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Maureen O'Sullivan

Maureen O'Sullivan

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Also Known As: Died: June 22, 1998
Born: May 17, 1911 Cause of Death: heart failure
Birth Place: Ireland Profession: actor, writer

Biography CLOSE THE FULL BIOGRAPHY

This petite, brunette Irish colleen was discovered by ace Hollywood filmmaker Frank Borzage at the International Horse Show in Dublin in 1930 and subsequently enjoyed a lengthy career in film, TV and onstage. After being convent-educated near London and sent to a finishing school in Paris, O'Sullivan accepted Borzage's offer, signed with Fox Studios and soon found herself in Hollywood cast opposite legendary Irish tenor John McCormack in the early sound musical, "Song o' My Heart" (1930). The film was poor and McCormack didn't catch on with filmgoers, but the lovely ingenue soon found herself in the bizarre science-fiction musical "Just Imagine" (1930) and supporting Will Rogers in a fun version of "A Connecticut Yankee at King Arthur's Court" (1931).O'Sullivan was signed by MGM in 1932, where she would remain for the next decade. She soon played--for the first of six times--the most famous role of her career, the demure but scantily clad Jane, saved by and later wed to the king of the jungle in "Tarzan the Ape Man" (1932). The other five films O'Sullivan made with former Olympic swimmer Johnny Weismuller ranged from the superior "Tarzan and His Mate" (1934) to the odd "Tarzan's New York Adventure"...

This petite, brunette Irish colleen was discovered by ace Hollywood filmmaker Frank Borzage at the International Horse Show in Dublin in 1930 and subsequently enjoyed a lengthy career in film, TV and onstage. After being convent-educated near London and sent to a finishing school in Paris, O'Sullivan accepted Borzage's offer, signed with Fox Studios and soon found herself in Hollywood cast opposite legendary Irish tenor John McCormack in the early sound musical, "Song o' My Heart" (1930). The film was poor and McCormack didn't catch on with filmgoers, but the lovely ingenue soon found herself in the bizarre science-fiction musical "Just Imagine" (1930) and supporting Will Rogers in a fun version of "A Connecticut Yankee at King Arthur's Court" (1931).

O'Sullivan was signed by MGM in 1932, where she would remain for the next decade. She soon played--for the first of six times--the most famous role of her career, the demure but scantily clad Jane, saved by and later wed to the king of the jungle in "Tarzan the Ape Man" (1932). The other five films O'Sullivan made with former Olympic swimmer Johnny Weismuller ranged from the superior "Tarzan and His Mate" (1934) to the odd "Tarzan's New York Adventure" (1942) before O'Sullivan retired for six years to raise her family by director John Farrow, whom she had married in 1936.

Remarkably prolific in the 30s, O'Sullivan wasn't quite a top star, typically playing leads in "B" films and programmers, and ingenue second leads in bigger productions. Examples of the former include the punchy gangster saga "Okay America" (1932), the spicy pre-Production Code dramas "Skyscraper Souls" (1932) and "Stage Mother" (1933), the superior horror film "The Devil Doll" (1936), the amusing comedy "The Bishop Misbehaves" and the fine suspenser "Woman Wanted" (both 1935). Always in gentle, sympathetic roles, O'Sullivan handsomely supported major stars like Norma Shearer in "The Barretts of Wimpole Street" (1934, very touching as the helpless Henrietta), Marie Dressler in "Tugboat Annie" (1933), Ann Harding in "The Flame Within" (1935), Greta Garbo in "Anna Karenina" (1935), and William Powell and Myrna Loy in "The Thin Man" (1934, as a damsel in distress). She provided the requisite romance in the Marx Brothers farce "A Day at the Races" (1937), dallied with Robert Taylor in "A Yank at Oxford" (1938), and was particularly fine as the spirited Greer Garson's sweet, more conventional sister in "Pride and Prejudice" (1940).

Returning to acting after six years, O'Sullivan played prominent but somewhat incidental romantic leads in two good noirs directed by Farrow, "The Big Clock" (1948) and "Where Danger Lives" (1950). Too old for ingenue roles and working in a Hollywood whose dominant Irish female was the more fiery Maureen O'Hara, O'Sullivan alternated standardized leading lady roles with supporting turns in good second-tier films like Douglas Sirk's "All I Desire" (1953) and Budd Boetticher's "The Tall T" (1957). Occasional clinkers like "Bonzo Goes to College" (1952) paled beside good TV work on the dramatic anthologies "Fireside Theater", "Matinee Theater" and "Star Stage". She also hosted a syndicated TV anthology for the young, "The Children's Hour" (1951).

After Farrow died in 1963 and her seven children (including actors Mia and Tisa Farrow) grew into adulthood, O'Sullivan increasing busied herself with stage work, which, over the next several decades included revivals of "The Front Page" and "Morning's at Seven". The Broadway hit "Never Too Late" had O'Sullivan sweetly amusing as a middle-aged expectant mother, a role she recreated for the 1965 film version. TV work picked up in the 70s and beyond with a season on the daytime soap "All My Children" and dignified roles in the TV-movies "The Crooked Hearts" (ABC, 1972), "Mandy's Grandmother" (syndicated, 1980) and "With Murder in Mind" (CBS, 1992). A handful of feature roles cropped up too: O'Sullivan proved anew that a sensitive actor existed alongside the persona of the likable, demure lassie with her striking work as the heroine's (Mia Farrow) drunken mother in Woody Allen's "Hannah and Her Sisters" (1986).

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

1.
 Hart to Hart: Home Is Where the Hart Is (1994) Eleanor Biddlecomb
2.
 With Murder in Mind (1992) Aunt Mildred
3.
 Horton Foote's The Habitation of Dragons (1992) Miss Helen Taylor
5.
 Stranded (1987) Grace Clark
6.
 Hannah and Her Sisters (1986) Norma--Hannah'S Mother
7.
 Peggy Sue Got Married (1986) Elizabeth Alvorg
8.
 Too Scared to Scream (1982) Mother
9.
 Traveller (1982)
10.
 Great Houdinis, The (1976) Lady Doyle
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1930:
Discovered by Hollywood director Frank Borzage at Dublin's International Horse Show
1930:
Was under contract to Fox Film Corp.
1930:
Feature acting debut, "Song O' My Heart"
:
Under contract with MGM, Culver City
1932:
Made first Tarzan film opposite Johnny Weismuller, "Tarzan the Ape Man"
1936:
Made first of six films at MGM with journeyman contract director Richard Thorpe, "The Voice of Bugle Ann"
1938:
Journeyed to England to make an MGM film opposite Robert Taylor, "A Yank at Oxford"
1942:
Made last of six screen appearances as Jane in the "Tarzan" series, "Tarzan's New York Adventure"; was also last film for six years; retired from the screen to raise family
1948:
Returned to features as the female romantic lead in "The Big Clock", starring Ray Milland and Charles Laughton; film was directed by her husband John Farrow
1951:
Hosted the syndicated children's anthology series, "The Children's Hour", which presented hour-long films aimed at young audiences
1958:
Again left films after "The Wild Heritage"
:
Briefly a member of NBC-TV's "Today Show" team as the "Today Girl" (date approximate)
:
Acted in stage productions in the 1960s, including "The Front Page," "No Sex Please, We're British," and "Never Too Late"
:
Contributed short stories to various magazines
1965:
Returned to films to play a prominent role in the adaptation of the stage comedy, "Never Too Late", reprising the role she had played on Broadway
1970:
Appeared as Olive Whalen on the ABC TV daytime soap opera, "All My Children"
1970:
Made a cameo appearance as herself, along with many other well-known personalities of the 1930s and 40s, in the film, "The Phynx"
1972:
First TV-movie, "The Crooked Hearts"; acted in support of Rosalind Russell and Douglas Fairbanks Jr.
:
Returned to Broadway to play a prominent supporting role in the acclaimed revival of Paul Osborn's 1939 play, "Morning's at Seven"
1981:
Began appearing occasionally in features again after a decade absence: made only non-US feature credit other than "A Yank at Oxford" (1938), "Traveller", a film co-produced by Ireland and the UK
1986:
Played mother of Mia Farrow in Woody Allen's "Hannah and Her Sisters"
1987:
Final film role, "Stranded"
1994:
Final screen acting role in the NBC TV-movie "Hart to Hart: Home Is Where the Heart Is"
1995:
Was played by actress Heidi von Palleske in the biographical TV miniseries portrait of O'Sullivan's daughter, "Love and Betrayal: The Mia Farrow Story"
1996:
Was an interview subject for the A&E series "Biography" in episodes on Jean Harlow and Tarzan creator Edgar Rice Burroughs
VIEW ALL MILESTONES

Notes

O'Sullivan received the Lateran Cross from the Vatican in 1958.

Companions close complete companion listing

husband:
John Villiers Farrow. Director, writer. Married from September 12, 1936 until his death on January 27, 1963; received papal dispensation to marry as Farrow was divorced; he had served as the screenwriter for one of the "Tarzan" films she starred in, "Tarzan Escapes" (1936); later directed O'Sullivan in "The Big Clock" (1948) and "Where Danger Lives" (1950).
husband:
James E Cushing. Businessman. Married on August 22, 1983; survived her.

Family close complete family listing

mother:
Mary Lovatt O'Sullivan.
father:
Charles Joseph O'Sullivan.
son:
Michael Damien Farrow. Died in a plane crash in 1958.
son:
Patrick Joseph Farrow. Survived her.
son:
John Charles Farrow. Actor. Appeared in "John Paul Jones", directed by his father; survived her.
daughter:
Mia Farrow. Actor. Survived her.
daughter:
Prudence Farrow. Producer. Survived her.
daughter:
Stephanie Margarita Farrow. Survived her.
daughter:
Theresa Farrow. Actor. Has acted in features including "Homer" (1970) and "Winter Kills" (1979); survived her.
VIEW COMPLETE FAMILY LISTING

Bibliography close complete biography

"Maureen O'Sullivan: A Bio-Bibliography" Greenwood Press

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