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Patricia Neal

Patricia Neal

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Ghost Story... Fred Astaire, John Houseman, Melvyn Douglas, and Douglas Fairbanks Jr., as a... more info $14.98was $14.98 Buy Now

The... No Man Takes What's Mine!"Do you want to stand alone against the whole world?"... more info $19.98was $19.98 Buy Now

The Day The... Director Robert Wise turns a sci-fi film adaptation of Harry Bates' short story,... more info $9.98was $9.98 Buy Now

Operation... Meet the dive-for-glory torpedo devils of the USS Thunderfish.World War II rages... more info $12.98was $12.98 Buy Now

A Face In The... Andy Griffith bucks his nice guy image in this biting satire about the power of... more info $19.98was $19.98 Buy Now

The Homecoming... Patricia Neal, Richard Thomas, Edgar Bergen and Cleavon Little star in this... more info $14.98was $14.98 Buy Now

Also Known As: Patsy Louise Neal Died: August 8, 2010
Born: January 20, 1926 Cause of Death: Lung cancer
Birth Place: Packard, Kentucky, USA Profession: Cast ... actor model
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BIOGRAPHY

Though she initially found success on Broadway, actress Patricia Neal became a Hollywood star thanks to several memorable performances, only to see her career cut short due to a series of illnesses and personal tragedies from which she never fully recovered. Neal first gained notice on the stage with her Tony-winning performance in "Another Part of the Forest" (1947), which led to her venturing out onto the silver screen. She made her presence known with an acclaimed turn in "The Fountainhead" (1949), particularly due to her highly publicized affair with co-star Gary Cooper, which allegedly resulted in a nervous breakdown a few years later. Meanwhile, she married writer Roald Dahl and continued making movies, albeit in roles ill-suited to her talents. Neal went back to triumph on Broadway, only to return to Hollywood with two of her best films, "Breakfast at Tiffany's" (1961) and "Hud" (1963), the latter of which earned her an Academy Award. But just as her film career was finally taking shape, Neal suffered a debilitating series of strokes while pregnant that left her paralyzed and unable to speak. With help and encouragement from Dahl, she made a near-full recovery and returned to work, only to find film offers few and far between. She did have a critical triumph with "The Subject was Roses" (1968), but was consigned to just a few movies in the ensuing decades while suffering the death of her daughter from illness and the permanent brain damage of her son from an accident. Regardless of the numerous tragedies in her life, Neal remained a strong and resilient performer worthy of great respect.

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