skip navigation
Paul Monash

Paul Monash

| VIEW ALL

TCM Messageboards
Post your comments here
ADD YOUR COMMENT>

share:

TCM Archive Materials VIEW ALL ARCHIVES (0)

Recent DVDs

Carrie ... Director Brian DePalma brings Stephen King's novel to the screen with this... more info $7.46was $9.98 Buy Now

Carrie ... Sissy Spacek, John Travolta. A young girl with telekinetic power gets even at... more info $11.21was $14.99 Buy Now

Also Known As: Died: January 14, 2003
Born: June 14, 1917 Cause of Death:
Birth Place: Profession:

Biography CLOSE THE FULL BIOGRAPHY

While Paul Monash is accurately remembered as a writer and producer of terrific entertainment, he also strived to bring social issues to light, and to push the artistic boundaries of film and television. His early career included work on anthologies such as "Studio One in Hollywood," which made the jump from radio to television in the late '40s. During the mid-to-late '50s, he received critical acclaim for his writing on these shows, and subsequently scripted and produced the pilot for "The Untouchables," which became an influential crime show, followed by the wildly successful drama "Peyton Place" in the '60s. Both "Peyton Place" and Monash's legal series "Judd for the Defense" touched on controversial topics such as teen pregnancy and blacklisting, although the latter was never very popular. By decade's end, he was turning his attention to producing feature films, and throughout the late '60s and '70s worked with George Roy Hill and others to get classics such as "Butch Cassidy and the Sundance Kid," "Slaughterhouse-Five," and "The Front Page" up on the big screen. He closed the '70s with a critically lauded television adaptation of the novel "All Quiet on the Western Front," which he wrote, and...

While Paul Monash is accurately remembered as a writer and producer of terrific entertainment, he also strived to bring social issues to light, and to push the artistic boundaries of film and television. His early career included work on anthologies such as "Studio One in Hollywood," which made the jump from radio to television in the late '40s. During the mid-to-late '50s, he received critical acclaim for his writing on these shows, and subsequently scripted and produced the pilot for "The Untouchables," which became an influential crime show, followed by the wildly successful drama "Peyton Place" in the '60s. Both "Peyton Place" and Monash's legal series "Judd for the Defense" touched on controversial topics such as teen pregnancy and blacklisting, although the latter was never very popular. By decade's end, he was turning his attention to producing feature films, and throughout the late '60s and '70s worked with George Roy Hill and others to get classics such as "Butch Cassidy and the Sundance Kid," "Slaughterhouse-Five," and "The Front Page" up on the big screen. He closed the '70s with a critically lauded television adaptation of the novel "All Quiet on the Western Front," which he wrote, and his output slowed afterward (although he was a consultant on the sci-fi series "V" from 1984 to 1985). However, during the '90s he won praise for screenplays about political figures Joseph Stalin and George Wallace, winning the Humanitas Prize for the latter, which presented its title character in a more complex light.

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

CAST: (feature film)

VIEW THE FULL FILMOGRAPHY

Please support TCMDB by adding to this information.

Click here to contribute