skip navigation
Jeanne Moreau

Jeanne Moreau

Up
Down

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (3)

Recent DVDs

 
 

Banana Peel... Two crafty grifters may be given the slip in comedy crime caper "Banana Peel"... more info $24.95was $24.95 Buy Now

Disengagement... Juliette Binoche stars in this gritty and provocative take on the MIddle East... more info $24.98was $24.98 Buy Now

Monte Walsh... Barbed wire replaces wide open spaces in "Monte Walsh" (1970), a tale of cowboys... more info $19.99was $19.99 Buy Now

Time To Leave... From noted French director Francois Ozon comes this complex and poignant drama... more info $24.99was $24.99 Buy Now

Elevator To... In his mesmerizing debut feature film, twenty-four-year-old director Louis Malle... more info $39.95was $39.95 Buy Now

The Lovers:... Louis Malle unveiled the natural beauty of Jeanne Moreau in his breakthrough,... more info $29.95was $29.95 Buy Now

Also Known As: Died:
Born: January 23, 1928 Cause of Death:
Birth Place: Paris, FR Profession: Cast ... actor screenwriter director
RATE AND COMMENT

BIOGRAPHY

Jeanne Moreau was the sort of talent that could generate hyperbolic labels like "the world's greatest actress," which was how no less an authority than Orson Welles described her. For a half-century, Moreau constantly set the bar for performances by female actresses with her fearless, deeply emotive and passionate turns in such bona fide classics as "Elevator to the Gallows" (1958), "Jules and Jim" (1960), "The Trial" (1961), "Diary of a Chambermaid" (1964), "The Bride Wore Black" (1968), "Querelle" (1982) and countless others. The list of legendary directors who queued up to add her earthy sensuality and versatility to their films included figures like Welles, Francois Truffaut, Louis Malle, Rainer Werner Fassbinder, Wim Wenders, Luc Besson and Tony Richardson. But despite the quality of her performances, Moreau was largely unknown to mass audiences, especially in America, where she was generally regarded as an art house figure. More mainstream moviegoers knew her as Cinderella's great-granddaughter in "Ever After" (1998) than for "Jules and Jim." If the anonymity bothered Moreau, it never showed; she simply continued to give life-affirming performances well into her eighties while dabbling in work behind the camera on several occasions. Moreau was one of the few actresses whose work remained consistently top-notch for the entirety of her career, with bit parts and cameos as well-crafted as her leading roles. In doing so, she cemented her status as one of the cinema's greatest actors.

Please support TCMDB by adding to this information.

Click here to contribute