skip navigation
Walter Matthau

Walter Matthau

Up
Down

share:

TCM Archive Materials VIEW ALL ARCHIVES (6)

Recent DVDs

The Sunshine Boys ... Walter Matthau, George Burns. Two ornery ex-vaudeville actors agree to work on a... more info $14.36was $17.99 Buy Now

A New Leaf ... Henry Graham (Walter Matthau) is a man with a problem: he has run through his... more info $16.21was $24.95 Buy Now

Who's Got the Action ... In this domestic romp, Dean Martin and Lana Turner team up as a married couple... more info $18.55was $29.95 Buy Now

Who's Got the Action ... In this domestic romp, Dean Martin and Lana Turner team up as a married couple... more info $15.45was $24.95 Buy Now

Grumpy Old Men / Grumpier Old... Grumpy Old Men / Grumpier Old Men - DVD - They're "Grumpy Old Men" And since... more info $8.95was $12.98 Buy Now

Rankin: Bass TV Holiday... Four family classics from the studio that helped make the holidays magic! The... more info $18.95was $21.99 Buy Now

Also Known As: Died: July 1, 2000
Born: October 1, 1920 Cause of Death: heart attack
Birth Place: New York City, New York, USA Profession: actor, director, producer, soda vendor

Biography CLOSE THE FULL BIOGRAPHY

onically titled "The Laughing Policeman" (1973). He went on to deliver one of his strongest performances as a harried New York City cop out to nab a group of subway hijackers in Joseph Sargentâ¿¿s classic, "The Taking of Pelham One Two Three" (1974), before reuniting with Wilder and Lemmon for the uneven comedy "The Front Page" (1974). He followed with a return to the stage for the first â¿¿ and ultimately last â¿¿ time in nearly a decade for the Los Angeles production of "Juno and the Paycock" (1974), and moved on to make the first of three films directed by Herbert Ross from Neil Simon scripts, "The Sunshine Boys" (1975), in which he starred alongside George Burns as cranky vaudeville partners coaxed out of retirement for a television special.Matthau's lovable gruffness served him well in one of the most popular roles of his career, playing a drunk, down-and-out former baseball player who takes over managing a group of misfit Little Leaguers in the beloved comedy, "The Bad News Bears" (1976). As the beer-swilling pool cleaner, Morris Buttermaker, he turns the team of hopeless losers into winners with the help of a smart-mouthed hurler (Tatum Oâ¿¿Neal) and a cigarette-smoking punk (Jackie Earle...

onically titled "The Laughing Policeman" (1973). He went on to deliver one of his strongest performances as a harried New York City cop out to nab a group of subway hijackers in Joseph Sargentâ¿¿s classic, "The Taking of Pelham One Two Three" (1974), before reuniting with Wilder and Lemmon for the uneven comedy "The Front Page" (1974). He followed with a return to the stage for the first â¿¿ and ultimately last â¿¿ time in nearly a decade for the Los Angeles production of "Juno and the Paycock" (1974), and moved on to make the first of three films directed by Herbert Ross from Neil Simon scripts, "The Sunshine Boys" (1975), in which he starred alongside George Burns as cranky vaudeville partners coaxed out of retirement for a television special.

Matthau's lovable gruffness served him well in one of the most popular roles of his career, playing a drunk, down-and-out former baseball player who takes over managing a group of misfit Little Leaguers in the beloved comedy, "The Bad News Bears" (1976). As the beer-swilling pool cleaner, Morris Buttermaker, he turns the team of hopeless losers into winners with the help of a smart-mouthed hurler (Tatum Oâ¿¿Neal) and a cigarette-smoking punk (Jackie Earle Haley) who can hit the ball a country mile. Chock full of vulgarities uttered by pre-pubescent kids and the occasional ethnic slur â¿¿ none of which would ever occur in more contemporary films â¿¿ "Bad News Bears" was a true product of its time and remained a favorite among later generations. After starring with Glenda Jackson and Art Carney in the comedy "House Calls" (1978), Matthau reunited with Ross, Simon and Elaine May for a supporting turn as a cheating husband in "California Suite" (1978). But while he enjoyed enormous critical and commercial success in the 1970s, Matthau hit a rough patch in the following decade. After starring in Billy Wilderâ¿¿s last film, the unfortunately subpar slapstick comedy "Buddy Buddy" (1981), Matthau was top billed in Herbert Rossâ¿¿ listless "I Ought to Be in Pictures" (1981), portraying a screenwriter who is visited by his teenage daughter (Dinah Manoff).

Following a turn as a Supreme Court justice in the comedic drama, "First Monday in October" (1981), Matthau co-starred with Robin Williams in the poorly received comedy, "The Survivors" (1983). His disappointing choices continued with the forgettable "Movers & Shakers" (1985), a peg-leg portrayal of the Cockney-speaking Captain Red for Roman Polanski's commercial disaster, "Pirates" (1986), and the screwball comedy about mental illness "The Couch Trip" (1988). Fed up with scripts he was receiving, Matthau turned to the small screen for to revive his career. He acted for the first time in a made-for-television movie, playing Harmon Cobb, a small-town attorney during World War II who must defend a German POW accused of murder in the Emmy-winning "The Incident" (CBS, 1990), while also appearing opposite Ellen Burstyn in "Mrs. Lambert Remembers Love" (CBS, 1991). Matthau was memorable in a cameo as a skeptical U.S. senator who sows the seeds of doubt into the mind of New Orleans District Attorney Jim Garrison (Kevin Costner) about the assassination of "JFK" (1991). Meanwhile, he reprised the small-screen role of Harmon Cobb in two well-received sequels, "Against Her Will: An Incident in Baltimore" (CBS, 1992) and "Incident in a Small Town" (CBS, 1994).

Matthau returned to leading feature roles as the long-suffering Mr. Wilson in John Hughes' "Dennis the Menace" (1993), reaching a whole new audience of pre-adolescents before dusting off the old chemistry with partner Jack Lemmon to score a major comedy hit with "Grumpy Old Men" (1993). Suddenly, the curmudgeonly basset hound was hot again. He teamed with Meg Ryan and Tim Robbins for the would-be modern screwball comedy "I.Q." (1994), garnering the film's best notices for his pleasing portrayal of Albert Einstein, and reuniting with Lemmon for the lesser sequel, "Grumpier Old Men" (1995). His son, director Charles Matthau, cast him against type as the sweet, loveable Judge Cool in "The Grass Harp" (1995), a thoughtful drama based on Truman Capote's evocative memoir of his boyhood in the South that featured a scene between Matthau and Lemmon. He then played a feisty elderly Jew who forms an unlikely friendship with a black boxer (Ossie Davis) in Herb Gardner's "I'm Not Rappaport" (1996). From there, he reteamed with Lemmon as grumpy old men in the mediocre "Out to Sea" (1997), but went a bridge too far with the ill-conceived sequel, "The Odd Couple II" (1998). Following a reunion with Carol Burnett in "The Marriage Fool" (CBS, 1998), helmed by his son Charles, he was the perfect fit as the irascible father of Diane Keaton, Meg Ryan and Lisa Kudrow in the otherwise forgettable romantic comedy "Hanging Up" (2000). That proved to be the coda to his long, venerable career, as he died on June 1, 2000 after suffering a heart attack. Matthau was 79 years old, and had earlier been diagnosed with colon cancer, which had spread to other parts of his body. His old friend and comedy partner Jack Lemmon followed almost exactly a year later.

By Shawn Dwyer

other fine villainous portrayal in Stanley Donenâ¿¿s comic mystery thriller "Charade" (1963), starring Cary Grant and Audrey Hepburn. He next co-starred opposite Robert Walker in "Ensign Pulver" (1964), rather forgettable sequel to John Fordâ¿¿s classic comedy "Mister Roberts" (1955), and went on to play a Henry Kissinger-like scientist opposite Henry Fonda as the U.S. president in Sidney Lumetâ¿¿s excellent nuclear thriller, "Fail-Safe" (1964). The following year, Matthau originated the role of Oscar Madison opposite Art Carney's Felix Unger in Neil Simon's Broadway smash, "The Odd Couple" (1965), a performance that netted him a Tony Award for Best Actor in a Play. From there, he teamed up with actor Jack Lemmon for the first time in Billy Wilderâ¿¿s caustic comedy, "The Fortune Cookie" (1966), where Matthau's sharp portrayal of an unethical lawyer who convinces Lemmonâ¿¿s injured cameraman to feign being paralyzed drew raves as well as earned the actor an Oscar for Best Supporting Actor.

After playing the husband if Inger Stevens in Gene Kelly's "A Guide for the Married Man" (1967), Matthau reprised Oscar Madison to Jack Lemmonâ¿¿s fastidious Felix Unger for Gene Saksâ¿¿ adaptation of "The Odd Couple" (1968), a role that firmly established him as a comedic leading man. Kelly then gave him his chance as a romantic leading man who sings opposite Barbra Streisand's Dolly Levi in "Hello, Dolly!" (1968), after which he reunited with Saks on the mildly amusing "Cactus Flower" (1969), featuring an Oscar-winning supporting performance by Goldie Hawn in her first significant role. Continuing their collaboration, Lemmon directed Matthau to a second Academy Award nod as Best Actor in "Kotch" (1971), a light drama where he played a curmudgeonly septuagenarian widower struggling with his family to maintain his independence. He next starred opposite Elaine May in the actressâ¿¿ dark romantic comedy, "A New Leaf" (1971), where he played a conniving middle-aged playboy who plans on marrying a dowdy heiress to a large fortune (May) for her money. Aside from "The Odd Couple," Matthau acted in a number of comedies adapted by Neil Simon from his plays, including appearing in all three vignettes of "Plaza Suite" (1971), directed by Arthur Hiller, scoring particularly well in the last one as the flustered father of a reluctant bride.

After starring with Carol Burnett in Martin Ritt's "Pete 'n' Tillie" (1972) and making a rare small screen appearance in "Awake and Sing" (PBS, 1972), Matthau switched gears and delivered several memorable dramatic performances. He was a cool and calculating bank robber unafraid to do what it takes to escape the law in Don Siegelâ¿¿s underappreciated crime thriller, "Charlie Varrick" (1973), before playing an embittered San Francisco cop on the hunt for a deranged killer in the ir

VIEW THE FULL BIOGRAPHY

Filmographyclose complete filmography

DIRECTOR:

1.
  Gangster Story (1959) Director

CAST: (feature film)

1.
 Hanging Up (2000) Lou Mozell
3.
 Neil Simon's Odd Couple II (1998) Oscar Madison
4.
 Marriage Fool, The (1998) Frank Walsh
5.
 Out to Sea (1997) Charlie
6.
 I'm Not Rappaport (1996) Nat
7.
 Jack Lemmon: America's Everyman (1996) Interviewee
8.
 Grumpier Old Men (1995) Max Goldman
9.
 Grass Harp, The (1995) Judge Charlie Cool
10.
 I.Q. (1994) Albert Einstein
VIEW THE FULL FILMOGRAPHY

Milestones close milestones

1931:
Professional stage debut at age 11 in "The Dishwasher", a musical comedy (date approximate)
:
Played bit parts in local Yiddish theater productions as child
1942:
Served in US Army Air Force as radio operator and cryptographer; stationed in England, France and Germany
1945:
Upon Army discharge went to Reno, Nevada, to work for Railway Express; eventually moved back to NYC
1946:
Appeared in summer stock with Erie County Playhouse (Pennsylvania) in "Ten Nights in a Bar Room"
1947:
Was stock player with Orange County Playhouse (New York)
1948:
Hired as an understudy for the Broadway production of "Anne of the Thousand Days"; eventually made Broadway debut as the 85-year-old Bishop Fisher
:
Appeared in 18 plays on Broadway
1950:
TV debut in "Last Cruise", an episode of "Studio One" (CBS)
1953:
Played Iago in "Philco Television Playhouse" (NBC) presentation of "Othello"
1955:
Film acting debut as an evil saloon keeper in "The Kentuckian", directed by and co-starring Burt Lancaster
1955:
Appeared in first hit show, as co-star of Broadway production of "Will Success Spoil Rock Hunter?"
1956:
Played James Mason's family friend in the underrated "Bigger Than Life", a forceful, realistic tale exposing both the good and bad of the wonder drug cortisone; produced by Mason
1957:
Played a cynical newsman investigating Andy Griffith's character in "A Face in the Crowd"
1957:
Starred in short-lived syndicated TV series, "Tallahassee 7000"
1958:
Portrayed evil crime boss in Michael Curtiz's "King Creole", starring Elvis Presley
1959:
Sole film as director, "The Gangster Story"; also co-starred
1963:
Turned in another fine, villainous turn in Stanley Donen's "Charade", starring Cary Grant and Audrey Hepburn
1965:
Originated role of Oscar Madison on Broadway in Neil Simon's "The Odd Couple" opposite Art Carney as Felix Unger
1965:
Slowed down by a serious heart attack; would have a quadruple by-pass operation in 1977
1966:
First film with Jack Lemmon and first collaboration with writer-director Billy Wilder, "The Fortune Cookie"; won Best Supporting Actor Oscar
1967:
Reteamed with Carney in Gene Kelly's "A Guide for the Married Man"
1968:
Reprised "Odd Couple" role opposite Lemmon's Felix in film version directed by Gene Saks
1969:
Reteamed with Saks for "Cactus Flower", acting opposite Ingrid Bergman and Goldie Hawn (who won a Best Supporting Actress Oscar in her first significant film role)
1969:
Played romantic lead in Kelly's film version of the musical "Hello, Dolly!"; Barbra Streisand played Dolly Levi
1971:
Starred as "Kotch", directed by Lemmon; earned first Oscar nomination as Best Actor
1971:
Portrayed "gold digger" with murder on his mind in Elaine May's "A New Leaf"
1971:
Second film version of a Neil Simon play, "Plaza Suite"
1972:
Acted opposite Carol Burnett in Martin Ritt's "Pete 'n' Tillie"
1972:
Made rare TV appearance in "Awake and Sing" (PBS)
1974:
Reunited with Wilder, Lemmon and Burnett for the uneven remake of "The Front Page"
1974:
Billed as Walter Matuschanskavasky for his cameo in "Earthquake", adding fuel to a flame he had fanned by jokingly telling a writer a few years before that it was his "real" name
1974:
First stage appearance in almost a decade (and to date last stage role), "Juno and the Paycock" in Los Angeles
1975:
First of three films directed by Herbert Ross and scripted by Simon from his plays, "The Sunshine Boys", co-starring George Burns; earned another Oscar nod as Best Actor
1976:
Made a fine, irascible coach of "The Bad News Bears", directed by Michael Ritchie
1978:
Reteamed with Ross, Simon and Elaine May on "California Suite"
1978:
"House Calls", his first film with Glenda Jackson, teamed him again with Carney who offered an hysterical turn as the addle-brained head of surgery at Matthau's hospital; also acted in Ritt's "Casey's Shadow"
1980:
Executive produced and starred in Walter Bernstein's remake of "Little Miss Marker"
1980:
Reteamed with Jackson on "Hopscotch"
1981:
Third and last collaboration with Wilder, "Buddy Buddy", co-starring Lemmon
1981:
Reunited with Ross and Simon for "I Ought to be in Pictures"; first film with Ann-Margret
1983:
Reteamed with Ritchie on "The Survivors", co-starring Robin Williams
1986:
Played peg-leg Captain Red in Roman Polanski's "Pirates"
1988:
Again collaborated with Ritchie on "The Couch Trip"; also played a priest who exorcises the devil out of a woman in Roberto Begnini's "The Little Devil" (never released in USA)
1990:
Returned to the small screen as star of "The Incident" (CBS), directed by Joseph Sargent; appeared in two sequels, "Against Her Will: An Incident in Baltimore" (1992) and "Incident in a Small Town" (1994), both helmed by Delbert Mann
1991:
Acted in "Mrs. Lambert Remembers Love" (CBS), directed by son Charles Matthau
1993:
Portrayed the original grumpy old man, Mr. Wilson, in feature version of "Dennis the Menace"
1993:
Co-starred with Jack Lemmon in "Grumpy Old Men", which reteamed him with Ann-Margret
1994:
Essayed Albert Einstein for Fred Schepisi's "I.Q.", which reteamed him with Gene Saks playing one of his cronies
1995:
Reprised role opposite Lemmon in sequel, "Grumpier Old Men", which again featured Ann-Margret; also co-starred Sophia Loren
1995:
Reteamed with son, acting in Charles' sophomore feature as director, "The Grass Harp", based on the novel by Truman Capote; in addition to Lemmon, Roddy McDowell, Sissy Spacek, Piper Laurie and Joe Don Baker acted in film
1996:
Played angry, aging Jewish radical in Herb Gardner's film version of his play "I'm Not Rappaport"; co-starred Ossie Davis
1997:
Twelfth acting collaboration with Lemmon, "Out to Sea"
1998:
Reprised role of Oscar to Lemmon's Felix in the ill-advised "The Odd Couple II", scripted by Simon
1998:
Starred opposite Burnett in "The Marriage Fool" (CBS), directed by son Charles
2000:
Cast as the ailing father in Diane Keaton's "Hanging Up", scripted by Delia and Nora Ephron; when a case of pneumonia forced him to leave the production early, son Charles stepped in and played his father's character in a few flashback scenes
VIEW ALL MILESTONES

Education

School of Journalism, Columbia University: New York , New York -
Dramatic Workshop of the New School for Social Research: New York , New York -
P S 25: New York , New York -
I S 64: New York , New York -
Seward Park High School: New York , New York - 1939

Notes

On directing: "Too much work. Anyway, I have no talent for telling people what to do. Once when I was a staff sergeant in the army, I told some corporal what to do and he said, 'fuck you, do it yourself.' And I said, 'Alright, I will.' So much for my authority." --Walter Matthau quoted in Interview, January 1996

"Years ago Carol [Matthau's wife] talked Walter into going to Dachau [a Nazi death camp]. They started fighting on the train about something or other. They went through Dachau, still not speaking. They were still arguing when they got back to the hotel. When they got up to their rooms, Walter said to her, absolutely straight-faced, 'I just want you to know that you ruined my trip to Dachau!'

"Now that's funny. And I'm sure underneath, whether Walter was serious or not, he knew it was funny." --Jack Lemmon to Jess Cagle in Entertainment Weekly, January 28, 1994

"My wife is a depraved spender and I'm a degenerate gambler. For 'Grumpy Old Men', I'm gonna make $3 million. You know how long that lasts? Six months. Money is flowing like Niagara Falls into the s---house. And if I get lucky I'll die before I go broke." --Matthau in Entertainment Weekly, January 28, 1994

"My father was a Catholic priest, Greek Orthodox, but I think he started out as a Jew, then he became a Catholic priest. Then he preached papal supremacy of the Vatican, so they kicked him out of Russia. He was from Kiev. Then he saw my mother and fell madly in love with her tits, and so he became a Jew again. Then, when he heard my mother's screaming, he left town. . . [I grew up] between First Street and Tenth Street, Second Avenue bordering First Avenue. My mother paid eight dollars a month for rent. When she had it. Mostly we were evicted, because she couldn't afford to pay the eight dollars a month. So they'd throw us out on the street, and then we'd find another place or we'd sleep in the hallways." --Matthau to Interview, December 1994

"When I did 'The Odd Couple', I would do it a different way each night. On Monday I'd be Jewish, Tuesday Italian, Wednesday Irish-German--and I would mix them up. I did that to amuse myself, and it always worked." --Walter Matthau in Interview, December 1994

"That's where I was good--on the stage. In the movies . . . Passable. But on the stage I could move with freedom and ease. And I had something: presence. Something you're either born with or you're not. On screen, all the power is in the hands of the director or the editor." --Matthau to Frank Thompson, The Hollywood Reporter Salute to Walter Matthau, November 1, 1996

On working with Elvis Presley in "King Creole": "The first thing Elvis said to me was, 'Mr. Matthau, I sure would appreciate it if you could help me out with this acting thing.'

"Elvis, I've seen you act and I don't think you need any help from me," Matthau told him.

"Then the next thing I remember we were having this fight scene. I hit him over the head with a chair--naturally they substitute the balsa-wood chair--and I'm left with a leg. I smashed him across the back as he was down on the floor. And he threw up."

"It was just after lunch and it was warm in the studio and then all this activity and that final thing of me smacking him in the back."

"We couldn't use that shot." --Matthau to Stephen Schaefer in New York Post, January 6, 1997

"I don't think it's good for actors when someone says, 'Oh, there goes so-and-so. He does those grumpy parts.' When you try to do parts that are not grumpy, a part that's Mozart, say, instead of the Beatles, then they're not happy. Neither are the producers and studio heads. They want recognizable characters that people will go see more than once. It's limiting." --Matthau to Eric Harrison in Los Angeles Times, February 21, 2000

Companions close complete companion listing

wife:
Grace Geraldine Johnson. Divorced; has two children with Matthau.
wife:
Carol Marcus. Actor, writer. Met while both were acting on Broadway in "Will Success Spoil Rock Hunter" (1955); married on August 17, 1959; previously married to William Saroyan, with whom she had two children; wrote memoir, "Among the Porcupines" (1992); mother of Matthau's son Charles; died July 2003.

Family close complete family listing

brother:
Henry Matthau.
step-son:
Aram Saroyan. Writer. Born in 1944.
step-daughter:
Lucy Saroyan. Actor. Born in January 1946.
son:
David Matthau. Radio announcer. Mother, Grace Johnson.
daughter:
Jenny Matthau. Gourmet-cooking teacher. Mother, Grace Johnson.
son:
Charles Matthau. Actor, director, producer. Born on December 10, 1965; mother, Carol Marcus; acted with father in "Charley Varrick" (1973) and "House Calls" (1978); credited as associate producer on three 1981 films starring father, "I Ought to Be in Pictures", "Buddy Buddy" and "First Monday in October".
VIEW COMPLETE FAMILY LISTING

Bibliography close complete biography

"Walter Matthau"

Please support TCMDB by adding to this information.

Click here to contribute