TCM Archive Materials VIEW ALL ARCHIVES (4)
|Also Known As:||Died:||November 28, 2010|
|Born:||February 11, 1926||Cause of Death:||Complications from pneumonia|
|Birth Place:||Regina, Saskatchewan, CA||Profession:||Cast ... actor radio announcer disc jockey screenwriter radio engineer|
ly well at the box office. Nielsen's hapless klutz might have been an inspired choice to play the live action adaptation of animated oldster "Mr. Magoo" (1997), but that kids' film and his follow-up action film parody "Wrongfully Accused" (1998) both fizzled. Adopting another bumbling detective persona, Nielsen starred in "2001: A Space Travesty" (2000), an obvious reference to the Kubrick classic but whereas Kubrick's was considered one of film history's best, this was among the worst.
The silver-haired star was back at the top of his game when David Zucker tapped him to appear as the paranoid (and at one point, almost entirely naked) President of the United States in the amusing horror spoof sequel "Scary Movie 3" (2003). Nielsen revived his doofus President Allen for the even more popular "Scary Movie 4" (2006) â¿¿ the inevitable sequel â¿¿ in which everything under the sun was given the David Zucker treatment. Nielsen made a rare appearance in the well-received dramatic indie "The Music Within" (2007), though only a few festival audiences were able to appreciate this very different performance. That same year, he lent a comedic edge to the Discovery Channel medical documentary series "Doctor*ology" (Discovery, 2007). Nielsen was back to his old tricks in 2008's moderate parody hit "Super Hero Movie," which was produced by Zucker and written and directed by "Scary Movie 3" and "4"'s Craig Mazin. Sadly, the beloved actor passed away on Nov. 28, 2010 from complications from pneumonia. He was 84 years old.r in Canada. In the late 1940s, Nielsen was accepted into the prestigious Neighborhood Playhouse School in New York City, where he studied under Sanford Meisner and began appearing in regional theater.
Tall and broad with a booming baritone and bright blue eyes, Nielsen had it easy breaking into television, though he would later admit that he had been so self-conscious of his humble background that he had fabricated a serious persona he assumed a professional actor ought to have. In any event, that persona proved to be a steady meal ticket and Nielsen landed dozens of roles on the live television dramas of the day like "Studio One" (CBS, 1948-1958), "Playhouse 90" (CBS, 1956-1961) and "Alfred Hitchcock Presents" (NBC, 1955-1964). In 1954, he moved to Hollywood and signed a deal with Paramount Pictures, enjoying his first brush with fame by playing the lead spaceship commander in the sci-fi classic "Forbidden Planet" (1956). He essayed the occasional romantic lead in "The Opposite Sex" (1956) and the first of the Debbie Reynolds series "Tammy and the Bachelor" (1957), but generally stuck to manly, military roles and gun-slinging cowboys in "The Sheepman" (1958) , "The Plainsman" (1966) and "Beau Geste" (1966).
On the small screen, Nielsen had a recurring role on "The Virginian" (NBC, 1962-1971) before he was cast in a starring role as a deputy chief of police on the urban police drama "The Bold Ones: The Protectors" (NBC, 1969-1970). Following the show's untimely demise, he was cast in the pilot of "Hawaii Five-O," but when the show was picked up, he failed to make the cut. Nielsen also appeared in the TV film "The Aquarians" (NBC, 1970) before joining the era's disaster film trend with a role in "The Poseidon Adventure" (1972). He played a cop in the TV film "Brink's: The Great Robbery" (CBS, 1976), a military agent on the run from involuntary chemical experimentation in the big screen thriller "Project Kill" (1976), and remained generally prolific with guest spots on shows like "M*A*S*H" (CBS, 1972-1983) and "The Streets of San Francisco" (ABC, 1972-77).
In 1980, writer-director Jerry Zucker's vision of taking actors known for their unshakable seriousness and surrounding them with ludicrous sight gags meant a career turning point for the 54-year-old Nielsen. He was cast alongside fellow stoics Robert Stack, Peter Graves, and Lloyd Bridges in the uproarious Zucker- Abrahams comedy "Airplane!" (1980) which parodied disaster films and also included heavy doses of pop culture send-ups. As a doctor aboard a doomed commercial flight overcome by food poisoning, Nielsen gave a flawlessly deadpan delivery of quotable dialogue that spoofed his stolid screen persona and proved his impeccable comic timing. In fact, the actor delivered one of the most famous lines in comedy history when, after he asks a passenger if he can fly the plane and the man replies, "Surely you can't be serious," Nielsen responds: "I am serious, and don't call me Shirley." The film was a box office hit as well as critical success, earning a Golden Globe nomination and a place in history as the American Film Institute's 10th "Funniest American Movie of All Time." But despite the unveiling of his previously unseen talent, he was not yet considered a comedic actor, so resumed his career with a pair of horror films, including "Prom Night" (1980) and "Creepshow" (1982).
The Zucker-Abrahams team came to Nielsen again in 1982 with a script for a half-hour comedy spoof of the popular Quinn-Martin-style police dramas of the 1960s and 1970s. Nielsen was cast as bumbling detective Frank Drebin of "Police Squad" (ABC, 1982) and earned an Emmy Award for his brilliant contributions to the detail-packed, ceaselessly funny show which was inexplicably canceled after only six episodes. Revered for his second great performance, Nielsen countered suggestions that he was being cast against type with the suggestion that during the first 30 years of his career was when he had actually been cast against type; that he was actually a closet comedian. Despite his public proclamations, for the next six years he was still only tapped for more action drama roles and TV films until the Zucker-Abrahams folks came calling again in 1988 with a feature adaptation of the "Police Squad" premise. For "The Naked Gun - From the Files of Police Squad!" (1988), Nielsen reprised his role of Frank Drebin and a comedy film franchise was born. This time Nielsen had a full 90 minutes of screen time immersed in pratfalls and bad puns â¿¿ to say nothing of hilariously bad driving â¿¿ and the result was wildly successful hit with both critics and audiences.
With his latest hit, Nielsen was transformed into the go-to-guy for parodies. He was tapped by filmmaker Bob Logan to star in an "Exorcist" (1973) spoof "Repossessed" (1990), but Nielsen's attachment alone was not enough to make the weak send-up a success. But the next year, the dream team delivered another hit with "The Naked Gun 2-1/2: The Smell of Fear" (1991), which found Lieutenant Drebin attempting to head off a Washington energy lobby conspiracy. Nielsen had a guest appearance on the series finale of "Golden Girls" the following year, as the man who wins Dorothy (Bea Arthur's) heart, and followed it up with the lackluster kiddie offering "Surf Ninjas" (1993). Nielsen released a mock autobiography which claimed, among other things, several Oscars and an affair with Elizabeth Taylor. Further banking on his reputation, he made several mock golf instructional videos including "Bad Golf Made Easier" (1993) and "Bad Golf My Way" (1994). That year he also starred in the capper "Naked Gun 33-1/3: The Final Insult" (1994) however, David Zucker had vacated the director's chair and the series had run its course â¿¿ both creatively and due to the pall cast by the notorious double murder trial of the film's co-star, O J Simpson.
Beginning in 1994, Nielsen returned to his Canadian roots with an entertaining recurring role as Canadian Mountie Sgt. Buck Frobisher on the cult TV favorite "Due South" (CTV, 1994-99). He took another stab at children's comedy with a starring role in "Rent-a-Kid" (1995) and went on to appear in Mel Brooks' "Dracula: Dead and Loving It" (1995). The vampire send-up was a flop so he took spoofing into his own hands as the executive producer of "Spy Hard" (1996), which paled in comparison to his Zucker-Abrahams collaborations but, nonetheless, did moderate
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