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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cinematography (feature film)
One of the early color near-nudie films and was reshown often by, mostly, drive-in theatre owners in need of a quick cash fix. They would hang out the "Adults Only" sign, thereby ensuring that every high school and junior high boy (and more than a few Dads) within an hour's drive would storm the gate, and turn on the pop corn machine and then hot-foot it to the night-desposit at the bank. "Not Tonight, Henry" (the actual title and not an alternate title as some seem to think) was a large step up in quality for director W. Merle Connell in that it was in color and also not just a static-camera filming of a burlesque show inside of one of L. A.'s smoky, grind house burleyques. The girls were still out of burlesque, as were Hank Henry and Little Jack Little: Hank Henry is more than a little frustrated at the "lack of attention" he is getting at home from his wife (Burlesque performer Valkyra) and starts dreaming up amorous escapades with sirens from the past...Cleopatra (Daurine Dare), Josephine (Joanne Berges), Delilah (Marge Welling) and others. Most end in some old burlesque skit or blackout gag, but Henry makes the history rounds. While he is dreaming, his wife is reading a book about the great lovers of history. When he "returns" the wife tells him he doesn't have to sleep on the couch any more...and amends that to---"at least, not tonight, Henry."
When a couple are killed in an auto accident their bodies are immediately inhabited by extraterrestrial beings. Taking refuge in an underground cave, the aliens attempt to sabotage the U.S. space program.
Upon discovering the suicide of a known transvestite, the police inspector seeks enlightenment from a psychiatrist familiar with the phenomenom. The psychiatrist tells him two tales. Glen is to be married to Barbara, but must find a way to tell her of his desire to wear her angora sweater, and of his cross-dressing needs in general. Another is the story of Alan, who decides to physically become a female via surgery (based on the contemporary story of Christine Jorgensen). Throughout the film a scientist inanely babbles about life and death in order to somehow elucidate the story.
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A female executive falls in love with her male secretary.
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