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|Also Known As:||Danny Louis Aiello Jr.||Died:|
|Born:||June 20, 1933||Cause of Death:|
|Birth Place:||New York City, New York, USA||Profession:||actor, producer, director, truck loader, pool hustler, station bus announcer, shoe-shine boy, union president, bouncer|
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94), before turning in a fine performance as a mob boss who employs a hit man (Jean Reno) befriended by a 12-year-old girl (Natalie Portman) in "The Professional" (1994). Aiello had the leading role in the Oscar-winning short film, "Lieberman in Love" (1995), then played a Brooklyn political boss with his own agenda in the textured political drama, "City Hall" (1996), starring Al Pacino and John Cusack. While playing a romantic role in Kevin Dowling's "Mojave Moon" (1996), Aiello portrayed a kindhearted heavy in John Herzfeld's Tarantino-esque crime comedy, "2 Days in the Valley" (1996).While Aiello had been largely shying away from television, he was made an offer he could not refuse when he was presented with the role of Mafia patriarch Don Clericuzio in the miniseries "Mario Puzo's 'The Last Don'" (CBS, 1997), which earned him some of his best critical acclaim of the decade. The network also managed to lure him back to series work as the star and executive producer of "Dellaventura" (CBS, 1997-98), a procedural drama about a former New York City cop-turned-private investigator. Knowing Aiello's reticence to work in Los Angeles, the network took the rare step of moving the entire production to him....
94), before turning in a fine performance as a mob boss who employs a hit man (Jean Reno) befriended by a 12-year-old girl (Natalie Portman) in "The Professional" (1994). Aiello had the leading role in the Oscar-winning short film, "Lieberman in Love" (1995), then played a Brooklyn political boss with his own agenda in the textured political drama, "City Hall" (1996), starring Al Pacino and John Cusack. While playing a romantic role in Kevin Dowling's "Mojave Moon" (1996), Aiello portrayed a kindhearted heavy in John Herzfeld's Tarantino-esque crime comedy, "2 Days in the Valley" (1996).
While Aiello had been largely shying away from television, he was made an offer he could not refuse when he was presented with the role of Mafia patriarch Don Clericuzio in the miniseries "Mario Puzo's 'The Last Don'" (CBS, 1997), which earned him some of his best critical acclaim of the decade. The network also managed to lure him back to series work as the star and executive producer of "Dellaventura" (CBS, 1997-98), a procedural drama about a former New York City cop-turned-private investigator. Knowing Aiello's reticence to work in Los Angeles, the network took the rare step of moving the entire production to him. Despite the Herculean effort to build a show around Aiello, the series failed to last more than a season. In "Wilbur Falls" (1998), Aiello played a small town sheriff whose daughter gets wrapped up in murder, which he then followed with the role of an aging Mob assassin in "Hitmanâ¿¿s Journal" (1998). He flew under the radar after that, taking on a supporting role opposite Paul Rodriguez in the Latin comedy "Mambo CafÃ©" (1999) and playing a successful restaurateur whose son owes the Mob a bundle of cash in the indie-made "Dinner Rush" (2000).
More indie features soon followed for Aiello, who appeared in obscure movies like "Prince of Central Park" (2000), "Mail Order Bride" (2003) and" Brooklyn Lobster" (2005). He next had a small part in "Lucky Number Slevin" (2006), a clever â¿¿ perhaps too clever â¿¿ crime thriller about mistaken identity that had obvious influence from Quentin Tarantino, even down to a cast that included Bruce Willis and Lucy Liu. But after that role, Aiello fell off the Hollywood map completely, not appearing in any films or television roles. He did surface as a crooner of sorts, putting out an album called Live from Atlantic City (2008), on which he warbled such old standards as "All of Me," "Itâ¿¿s a Sin to Tell a Lie" and "Pennies from Heaven." Meanwhile, Aiello suffered a family tragedy when his son, Danny Aiello III, a longtime stunt performer and occasional actor, died from pancreatic cancer in his Hillside, NJ, home at 53 years old. their youngest ever president.
Times were good until June 1967, when the drivers threatened to strike. While Aiello backed his membership, the union brass backed management, leading him to lose both his position within the union and his job. Broke and struggling to put food on the table for his four children, Aiello did everything possible to support his family: loading trucks, working at local clubs and even resorting to petty theft. But life began to change for the better when he began working as a bouncer for a comedy club called the Improvisation. Because of his obvious charm and easy manner, Aiello was given the opportunity to serve as the master of ceremonies, which led to comics like Robert Klein or Rodney Dangerfield using him as a straight man in their acts. Soon the working class father of four became enamored with the idea of entering show business, even though he was well into his thirties. After turning down an understudy role for a national tour of "The Great White Hope," Aiello and local playwright Louis LaRusso began staging plays in a church basement, eventually taking one play called "Knockout" to Broadway.
Though "Knockout" was panned by critics, Aielloâ¿¿s performance was praised, leading to his feature film debut at nearly 40 years old as a baseball teammate of Robert De Niro and Michael Moriarty in the film "Bang the Drum Slowly" (1973). He soon followed with a very small role in "The Godfather Part II" (1974), playing hit man Anthony Rosato, who famously utters the line, "Michael Corleone says hello," in his failed attempt to whack Frank Pentangelli (Michael V. Gazzo). Making his Broadway debut, Aiello earned a Theatre World Award for his performance in "Lamppost Reunion" (1975) before winning an OBIE Award for his role in Albert Innaurato's "Gemini" (1976). He later recreated the part on Broadway. After collaborating with LaRusso once again for "Wheelbarrow Chasers" (1976), Aiello began appearing on the small screen with a supporting role in the made-for-television movie, "The Last Tenant" (ABC, 1978). For the "ABC Afterschool Special: A Family of Strangers" (ABC, 1980), Aiello won a Daytime Emmy Award for Outstanding Individual Achievement (Childrenâ¿¿s Program) for his performance as a widower with two daughters who tries to forge a bond with his new stepdaughter.
Returning to Broadway, Aiello had a leading role in Woody Allen's "The Floating Light Bulb" (1981), playing the philandering gambler of a husband to a scheming matriarch (Bea Arthur) who secretly plans on leaving their marriage. He followed with a darker turn as a sadistic cop who pushes a kid off a tenement roof in "Fort Apache, the Bronx" (1981), resulting in a decent patrolman (Paul Newman) bucking the system in a search for justice while trying to maintain his dignity. A few years later, he renewed his collaboration with Woody Allen â¿¿ this time on film â¿¿ to play a brutish husband in Woody Allen's "The Purple Rose of Cairo" (1984). Also that year, he had a small role as a corrupt police chief in Sergio Leoneâ¿¿s sweeping crime epic, "Once Upon a Time in America" (1984), starring Robert De Niro, James Woods and Elizabeth McGovern. Following a performance in John Guare's "The House of Blue Leaves" (1986), Aiello won the L.A. Drama Critic's Circle Award for his performance as Phil in the Los Angeles debut of David Rabe's "Hurlyburly" (1987), opposite Sean Penn.
Thanks to his impressive array of stage work, Aiello managed to secure richer parts onscreen. Perhaps his most acclaimed supporting roles came with his next two films. First, he played the lovelorn jilted mama's boy Johnny Cammareri, who loses his fiancÃ©e (Cher) to his bother, Ronny (Nicolas Cage), in "Moonstruck" (1987). Aiello next portrayed the sympathetic but insensitive pizzeria owner Sal, who operates his restaurant inside a black neighborhood, in Spike Lee's "Do the Right Thing" (1989). The latter garnered him critical acclaim, a Best Supporting Actor Oscar nomination and a higher profile career. He played the angelic chiropractor, Louis, who helps counsel a Vietnam veteran (Tim Robbins) suffering from bizarre hallucinations in "Jacobâ¿¿s Ladder" (1990). Though the romantic dramedy "Once Around" (1991) boasted an impressive ensemble, including Richard Dreyfuss, Holly Hunter, Gena Rowlands and Griffin Dunne, it was the untrained Aiello who walked off with the best notices. That same busy year, he also played the loyal sidekick to Bruce Willis in the ill-fated caper comedy "Hudson Hawk" (1991) and the unlucky father of the lottery-winning Anthony LaPaglia in "29th Street" (1991).
Aiello next had the title role of "Ruby" (1992), a failed speculative biopic of the man who shot Lee Harvey Oswald, before taking another wrong turn as a crook who kidnaps a wealthy young boy (Alex Zuckerman) in "Me and the Kid" (1993). From there, Aiello continued making questionable choices following a career which had been on quite a roll up to the early 1990s. After a rather forgettable supporting performance in the comedic drama, "The Cemetery Club" (1993), he starred as a film director in desperate need of a hit in Paul Mazurskyâ¿¿s failed Hollywood satire, "The Pickle" (1993). He made an appearance in Robert Altmanâ¿¿s ensemble "Pret-a-Porter/Ready to Wear" (19
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CAST: (feature film)
Milestones close milestones
Some sources list Mr. Aiello's birth year as 1936.
Aiello launched the Web site Revolution Earth in fall 2000.
"I want to play a character that people can attach themselves to, that side where you could eat 'em up and say, 'God I'd love him to be my father, the image I'd love to follow the rest of my life.'" --Danny Aiello in The New York Times Magazine, January 21, 1990.
"When it got to the point where I couldn't get anything at all to pay the rent, I got a little hysterical and robbed produce stores and warehouses. I took the safes home, then out into the yard with a sledgehammer to open them. I had four kids and I was unable to support them. What was I going to do? I should have been put away for what I did." --From The New York Times Magazine, January 21, 1990.
"I want to bring something, I hope, that the American people would love. And I think they will love honesty, and I think that's what I'm going to bring to my character." --Danny Aiello about his role in "Dellaventura" to New York Post, July 7, 1997.
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