post.
67.
Halfway to Shanghai (1942) as Art Director
Since the film credit frames and pressbooks were often finished before the film was completed there was quite often data shown there that didn't match what was often seen or heard in the film, especially when players were replaced during production, or character names were changed, for whatever reasons, during production. This film contains many character names on the cast and pressbook credits that were not the character names used in the film. The film itself concerns a train hurtling through the night toward Rangoon (which must be half-way to Shanghai from some point) and the efforts of two Nazi agents to acquire a map showing the location of Chinese Army munitions buried at the terminus of the Burma Road. Kent Taylor and Irene Hervey are lovers reunited after a two year period in which she thought he was dead and, other than Taylor getting knocked on the head when George Zucco murders the man carrying the munitions map, have little to do with the plots and counterplots taking place on the train. A somewhat mousey secretary, played by Fay Helm, brings the culprits to justice at the end.
68.
Mug Town (1942) as Art Director
69.
There's One Born Every Minute (1942) as Art Director
The advertising slogans of Jimmy Hanagan (Tom Brown) and the lab reports reveal that the patented prepared pudding invented by Lemuel P. Twine (Hugh Herbert) has a treasure of Vitamin Z and is full of Zumph. Lemuel's daughter, Helen (Peggy Moran) is in love with Jimmy but her mother wants her to marry Lester Cadwalader, Jr. (Scott Jordan), son of Cadwalader, Sr.(Guy Kibbee), political boss of the city and mentor and whip of the present mayor, Moe Carson (Edgar Kennedy). Cadwalader is backing Twine for mayor even though he knows he can't win, as he wants to keep a stronger candidate out of the running. But after the discovery of Zumph in Twine's pudding, Cadwalader realizes that Twine will win the election. He has Twine's pudding branded as a fake and Twine as a fraud. But Lemuel comes from a long line of fighting Twines and, as he dozes, his ancestors appear before him telling him to fight to the end.
70.
The Invisible Agent (1942) as Art Director
Frank Raymond, grandson of the original Invisible Man, still has the old formula but considers it too dangerous to use, even when Axis agents try to get it. But Pearl Harbor brings him to volunteer his own services as an invisible agent in Germany. Though a bit cold (clothes aren't invisible), his adventures are more comedy than thriller (with occasional grim reminders) as he makes fools of Nazi officials and romances a luscious double agent, in search of Hitler's secret plan...
71.
Lady in a Jam (1942) as Art Director
72.
Juke Box Jenny (1942) as Art Director
73.
The Mad Doctor of Market Street (1942) as Art Director
A mad scientist is forced to leave San Francisco when his experiments become known. He lands on a tropical island, takes control and terrorizes the local populace. The survivor of a shipwreck washes ashore on the island, sees what is happening and determines to free the natives from his rule.
74.
Pardon My Sarong (1942) as Art Director
75.
What's Cookin'? (1942) as Art Director
J. P. Courtney wants to update the music on the radio program he sponsors, but his wife, Agatha Courtney, is the final authority and addicted to the classics and won't allow him to replace Professor Bistell and his symphonic orchestra. Conspiring with his daughter Sue and her friends, Marvo the Great, the Andrews Sisters, Anne Payne and bandleader Woody Herman, they devise a sabotage plot that gets rid of Professor Bistell, and a new sound is soon heard on the program.
76.
Top Sergeant (1942) as Art Director
An Army jeep is forced off the road by fleeing bandits. Sergeant Dick Manson (Don Terry), his kid brother Jack (Gene Garrick), and Corporals Frenchy Devereaux (Leo Carrillo) and Andy Jarrett (Andy Devine) follow and are joined by a posse of deputy sheriffs. Three of the robbers are killed in a shoot-out, but one of them, Al Bennett (Don Porter), escapes after wounding Jack, who dies. Bennett figures a perfect hideout would be in the Army, and becomes one of the recruits assigned to Manson. He gets into trouble because of his attitude, and particularly with Manson when he gets the Colonel's daughter, Helen (Elyse Knox), into covering up his A.W.O.L. G-Men reveal that some of the bank money has been passed at a local jewellery store. When Manson learns that Bennett has given Helen a gift trinket, he jumps at the clue, and drives her down to question the jeweler. They find him murdered. At the Army war games, Bennett blows up a bridge and several men are killed, and he diverts the blame upon Frenchy and Andy, who are court martialed for negligent homicide. Manson discovers a witness who identifies Bennett as one of the bank robbers.
77.
Sherlock Holmes and the Voice of Terror (1942) as Art Director
Sherlock Holmes investigates acts of terrorism linked to Nazi radio broadcasts.
78.
Broadway (1942) as Art Director
79.
'Frisco Lil (1942) as Art Director
80.
The Spoilers (1942) as Art Director
An Alaskan prospector fights a crooked federal agent for a beautiful saloon singer.
81.
The Mummy's Tomb (1942) as Art Director
A high priest travels to America with the living mummy Kharis (Lon Chaney Jr.) to kill all those who had desecrated the tomb of the Egyptian princess Ananka thirty years earlier.
82.
Escape from Hong Kong (1942) as Art Director
83.
Eagle Squadron (1942) as Art Director
84.
Mississippi Gambler (1942) as Art Director
A journalist finds out, that a plantation owner he meets is a gangster the police is looking for, who has changed his face with plastic surgery.
85.
Night Monster (1942) as Art Director
Dr. Lynn Harper, psychologist, has been called out to the old Ingston Mansion, a dark and mysterious place with a very bad reputation, in order to make an assessment of the sanity of Margaret Ingston, daughter of patriarch Kurt Ingston. She claims to be sane, but she is clearly very disturbed; we can't be certain, although the doctor gives her a clean bill of health. But then Dick Baldwin shows up on the scene, just when Dr. Lynne has been receiving thinly veiled threats from the inhabitants of the house. He's our hero. Three medical doctors have been invited out to the mansion as well, Dr. Timmons, Dr. Phipps and the sleazy Dr. King (Lionel Atwill). One by one the doctors are mysteriously murdered. Dick Baldwin must figure out who is doing the killings, and he must do so before whoever it is can kill his new love interest, Dr. Lynne Harper. But the only one he can trust is Kurt Ingston himself, since Ingston has no legs and can't have perpetrated these murders. Is it sinister Rolf, the butler, or Laurie, the sex crazed and sociopathic chauffeur, or Agor Singh, the Hindu Yogi with his strange ways? And of course, Lynne might be wrong, Margaret may be very insane, and she might be the culprit.
86.
Timber (1942) as Art Director
87.
Boss of Hangtown Mesa (1942) as Art Director
After her uncle is murdered by outlaws, Betty Wilkins takes over his the telegraph-line business with the help of Steve Collins--who ucovers the higher motive behind the murder.
88.
Private Buckaroo (1942) as Art Director
89.
Almost Married (1942) as Art Director
Gloria Dobson (Jane Frazee) is finding it hard to become a night club singer in New York because she has "no name". She is given a chance to acquire one when her trunk is delivered by mistake to the home of socialite James Manning III (Robert Paige). The latter's wealthy Aunt Matilda (Elizabeth Patterson) has Jimmy tagged for marriage to Louella Marvin (Jan Wiley). Jimmy, not interested in marrying Louella, and his butler, Michael (Charles Coleman) persuade Gloria, who has come to claim her trunk, to be introduced to Aunt Mathilda as Jimmy's "secret bride". The news of his "secret marriage" makes the newspapers, and his lawyers advise him that the only way out is an actual marriage to Gloria, followed by a quick divorce. Gloria agrees and they are married, and she discovers she has fallen in love with Jimmy. But humiliated because Jimmy still wants a divorce, she defiantly obtains a night club singing engagement on the strength of her married name. Jimmy ruins her chances of gaining recognition by buying up all the club's reservations for three weeks. Gloria then heads for Reno to get a divorce. Jimmy, realizing that he does love Gloria, flies to catch her Reno-bound train...
90.
Drums of the Congo (1942) as Art Director
91.
Men of Texas (1942) as Art Director
92.
The Ghost of Frankenstein (1942) as Art Director
Ygor resurrects Frankenstein's monster and brings him to the original doctor's son, Ludwig, for help. Ludwig, obsessed with the idea of restoring the monster to full power, is unaware that his various associates all have different ideas about whose brain is to be transplanted into the monster's skull.
93.
Saboteur (1942) as Art Director
A young man accused of sabotage goes on the lam to prove his innocence.
94.
Stagecoach Buckaroo (1942) as Art Director
95.
Sin Town (1942) as Art Director
Conman Dud McNair and his girl arrive in Carsin Town to find they have been sold worthless oil wells. The place is thriving and Dud soon eases himself in as half owner of a saloon. But his partner is playing a cagey and more deadly game. He is in jail so any lawlessness will be blamed on McNair.
96.
Don't Get Personal (1942) as Art Director
97.
The Strange Case of Doctor Rx (1942) as Art Director
After five men previously acquitted of various criminal charges are murdered by a mysterious avenger known as Dr. Rx, police Inspector Hurd (Edmund MacDonald) and Sergeant Sweeney (Shemp Howard) ask private investigator Jerry Church (Patric Knowles) to help them on the case. He takes the case after talking to Dudley Crispin (Samuel S. Hinds), a brilliant attorney who had defended three of the murdered men. Crispin gains an acquittal for his latest client, Zarini (Matty Fain), but the latter falls dead in the courtroom. Jerry marries Kit Logan (Anne Gwynne), who becomes frightened and persuades Jerry to quit the case. He stays however after Ernie Paul (John Gallaudet), suspected of the Zarini murder, threatens to "get" him if he does not stay on and clear Paul. Dr. Rx captures Jerry and attempts to frighten him into insanity by strapping him on an operating table, and pretending to exchange the detective's brain for a gorilla (Ray Corrigan in his gorilla suit).
98.
Destination Unknown (1942) as Art Director
99.
North to the Klondike (1942) as Art Director
100.
Paris Calling (1942) as Art Director
101.
Never Give a Sucker an Even Break (1941) as Art Director
A filmmaker tries to sell a script about con artists taking on the Russian millionaires of Mexico.
102.
So Ends Our Night (1941) as Art Director
An anti-Nazi on the run and a young Jewish couple race across Europe trying to escape Hitler's ever powerful influence. When the political refugee risks his life to see his dying wife in Austria, he has a dangerous encounter with a rabid Nazi.
103.
The Man Who Lost Himself (1941) as Art Director
John Evans encounters his lookalike, Malcolm Scott. When Scott is killed in an accident, Evans finds himself mistaken for Scott and decides to do some good in his new role.
104.
Meet the Chump (1941) as Art Director
105.
Man Made Monster (1941) as Art Director
106.
The Black Cat (1941) as Art Director
Greedy heirs gather to wait for the death of Henrietta Winslow. Murder, thunder claps, howling cats, gun shots, screams in the night, hidden passages -- all the proper ingredients.
107.
Keep 'Em Flying (1941) as Art Director
108.
A Dangerous Game (1941) as Art Director
109.
Badlands of Dakota (1941) as Art Director
110.
Double Date (1941) as Art Director
111.
Men of the Timberland (1941) as Art Director
112.
Road Agent (1941) as Art Director
Reissued by Realart Pictures in 1953 as "Texas Road Agent", with a title change because RKO had just made a 1952 film using this title, and this was the first year that Universal's "Road Agent" was known as "Texas Road Agent" and that was not a 1941 alternate title as shown by some revisionist-history sources. The actual 1941 filming title was "The Sonora Kid." Duke Masters (Dick Foran) and his two pals, Pancho (Leo Carrillo) and Andy (Andy Devine), are undercover agents for an express company sent to round up a gang of bandits who have been holding up stages carrying gold to the cattlemen of the district. They begin by hijacking a gold shipment from the three bandits who took it from the stage. They take it to town and drop it at the bank. The money was the annual payment to the cattlemen, who are excitedly surrounding bank president Sam Leavitt (Samuel S. Hinds). Steve (John Gallaudet) and the two gunmen who helped him rob the stage are in the crowd. They report this unexpected turn of events to their boss, Big John Morgan (Morris Ankrum.) Morgan tries unsuccessfully to pin the original robbery on Duke and his pals. He later confers with Leavitt who is an unwilling tool in the holdups. Morgan tries to decoy Duke, Pancho and Andy out of town while his gang holds up the bank, but Duke, with the help of Leavitt's daughter, Patricia (Anne Gwynne), beats them to it and cleans out the bank himself, taking the money to Leavitt's home to cache. But Morgan, Steve and the gang are in pursuit.
113.
Bury Me Not on the Lone Prairie (1941) as Art Director
114.
Raiders of the Desert (1941) as Art Director
115.
Law of the Range (1941) as Art Director
116.
Lucky Devils (1941) as Art Director
117.
Man from Montana (1941) as Art Director
The sheriff (Johnny Mack Brown) - a cattleman at heart, but pledged to follow the law - is caught in the crossfire between the resident ranchers and the incoming homesteaders, made even worse when instigator Dunham (James Blaine) has his henchmen kill the homesteader leader Preston (Murdock MacQuarrie), wound the head of the cattlemen, Winchester Thompson (William Gould), and leaves the sheriff, whom both sides mistrust by now, to settle the escalated conflict.
118.
Hold That Ghost (1941) as Art Director
Two bumbling service station attendants are left as the sole beneficiaries in a gangster's will. Their trip to claim their fortune is sidetracked when they are stranded in a haunted house along with several other strangers.
119.
Sing Another Chorus (1941) as Art Director
120.
Back Street (1941) as Art Director
A woman accepts life in the shadows as the price for her affair with a married man.
121.
Swing It Soldier (1941) as Art Director
122.
Horror Island (1941) as Art Director
123.
Boss of Bullion City (1941) as Art Director
Tom Bryant opens up his newspaper business in the lawless town of Bullion City. When he suspects a gold shipment will be robbed, he beats the robbers to it. When the Sheriff slips and reveals he knows the robbers failed to get the gold, Tom realizes he is the boss. When Calhoun leaves on the stage with a large amount of cash, Tom and his men are ready for the expected robbery.
124.
Buck Privates (1941) as Art Director
Two small-time con artists enlist in the Army to avoid the police.
125.
The Flame of New Orleans (1941) as Art Director
A notorious Frenchwoman pretends to be a society lady to nab a rich husband.
126.
Flying Cadets (1941) as Art Director
127.
Hit the Road (1941) as Art Director
128.
Mr. Dynamite (1941) as Art Director
129.
Mob Town (1941) as Art Director
130.
Mutiny in the Arctic (1941) as Art Director
131.
Hello Sucker (1941) as Art Director
132.
Melody Lane (1941) as Art Director
133.
Rawhide Rangers (1941) as Art Director
134.
Arizona Cyclone (1941) as Art Director
135.
The Kid from Kansas (1941) as Art Director
136.
Moonlight in Hawaii (1941) as Art Director
137.
Tight Shoes (1941) as Art Director
138.
South of Tahiti (1941) as Art Director
While not Maria Montez's first film with credit billing, this is the one that Universal used to launch her sex-sand-sarong (the sandals came later) career---"Maria Montez-The Screen's New Blaze of Excitement"--- that lasted over four years until she was usurped by Yvonne DeCarlo. The taglines here were just a warn-up for what was to come---"Daring Days! Exotic Nights! in a forbidden Pagan Paradise" and one even foreshadowed the title of one of her future films; "WHITE SAVAGE! Daughter of Eve...with a Soul of Satan! Lashing men and beasts to hate...and love...in a forbidden Pagan Paradise!" The plotline says four men, Brian Donlevy, Brod Crawford, Andy Devine and Henry Wilcoxin, drift ashore to an exotic island where they meet a beautiful native girl. All become more than a little smitten with Melahi (Maria Montez), with the exception of Andy Devine who is only concerned about not becoming a meal for her pet leopard. They don't make 'em like this anymore.
139.
The Wolf Man (1941) as Art Director
A British nobleman undergoes a startling transformation when he's bitten by a gypsy werewolf.
140.
The Lady from Cheyenne (1941) as Art Director
Fictionalized story of the 1869 adoption of women's suffrage in Wyoming Territory. In the new-founded railroad town of Laraville, Boss Jim Cork hopes to manipulate the sale of town lots to give him control, but Quaker schoolmarm Annie Morgan bags one of the key lots. Cork's lawyer Steve Lewis tries romancing Annie to get the lot back, finding her so overpoweringly liberated she leaves him dizzy. Still, Steve attains his nefarious object...almost...then has cause to deeply regret having aroused the sleeping giant of feminism!
141.
San Francisco Docks (1941) as Art Director
Longshoreman Johnny Barnes is in love with Kitty Tracy, barmaid at her father's waterfront saloon. Johnny is arrested for murder. Kitty and Father Cameron locate Frances March, wife of the real murderer (Alcatraz escapee Monte March) which leads to a fight between the two women and then between the priest and the murderer.
142.
Hellzapoppin' (1941) as Art Director
Ole and Chick are making a movie, but th edirector is not satisfied. So he brings them to a young writer, who outlines them a absurd story They have to support Jeff and Kitty in setting up an musical revue in their garden and want to bring it up on Broadway. If Jeff is sucessful he can marry Kitty. But there is his rich friend Woody, who also loves Kitty, Chick's sister Betty, who's in love with a false Russian count, and Detective Quimby. They all make the thing very complicated for Ole and Chick. After some mistakes they think, that Kitty isn't the right girl for Jeff they start sabotating the show, but the Broadway producer is impressed and signs the contract. That's the story the writer tells them. For this he's soot by the director.
143.
San Antonio Rose (1941) as Art Director
144.
This Woman Is Mine (1941) as Art Director
145.
Model Wife (1941) as Art Director
146.
Appointment for Love (1941) as Art Director
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.
147.
The Masked Rider (1941) as Art Director
148.
Six Lessons from Madame La Zonga (1941) as Art Director
Steve (Charles Lang), Skat(Eddie Quillan) and other members of a high-ridin', rug-cuttin' musical combo from Oklahoma set off to conquer Broadway, only to find that rhumba-rhythm is all the rage. They decide to sail for Havana to learn the rhythm and pick up the accent, and, on board the ship, Steve meets Rosita Alvarez (Helen Parrish) who is Cuba-bound with her father, Pop Alvarez (Leon Errol), a merry confidence man. All have problems they expect to be solved by Madame La Zonda (Lupe Velez), but they arrive and find that the exotic queen of the rhumba's night club has gone broke. Another confidence man, Beheegan (William Frawley), who has sold a few city halls in his day, provides the answer to everything; using a satchel filled with ill-gotten gains and under the watchful eyes of Alvin (Big Boy Williams), Gabby (Shemp Howard) and Maxwell (Frank Mitchell), he purchases several mythical plantations in South America from Pop.
149.
Cracked Nuts (1941) as Art Director
A young man in a small town wins $5000 in a radio contest. He goes to New York City to propose to his girlfriend, but gets mixed up with a crooked attorney and two con men who are trying to sell a fake "robot."
150.
In the Navy (1941) as Art Director
151.
Too Many Blondes (1941) as Art Director
152.
Nice Girl? (1941) as Art Director
153.
Bachelor Daddy (1941) as Art Director
154.
It Started with Eve (1941) as Art Director
To please his dying father, a man hires a hatcheck girl to pose as his fiancée.
155.
Where Did You Get That Girl? (1941) as Art Director
156.
Burma Convoy (1941) as Art Director
Film foreword: "Through the teeming heart of Asia, halfway between Rangood and Shanghai, twists the hand-hewn Burma Road, lifeline for the embattled Army of China, headquartered at Chungking. Over this dangerous seven hundred miles of highway roars a stream of truck---hell drivers at their wheels---trucks loaded with food, munitions, guns...blood and sinew of the defenders of the ancient soil of China. Fountain-head for these vital supplies, end of the rail line from the west is the sprawling Burmese BOOMTOWN OF LASHIO." Story mostly pertains to the trucking of munitions to the Chinese Army under British direction and with some Americans participating, but there is no dialogue references to Japan, and the parachute troops who attempt to sabotage the convoy are identified as Chinese insurrectionists. Two months after its October release, Universal could have called a spade a spade.Accuracy footnote:Despite revisionists sources that seem to think so,this was not distributed in 1941 by MCA/Universal, because MCA/Universal did not exist in 1941. Universal Pictures Company did, and they were the distributor.
157.
Dark Streets of Cairo (1941) as Art Director
158.
Unfinished Business (1941) as Art Director
Small town girl (Dunne) Meets and falls for a playboy type (Foster) on a train to New York. For him, the fling is over when they arrive, but she continues to carry a torch. She meets and marries his brother (Montgomery), a mismatch which eventually grows into real love.
159.
You're Not So Tough (1940) as Art Director
The Dead End Kids are out of the slums of New York's East Side and running around the sunny valleys of California looking for a way to make a quick buck. The idea of working never enters their minds until Halop is egged on by Grey to show his capabilities. Before long, he and Hall are working on the ranch of Galli, an elderly Italian woman who treats her workers like human beings instead of animals. Galli's son disappeared as an infant, and Halop tries to convince her that he is that long lost son, thus possibly sharing in her wealth. Galli is such a good person that Halop is soon motivated by respect instead of greed, so he devises a plan to help her when truckers and a labor organization band together to keep her crops from making it to market.
160.
Private Affairs (1940) as Art Director
Amos Bullerton, son of an old Boston family, has chosen for twenty years to remain a "black sheep" rather than submit to the dictation of his staid family. Jane Bullerton, his daughter, finds herself in the same quandary, ordered by her crotchety grandfather, Noble Bullerton, to marry a man she doesn't love.
161.
Enemy Agent (1940) as Art Director
162.
West of Carson City (1940) as Art Director
When a gold strike turns a ghost town into a boom town, Gorman arrives to open his crooked gambling hall and Judge Harkins arrives to bring law and order. Jim Bannister is aiding the Judge by bringing in Gorman's outlaws and to lure Jim into a trap, Gorman's men kidnap the Judge and his daughter for bait.
163.
Honeymoon Deferred (1940) as Art Director
164.
Black Friday (1940) as Art Director
When his friend Professor Kingsely (Ridges) is at deaths door, brain surgeon Dr. Sovac (Karloff) saves his life by means of an illegal operation that transplants part of injured gangster Red Cannon's brain. Unfortunately, the operation has a disasterous Jeckll and Hyde side effect and under certain conditions the persona of Cannon emerges. Sovac soon learns of the duel personality and of half a million dollars the gangster has hidden away. He attempts to find the money through the manipulation of his friend, an attempt that brings Kingsley closer to madness as he alternates between a meek professor of english and a brutal gangster out for murderous revenge on those who tried to kill him.
165.
Hot Steel (1940) as Art Director
166.
Son of Roaring Dan (1940) as Art Director
167.
Danger on Wheels (1940) as Art Director
168.
Pony Post (1940) as Art Director
169.
The Leatherpushers (1940) as Art Director
170.
I Can't Give You Anything but Love, Baby (1940) as Art Director
When Public Enemy No. 3 Sonny McGann (Broderick Crawford) meets composer Bob Gunther (Johnny Downs), he gets the idea of having Bob write music to a poem he has written about his long-lost sweetheart Sadie McGlonsky. Somewhere between kidnapping and gentle persuasion, Sonny takes Bob and his girlfriend Linda Carroll (Peggy Moran) to his penthouse hideout and orders Bob to write the music. After completion, Sonny and his mob use some strong-arm persuasion to get it on "The Hit Parade." Bob tries to trick Sonny saying he can't write any more music because of his unrequited love for music comedy star Magda Delys (Gertrude Michael). Sonny's solution is to have his men bring Magda and a minister with a marriage license to the penthouse. Bob is forced to begin the ceremony but Public Enemy No. 2, Big Foot Louie (Warren Hymer), barges in and reveals that his own hobby is writing music. And Sonny recognizes Magda as his long-lost love Sadie McGlonsky. He and Big Foot decide to quit the rackets and surrender to the District Attorney so they can collaborate on writing hit songs "in the pen."
171.
Framed (1940) as Art Director
172.
Margie (1940) as Art Director
173.
It's a Date (1940) as Art Director
Mother-and-daughter singers vie for the same man and the same stage part.
174.
The Boys from Syracuse (1940) as Art Director
The action takes place in Ephesus in ancient Asia Minor, and the concerns The efforts of two boys from Syracuse, Anthipholus and his servant Dromio, to find their long-lost twins who, for reason of plot confusion, are also named Anthipholus and Dromio. Complications arise when the wife of the Ephesians, Adriana and her servant Luce, mistake the two strangers for their husband, though the couples eventually get sorted out after Adriana's sister Luciana and the Syracuse Antipholus admit their love
175.
Alias the Deacon (1940) as Art Director
176.
Ma, He's Making Eyes at Me (1940) as Art Director
177.
Sandy Is a Lady (1940) as Art Director
178.
Ski Patrol (1940) as Art Director
179.
Zanzibar (1940) as Art Director
180.
La Conga Nights (1940) as Art Director
181.
Double Alibi (1940) as Art Director
182.
Sandy Gets Her Man (1940) as Art Director
183.
Black Diamonds (1940) as Art Director
184.
Oh, Johnny, How You Can Love (1940) as Art Director
185.
Ragtime Cowboy Joe (1940) as Art Director
When Sam Osborne (Wilfred Lucas), owner of the Circle S Ranch, is killed by cattle rustler Bo Gillman (Dick Curtis), the outlaw is advised by crooked attorney Virgil Parker (Walter Soderling) to report the "mysterious" killing to Osborne's daughter, Helen (Nell O'Day) . Steve Logan (Johnny Mack Brown), a stranger, is jailed for the crime. He escapes and learns of Parker's scheme to steal the Circle S. Steve presents his Cattleman's Protective Association credentials to the sheriff (Edward Cassidy) and receives assurances of aid. Steve's former sweetheart, Mary Curtis (Lynn Merrick as Marilyn Merrick), confirms Parker's treachery. In a gun battle, Parker, Gillman and the rustlers are rounded up and the Circle S is saved for Helen. Steve and Mary take up their romance again.
186.
Love, Honor, and Oh-Baby! (1940) as Art Director
In despair after breaking up with his girlfriend, a man hires a thug he has never seen to kill him. However, he changes his mind when he falls in love with another woman--but he can't stop the man trying to kill him because he doesn't know who he is.
187.
The Invisible Man Returns (1940) as Art Director
Framed for the murder of his brother, Geoffrey Radcliffe is scheduled to hang. After a visit from his friend Dr. Frank Griffin, he vanishes mysteriously from prison. Police inspector Sampson realizes that Griffin is the brother of the original Invisible Man and has given Geoffrey the formula to aid his escape. Can Geoffrey elude the police dragnet and track down the real murderer? More importantly, can Griffin discover an antidote before the invisibility formula drives Geoffrey insane?
188.
The Bank Dick (1940) as Art Director
When he foils two robberies in one day, the town drunkard is hired to guard the local bank.
189.
Green Hell (1940) as Art Director
A group of adventurers head deep into a South American jungle in search of ancient Incan treasure. A beautiful woman, brought to their camp by hired bearers, has come to join her husband, a newer member of the group, who was recently killed by hostile natives. As the months go by, jealousies and tempers flare as fights break out over the woman. The Incan treasure is finally found but the treaure-seekers, now united by a common enemy, are about to be attacked by hundreds of fierce natives armed with bows and poisoned arrows.
190.
My Little Chickadee (1940) as Art Director
A small-town seductress'' romance with a masked bandit goes on hold when she''s forced to marry a con artist.
191.
Seven Sinners (1940) as Art Director
A South Seas temptress sets her sights on a U.S. Navy officer.
192.
Riders of Pasco Basin (1940) as Art Director
193.
Hired Wife (1940) as Art Director
An ad man asks his secretary Kendall to marry him as a loophole in order to protect his finances during an important business deal.
194.
One Night in the Tropics (1940) as Art Director
195.
Give Us Wings (1940) as Art Director
196.
The Invisible Woman (1940) as Art Director
A mad scientist makes a beautiful model invisible so she can get back at the man who fired her.
197.
Diamond Frontier (1940) as Art Director
198.
Spring Parade (1940) as Art Director
199.
Slightly Tempted (1940) as Art Director
Confidence man Professor Ross (Hugh Herbert) is released from prison and goes to Knoxton where his daughter Judy (Peggy Moran) lives. She has told everyone, including her fiancee Jimmy Duncan (Johnny Downs), that her father has been exploring in South America. Civic leaders ask him to lecture at a gala reception. Because Jimmy needs money to finance a toy train factory, Ross ends his lecture with a sales talk about the valuable Iridium mines he found in South America. Ethelreda Knox (Elisabeth Risdon), big-time toy manufacturer, wants to get a monopoly on the Iridium stock, while Gentleman Jack (Robert Emmett Keane) and The Duchess (Gertrude Michael), a pair of slick crooks, also want to chisel in on the deal. Ross gets the swindlers and civic leaders to deposit $60,000 in the bank and he finances Jimmy's factory with the funds. Feeling somewhat "taken", Gentleman Jack and The Duchess rob the bank, but with the help of his crony Peter (George E. Stone), Ross sees to it that the pair leave town holding an empty bag. Ross reimburses the locals and suggests a merger of the factories owned by his bride-to-be Eltelreda and his future son-in-law Jimmy.
200.
When the Daltons Rode (1940) as Art Director
Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancTe Julie?
201.
The House of the Seven Gables (1940) as Art Director
A man frames his brother for murder to secure the family fortune for himself.
202.
South to Karanga (1940) as Art Director
203.
The Mummy's Hand (1940) as Art Director
Archaeologists are stalked by a resurrected mummy during an Egyptian dig.
204.
Trail of the Vigilantes (1940) as Art Director
205.
Law and Order (1940) as Art Director
Bill Ralston arrives in town planning to settle down but quickly gets caught up in the fight between the townspeople and Poe Daggett and his gang. He takes the job of town Marshal and soon brings law and order. When Daggetts men ambush him he kills Poe's brother. Poe then kills Bill's friend Brant and this leads to the showdown.
206.
Bad Man from Red Butte (1940) as Art Director
207.
A Little Bit of Heaven (1940) as Art Director
208.
The Devil's Pipeline (1940) as Art Director
209.
Meet the Wildcat (1940) as Art Director
210.
Argentine Nights (1940) as Art Director
211.
If I Had My Way (1940) as Art Director
A construction worker takes charge of the daughter of a fellow worker killed in an accident. He brings the girl to New York to try to find her uncle. When he finds him, he discovers that the uncle has spent his life savings on a restaurant that turns out to be a worthless dive. He's determined to help the girl and her uncle make the restaurant a success.
212.
I'm Nobody's Sweetheart Now (1940) as Art Director
213.
Big Town Czar (1939) as Art Director
When gangster Phil Daley (Barton MacLane) gets rid of his chief Paul Burgess (Walter Woolf King) he has everything that money can buy, except the respect of his parents (Oscar O'Shea and Esther Dale) and his sweetheart Susan Warren (Eve Arden.) His younger brother Danny (Tom Brown) quits college and forces Phil to make him part of the gang. The overly-ambitious Danny fixes a prize-fight on which rival gang-leader Mike Luger (Jack La Rue) loses heavily and, thinking that Phil has double-crossed him, sends gunmen out to kill Phil. They kill Danny instead and the frightened Phil flees to a country hideout. His chief lieutenant, Sid Travis (Frank Jenks), sets a trap for Phil when he returns.
214.
Hero for a Day (1939) as Art Director
215.
The Family Next Door (1939) as Art Director
216.
The Big Guy (1939) as Art Director
217.
Spirit of Culver (1939) as Art Director
218.
The Witness Vanishes (1939) as Art Director
219.
Call a Messenger (1939) as Art Director
A tough street kid attempts to rob a post office and is caught. In order to avoid reform school, he takes a job as a messenger with the post office. He finds that he likes it, and when his brother is released from prison, attempts to help his brother go straight. However, the two of them get mixed up with a local gangster, who has plans to start robbing post office branches and using the messenger and his brother to do it.
220.
The Sun Never Sets (1939) as Art Director
When Clive Randolph finally returns "home" from Gold Coast colony, younger brother John balks at following the family Colonial Service tradition. But back in Gold Coast, one Zurof, nominally studying ants, pursues a hidden political agenda that causes worldwide unrest; the Colonial Office persuades both brothers to go back and deal with it. Young John makes a mess of things, then must save the day on his own.
221.
Two Bright Boys (1939) as Art Director
222.
Legion of Lost Flyers (1939) as Art Director
223.
Tower of London (1939) as Art Director
An ambitious duke uses his executioner henchman to kill his way to the crown.
224.
First Love (1939) as Art Director
In this reworking of Cinderella, orphaned Connie Harding is sent to live with her rich aunt and uncle after graduating from boarding school. She's hardly received with open arms, especially by her snobby cousin Barbara. When the entire family is invited to a major social ball, Barbara sees to it that Connie is forced to stay home. With the aid of her uncle, who acts as her fairy godfather, Connie makes it to the ball and meets her Prince Charming in Ted Drake, her cousin's boyfriend.
225.
Unexpected Father (1939) as Art Director
Jimmy Hanley (Dennis O'Keefe) learns that his former dancing partner has been killed, leaving a baby boy Sandy (Sandra Lee Henville as Baby Sandy), so he takes the baby to live with him and his roommate Boris Bebenko (Mischa Auer). Theatre manager Allen Rand (Donald Briggs) threatens to fire Jimmy for neglecting his work, but Jimmy's girlfriend Diana (Shirley Ross) squares things by going to dinner with Rand over Jimmy's objections. Sandy catches measles and the quarantine causes Jimmy and Boris to miss a big audition.
226.
East Side of Heaven (1939) as Art Director
227.
Destry Rides Again (1939) as Art Director
A deputy who's sworn not to shoot again takes on a corrupt town boss and a sultry saloon singer.
228.
Ex-Champ (1939) as Art Director
229.
Chip of the Flying U (1939) as Art Director
Duncan is secretly shipping explosives by ship and needs the Flying U ranch which has shore access. Chip breaks up his murder and robbery attempts and eventually captures two of his henchman. Duncan has to show his hand to rescue his men and now Chip and the posse know who they are after.
230.
The Forgotten Woman (1939) as Art Director
231.
They Asked for It (1939) as Art Director
232.
Pirates of the Skies (1939) as Art Director
233.
The House of Fear (1939) as Art Director
A detective goes undercover as a producer to investigate an actor's murder, which occurred during the performance of a play. The actor's body disappeared shortly after the crime, and his ghost is rumored to be haunting the theater.
234.
I Stole a Million (1939) as Art Director
235.
Son of Frankenstein (1939) as Art Director
The legendary scientist's son is tempted to resume his father's horrible experiments.
236.
One Hour to Live (1939) as Art Director
237.
For Love or Money (1939) as Art Director
238.
The Last Warning (1939) as Art Director
239.
You Can't Cheat an Honest Man (1939) as Art Director
A circus manager tries to break up his daughter's romance with a ventriloquist.
240.
Charlie McCarthy, Detective (1939) as Art Director
Scotty Hamilton is a reporter who works for a crooked editor. Bill Banning is another reporter who is about to expose the editor's ties to the mob. When the editor is killed, both reporter Banning and mobster Tony Garcia are suspected. However, Hamilton's friend Edgar Bergen solves the case (without much help from Charlie McCarthy).
241.
Code of the Streets (1939) as Art Director
242.
Desperate Trails (1939) as Art Director
Following 1939's "The Phantom Stage", the last of 12 series westerns made at Universal by Trem Carr and Paul Malvern starring Bob Baker, Universal kicked off a new series of six starring their new series-sign Johnny Mack Brown (who had already starred in three Universal serials with one more to go.) Baker was now odd-man-out at the studio as his contract had been with Trem Carr, and Carr and associate Malvern had moved over to Monogram to begin a series of four "Tailspin Tommy" features. Universal, usually late to the party anyway, added Baker and comedian Fuzzy Knight to the first-six Brown films to form a trio angle along the lines of Republic's highly successful "Three Mesquiteers" series, but there were no continuing roles in these films---they even killed Baker off in the 2nd film---and Baker's 2nd-lead soon went to 3rd-lead (behind Knight) and then to "gone" after the sixth film. When Bob Baker was next seen in a film at Universal, it was as the uncredited bus driver in Abbott and Costello's "Ride 'Em Cowboy" in 1942. From this point onward, Fuzzy Knight was the sidekick in every B-series western made by Universal until they closed shop on series westerns and serial production when they merged with International Pictures to become Universal-International:In this one, Steve Hayden (Johnny Mack Brown), working undercover, comes to Denton to help restore law and order. The men secretly responsible for the lawlessness are Big Bill Tanner (Russell Simpson) and Melenkthy Culp (Clarence Wilson), the town banker. (A pairing made in filmdom heaven since the meaner and more desperate the two become, the more enjoyable they are to watch.) Judith Lantry (Frances Robinson) arrives from back east to check on her ranch holdings ran by her cousin Bill "Cousin Willie" Strong (Fuzzy Knight), and Tanner and Culp, fearful she will discover the faked mortgages they put on her property, send henchman Ortega (Charles Stevens) to do away with her, but Steve saves her life. She and Cousin Willie put Steve in charge of the ranch, and he quickly fires her crooked foreman Lon (Ralph Dunn), and hires Clem Waters (Bob Baker) and a whole new group of cowhands. Steve captures Lon with 200 head of horses belong to Judith, and he confesses and implicates Tanner and Culp.
243.
Oklahoma Frontier (1939) as Art Director
It's the opening of the Cherokee strip and the Rankins are after a particular section. Frazier is also after the same section and has hired outlaws to make sure he gets it. When Jeff gives Rankin a map, the outlaws kill Rankin, steal the map, and frame Jeff for the murder. Scheduled to be hung the day of the land rush, Jeff's pal Frosty has a plan to free him.
244.
Mutiny on the Blackhawk (1939) as Art Director
Story deals with slave-running between Hawaii and California in 1840, featuring a wild mutiny aboard a slave ship on the high seas, the bartering of natives for slavery in a tropical paradise, and battle scenes between enraged California settlers and the Mexican Army.
245.
Tropic Fury (1939) as Art Director
246.
When Tomorrow Comes (1939) as Art Director
247.
Risky Business (1939) as Art Director
248.
Hawaiian Nights (1939) as Art Director
249.
Society Smugglers (1939) as Art Director
250.
Missing Evidence (1939) as Art Director
251.
The Underpup (1939) as Art Director
252.
Man from Montreal (1939) as Art Director
253.
Laugh It Off (1939) as Art Director
254.
Little Accident (1939) as Art Director
255.
Rio (1939) as Art Director
256.
Inside Information (1939) as Art Director
257.
Three Smart Girls Grow Up (1939) as Art Director
Now that their parents are back together, the Craig girls think life is going to be easy. It is, until Kay falls in love with Joan's fiance! Complications arise when youngest sister Penny tries to find Joan a new boyfriend so that Kay and Richard can be together.
258.
Midnight Intruder (1938) as Art Director
259.
The Jury's Secret (1938) as Art Director
Bill Sheldon (Larry J. Blake as Larry Blake) has a grudge against Midland City newspaper publisher Brandon Williams (Samuel S. Hinds) as Sheldon blames the city's recent flood against Williams for using his power and influence to hold up government flood control money. When Williams is found murdered, Sheldon is charged with the crime that was actually committed by Walter Russell (Kent Taylor), the paper's rebel editorial writer. Ney York reporter Linda Ware (Fay Wray) arrives to cover the story and finds that Russell, her old sweetheart, is on the jury hearing Sheldon's trial. She also discovers that he is the killer. Russell forces an acquittal and, before another trial can be held, realizes that his conscience will not permit him to let Sheldon be tried again.
260.
Freshman Year (1938) as Art Director
261.
Little Tough Guys in Society (1938) as Art Director
262.
Little Tough Guy (1938) as Art Director
The son of a man sentenced to death for a murder he didn't commit vows to become a criminal himself. He starts his own street gang, and their crime spree is financed by a mysterious young man--who turns out to be the son of the District Attorney who sent the boy's father to the electric chair.
263.
The Lady in the Morgue (1938) as Art Director
264.
That Certain Age (1938) as Art Director
Dashing reporter Vincent Bullit has just returned from covering the Spanish Civil War. His boss, newspaper magnate Fullerton, has more plans to send him off to China. However, first Fullerton invites Bullit to the peace and quiet of his own home to write a series of European affair articles. When Fullerton's adolescent daughter Alice develops a crush on Bullit, her suitor, boyscout Ken Warren, doesn't seem to stand a chance. Mr. and Mrs. Fullerton, Ken Warren, and even Vincent Bullit himself do their best to sway young Alice's feelings away from the older man. It's a difficult task though, as she is at 'that certain age.'
265.
Strange Faces (1938) as Art Director
266.
The Last Express (1938) as Art Director
267.
Exposed (1938) as Art Director
268.
Swing That Cheer (1938) as Art Director
269.
Youth Takes a Fling (1938) as Art Director
270.
His Exciting Night (1938) as Art Director
271.
Nurse from Brooklyn (1938) as Art Director
272.
Sinners in Paradise (1938) as Art Director
A seaplane departs for China. On board are a nurse escaping a loveless marriage to do work with refugees, a woman hoping to surprise her estranged son, a wealthy heiress trying to distance herself from labor troubles, an oily politician, a moll and a mobster fleeing the wrath of the gangs they've double-crossed, two rival munitions salesmen out to cash in on the misery of war, and a fresh-faced young steward. Caught in a course-altering storm, a crash-landing destroys the plane, kills the plane's officers, and tosses the surviving passengers into the sea. They are washed ashore on an isolated island inhabited solely by mysteriously reclusive Mr. Taylor and his servant, Ping. Until Taylor decides if, how and when he will allow them to take his boat back to China for help, this disparate band must work together, change their self-centered ways, and examine their motives for wanting to escape from the island and their pasts.
273.
Swing Sister Swing (1938) as Art Director
Broadway press agent Nap Sisler (Ken Murray) sees a chance to make a national hit with a new dance, "The Baltimore Bubble", created by Greenvale filling-station attendant Johnny Bennett (Johnny Downs). Nap promotes dance instructor Professor L. Orlando Beebee (Ernest Truex) out of $500 to bring Johnny, his dancing partner Snookie Saunders (Kathryn Kane, formerly known as Katherine "Sugar" Kane but not in this film), and Greenvale grocery clerk and hot trombonist Satchel-Lips Peters (Eddie Quillan) to New York. Introduced at a night club by bandleader Ted Weems, the trio is a hit. The Greenvale trio begin a theatre tour with their dance, now a national sensation. The craze soon dies out and Johnny stays in New York to try for another chance at fame with a dancer, Nona (Edna Sedgwick), while the other two return to Greenvale. The new act soon flops and Johnny returns to Greenvale and is met by Snookie, Satchel-Lips and the town band, who escort him to a new and lavish service station built with the money earned from "The Baltimore Bubble."
274.
Personal Secretary (1938) as Art Director
275.
The Devil's Party (1938) as Art Director
276.
Reckless Living (1938) as Art Director
277.
The Missing Guest (1938) as Art Director
278.
Mad About Music (1938) as Art Director
A young woman at a girl's school in Switzerland makes up stories about and writes herself letters from an imaginary explorer-adventurer father; and is eventually put in a position where she has to produce him. Interesting things happen as she talks a visiting Englishman into helping her out.
279.
Goodbye Broadway (1938) as Art Director
280.
Forbidden Valley (1938) as Art Director
281.
Gambling Ship (1938) as Art Director
282.
Letter of Introduction (1938) as Art Director
An aging actor, trying to make a comeback on Broadway, is surprised when his estranged daughter shows up. It seems that she is an actress and is also trying to make it on Broadway. He tries to re-establish his relationship with her while also trying to hide the fact that she is his daughter from the press.
283.
Newsboys' Home (1938) as Art Director
284.
The Storm (1938) as Art Director
285.
Danger on the Air (1938) as Art Director
286.
The Road to Reno (1938) as Art Director
287.
Service De Luxe (1938) as Art Director
Glamorous and efficient Helen Murphy runs a service that will provide any type of assistance to wealthy customers, but what she's really looking for is a man who can take care of himself. Rugged Robert Wade, an inventor in town to secure funding for his new model tractor, wants to meet a woman who won't try to run his life. Despite being made for each other, Helen and Bob go through the usual complications of a film like this before ending up together in the final reel.
288.
The Crime of Doctor Hallet (1938) as Art Director
289.
Flirting with Fate (1938) as Art Director
290.
Wives Under Suspicion (1938) as Art Director
A D.A.'s personal life mirrors the love-triangle murder he's prosecuting.
291.
The Rage of Paris (1938) as Art Director
Nicole has no job and is several weeks behind with her rent. Her solution to her problem is to try and snare a rich husband. Enlisting the help of her friend Gloria and the maitre'd at a ritzy New York City hotel, the trio plot to have Gloria catch the eye of Bill Duncan, a handsome millionaire staying at the hotel. The plan works and the two quickly become engaged. Nicole's plan may be thwarted by Bill's friend, Jim Trevor, who's met Nicole before and sees through her plot.
292.
Secrets of a Nurse (1938) as Art Director
When battered prize-fighter Lee Burke (Dick Foran) is taken to the West Side hospital, nurse Katherine MacDonald (Helen Mack) leaves her romantically-inclined patient, wealthy attorney John Dodge (Edmund Lowe) to take care of Burke. She discovers that Burke was doped by his handler, Churchill (George McKay), on instructions from gambler Joe Largo (Leon Ames) so the latter can win a $5000 bet from Burke's manager Slice Cavanaugh (Paul Hurst.) Largo orders henchman Larry Carson (Horace MacMahon) to bump off Churchill to keep him from talking. Katherine talks Burke into quitting the ring and Dodge belittles the ex-boxer by getting him a job as a bellhop. Cavanaugh, desperate for money, calls Burke yellow and when Burke happens upon the scene where another Largo henchman, Smiley (Paul Fix), has killed the manager, Burke is tried for the murder.
293.
Prescription for Romance (1937) as Art Director
294.
Armored Car (1937) as Art Director
295.
Let Them Live (1937) as Art Director
296.
Four Days' Wonder (1937) as Art Director
297.
The Man in Blue (1937) as Art Director
298.
Some Blondes Are Dangerous (1937) as Art Director
299.
This Way Please (1937) as Art Director
300.
Wings over Honolulu (1937) as Art Director
Adapted by Isabel Dawn and Boyce de Gaw from a "Redbook Magazine" story by Mildred Cram with, apparently, none of the three understanding much about military trials or else the Ray Milland character would have ended up with a dishonorable discharge and twenty years in the slammer. Story begins at a birthday party given for Virginia deb Lauralee Curtis (Wendy Barrie) by her adoring aunts Nellie (Margaret McWade) and Evie Curtis (Clara Blandick.) Wealthy yankee Gregory Chandler (Kent Taylor) claims the first dance and spends the night unfolding dazzling vistas of yachts, wealth and far-off romantic places and asks Lauralee to marry him. She declines, as properly brought-up southern girls do not accept first-night proposals or, most of the time, propositions. But this changes when navy flyers Lieutenants Stony Gilchrist (Ray Milland) and Jack Furness (William Gargan) make a forced landing on the Curtis plantation, and it is a case of love at first sight when Lauralee meets Stony,evidently because Lauralee and Stony are the only two people at the party with British accents. She marries him and follows him to Honolulu.But the Navy bungalow is a bit drab---"pitifully drab" to be exact---for a good old girl from a southern plantation, and she isn't too keen about airplanes flying over the house all day even if they are on a Naval base and, for goodness gracious sakes, ol' Stony's duties force him to stay away from home at times. Meanwhile, Gregory sails his yacht into the harbor with the express purpose of winning Lauralee away from Stony, which is not surprising for a damn yankee. She assures the cad that she loves her husband more than ever but...she will attend a party on his yacht since Stony is tied up doing whatever it is he does and a girl just can't stay cooped up all the time and she reckons there is nothing wrong in that. But Stony comes home early, finds out where she is going and reckons otherwise. They quarrel and Lauralee hies herself on to the party, which ends up on a slumming excursion to a disreputable cafe where a drunk makes a pass at Lauralee, and Gregory, miffed that someone other than he is out to spoil Lauralee's honor, fights the drunk. All three are hauled to jail and the story is all over Honolulu's morning newspapers. Grief-stricken and not wishing to bring further shame on Stony, Lauralee sends word she is leaving him for Gregory Chandler. Stony isn't buying any of that and he steals a Navy plane and goes in search of Chandler's yacht. To compound his theft of United States government property, Stony also manages to crash said property. He offers no defense at his court martial, since doing so would involve his wife's good (albeit somewhat tarnished) name. But Lauralee shows up and tells the court martial board it was all her fault, and the board reckons that under these circumstances Stony should be restored to full duty and rank but transferred to another base. In real life, of course, his next base would have been the federal prison at Fort Leavenworth, Kansas doing a hard-duty twenty years behind the bars.
301.
We Have Our Moments (1937) as Art Director
302.
She's Dangerous (1937) as Art Director
303.
The Wildcatter (1937) as Art Director
304.
Breezing Home (1937) as Art Director
305.
You're a Sweetheart (1937) as Art Director
306.
A Girl with Ideas (1937) as Art Director
307.
Oh, Doctor (1937) as Art Director
308.
Girl Overboard (1937) as Art Director
309.
Night Key (1937) as Art Director
310.
When Love Is Young (1937) as Art Director
311.
The Magnificent Brute (1936) as Art Director
312.
Flying Hostess (1936) as Art Director
313.
Mysterious Crossing (1936) as Art Director
314.
The Luckiest Girl in the World (1936) as Art Director
315.
Postal Inspector (1936) as Art Director
316.
The Man I Marry (1936) as Art Director
317.
Love Letters of a Star (1936) as Art Director
318.
Three Smart Girls (1936) as Art dir assoc
The daughters of a divorced couple try to keep their father from remarrying.
319.
The Girl on the Front Page (1936) as Art Director
320.
Yellowstone (1936) as Art Director
321.
Thanks a Million (1935) as Art Director
Entertainers enter a political rally to get out of the rain and become part of the show. One of them (Powell) gives a speech in place of the besotted candidate (Walburn) and is chosen to be the candidate by backers he later exposes as crooks.
322.
Welcome Home (1935) as Art Director
323.
Curly Top (1935) as Art Director
A wealthy man adopts two orphaned sisters.
324.
Doubting Thomas (1935) as Art Director
When a man's wife neglects him for acting, he strikes back by joining the show.
325.
Orchids to You (1935) as Art Director
326.
Under Pressure (1935) as Art Director
327.
Spring Tonic (1935) as Art Director
328.
Bad Boy (1935) as Art Director
Poolroom ace Dunn marries his girlfriend Wilson but cant find work so he sends her back to her family. Things improve after he catches some crooks.
329.
One More Spring (1935) as Art Director
330.
Dressed to Thrill (1935) as Art Director
331.
Show Them No Mercy! (1935) as Art Director
The title refers to the government's plan at the time for putting an end to a lucrative racket, kidnapping. When Hudson and Norris enter a country house to get out of the rain it turns out to be a kidnapper hideout.
332.
The Daring Young Man (1935) as Art Director
333.
Carolina (1934) as Settings
334.
Hell in the Heavens (1934) as Art Director
335.
Now I'll Tell (1934) as Settings
Golden is a two-bit gambler who has promised wife Virginia he'll quit when he makes $200,000. When he fixes a fight he gets mobster Mossiter mad, then loses his fortune to him. He pawns his wife's jewels and takes out an insurance policy on himself.
336.
Change of Heart (1934) as Settings
Janet Gaynor and James Dunn and their close friends Charles Farrell and Ginger Rogers graduate from a West Coast college and fly to New York City to find work.
337.
Marie Galante (1934) as Settings
Marie is kidnapped and taken aboard ship, then thrown off at Yucatan. She winds up singing in a cafe in the Panama Canal zone. There she gets involved in a plot to destroy the canal and runs into American intelligence officer Crawbett.
338.
Shanghai Madness (1933) as Settings
In the 1920s Pat Jackson destroys a Chinese post and is discharged from the Navy. Li Po Chang hires him to run a gunboat up the river. He drops Wildeth off at a mission for safety, but when his boat returns the mission is being attacked by communists. If he can drive off the communists he may be restored to the Navy and receive permission to marry Wildeth.

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