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Overview for William C. Mellor
William C. Mellor

William C. Mellor

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Also Known As: Died: April 30, 1963
Born: June 29, 1903 Cause of Death: complications fron surgery
Birth Place: Missouri, USA Profession: Cinematography ...
RATE AND COMMENT

COMPLETE FILMOGRAPHY

Cinematography (feature film)

1. The Greatest Story Ever Told (1965) as Director of Photography.
2. Mr. Hobbs Takes a Vacation (1962) as Director of Photography.
3. State Fair (1962) as Director of Photography.
4. The Big Gamble (1961) as Director of Photography.
5. Wild in the Country (1961) as Director of Photography.
6. Crack in the Mirror (1960) as Director of Photography.
7. One Foot in Hell (1960) as Director of Photography.
8. The Best of Everything (1959) as Director of Photography.
9. Compulsion (1959) as Director of Photography.
10. The Diary of Anne Frank (1959) as Director of Photography.
11. Woman Obsessed (1959) as Director of Photography.
12. Sing, Boy, Sing (1958) as Director of Photography.
13. Peyton Place (1957) as Director of Photography.
14. Love in the Afternoon (1957) as Director of Photography.
15. Giant (1956) as Director of Photography.
16. The Last Frontier (1956) as Director of Photography.
17. Johnny Concho (1956) as Director of Photography.
18. Back from Eternity (1956) as Director of Photography.
19. Oklahoma! (1955) as Temporary dir of photog.
20. Bad Day at Black Rock (1955) as Director of Photography.
21. Give a Girl a Break (1954) as Director of Photography.
22. Alaska Seas (1954) as Director of Photography.
23. The Naked Spur (1953) as Director of Photography.
24. The Affairs of Dobie Gillis (1953) as Director of Photography.
25. Big Leaguer (1953) as Director of Photography.
26. Skirts Ahoy! (1952) as Director of Photography.
27. Carbine Williams (1952) as Director of Photography.
28. It's a Big Country: An American Anthology (1952) as Director of Photography.
29. Westward the Women (1952) as Director of Photography.
30. My Man and I (1952) as Director of Photography.
31. A Place in the Sun (1951) as Director of Photography.
32. Across the Wide Missouri (1951) as Director of Photography.
33. Soldiers Three (1951) as Director of Photography.
34. The Unknown Man (1951) as Director of Photography.
35. The Next Voice You Hear (1950) as Director of Photography.
36. Love Happy (1950) as Director of Photography.
37. Too Late For Tears (1949) as Director of Photography.
38. Man-Eater of Kumaon (1948) as Director of Photography.
39. Texas, Brooklyn & Heaven (1948) as Director of Photography.
40. The Senator Was Indiscreet (1948) as Director of Photography.
41. Blaze of Noon (1947) as Director of Photography.
42. Abie's Irish Rose (1946) as Photography.
43. Dixie (1943) as Director of Photography.
44. Commandos Strike At Dawn (1942) as Director of Photography.
45. Wake Island (1942) as Director of Photography.
46. Beyond the Blue Horizon (1942) as Director of Photography.
47. The Fleet's In (1942) as Director of Photography.
48. My Favorite Blonde (1942) as Director of Photography.
49. Road to Morocco (1942) as Director of Photography.
50. The Great Man's Lady (1942) as Director of Photography.
51. Reaching for the Sun (1941) as Director of Photography.
52. Birth of the Blues (1941) as Director of Photography.
53. Las Vegas Nights--"The Last Frontier Town" (1941) as Director of Photography.
54. Moon over Burma (1940) as Director of Photography.
55. Comin' Round the Mountain (1940) as Photography.
56. Road to Singapore (1940) as Director of Photography.
57. Typhoon (1940) as Director of Photography.
58. The Great McGinty (1940) as Director of Photography.
59. Ambush (1939) as Photography.
60. Undercover Doctor (1939) as Photography.
61. $1,000 a Touchdown (1939) as Photography.
62. The Magnificent Fraud (1939) as Photography.
63. Disputed Passage (1939) as Photography.
64. Hotel Imperial (1939) as Photography.
65. Romance in the Dark (1938) as Photography.
66. Ride a Crooked Mile (1938) as Photography.
67. Bulldog Drummond in Africa (1938) as Photography.
68. Thrill of a Lifetime (1938) as Photography.
69. Stolen Heaven (1938) as Photography.
70. Make Way for Tomorrow (1937) as Photography.
71. Bulldog Drummond Comes Back (1937) as Photography.
72. Champagne Waltz (1937) as Photography.
73. Exclusive (1937) as Photography.
74. The Sky Parade (1936) as Photography.
75. Woman Trap (1936) as Photography.
76. A Son Comes Home (1936) as Photography.
77. College Holiday (1936) as Photography.
78. Poppy (1936) as Photography.
79. Car 99 (1935) as Photography.
80. Collegiate (1935) as Photography.
81. Without Regret (1935) as Photography.
82. Wings in the Dark (1935) as Photography.
83. The Crusades (1935) as Camera Operator.
84. Wagon Wheels (1934) as Photography.
85. Home on the Range (1934) as Photography.
86. Wharf Angel (1934) as Camera Operator.
87. Elmer and Elsie (1934) as Photography.
88. Enter Madame! (1934) as Photography.
89. Cleopatra (1934) as Camera Operator.
90. Bolero (1934) as Camera Operator.
91. One Sunday Afternoon (1933) as Camera Operator.
92. Luxury Liner (1933) as Camera Operator.
93. This Day and Age (1933) as Camera Operator.
94. The Song of Songs (1933) as Camera Operator.
95. Design for Living (1933) as Camera Operator.
96. Love Me Tonight (1932) as Camera Operator.
97. Broken Lullaby (1932) as 2nd Camera.
98. One Hour with You (1932) as Camera Operator.
99. This Is the Night (1932) as Camera Operator.
100. I Take This Woman (1931) as 2nd Camera.
101. Tarnished Lady (1931) as Camera.

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