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George Marshall

George Marshall



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Also Known As: Died: February 17, 1975
Born: December 29, 1891 Cause of Death:
Birth Place: Chicago, Illinois, USA Profession: Director ...


Director (feature film)

Hook, Line and Sinker (1969) as Director
Thinking he's dying, a man racks up huge debts, only to discover he was misdiagnosed.
The Wicked Dreams of Paula Schultz (1968) as Director
A German Olympic hopeful plots to polevault to freedom over the Berlin Wall.
8 on the Lam (1967) as Director
After he is falsely accused of embezzling at the bank where he works, a widower, his seven children, and their maid find themselves on the lam.
Boy, Did I Get a Wrong Number! (1966) as Director
A real estate agent tries to keep a runaway movie star hidden from the press--and his wife.
Advance to the Rear (1964) as Director
Civil War rejects are sent to the West, supposedly out of harm's way.
Dark Purpose (1964) as Director
An American tourist falls in love with an Italian count who harbors a deadly secret.
How the West Was Won (1963) as Dir--"the railroad"
Three generations of pioneers take part in the forging of the American West.
Papa's Delicate Condition (1963) as Director
A small-town family man gets into trouble whenever he drinks too much.
Cry for Happy (1961) as Director
Army photographers on leave in Japan take over a geisha house.
The Happy Thieves (1961) as Director
A worldly art thief gets mixed up with murder.
The Gazebo (1960) as Director
A suburban couple tries to cope with a murder victim whose body refuses to stay put.
The Mating Game (1959) as Director
A tax agent falls for a farm girl whose father he''''s investigating.
It Started with a Kiss (1959) as Director
After a whirlwind courtship, an Army officer and his wacky wife try to make their marriage work.
The Sheepman (1958) as Director
A tough sheep farmer battles the local cattle baron for land and a beautiful woman.
Imitation General (1958) as Director
A sergeant impersonates a slain general at a key moment during World War II.
The Sad Sack (1957) as Director
A hopelessly innocent private gets himself kidnapped in Morocco.
The Guns of Fort Petticoat (1957) as Director
A Union deserter helps a group of women fight off an Indian attack.
Beyond Mombasa (1957) as Director
Cornel Wilde, Donna Reed, Leo Genn, Ron Randell, Christopher Lee, Dan Jackson. Cornel Wilde goes to Africa to help his brother mine uranium but, upon arrival, he discovers that his sibling has been murdered by a quasi-religious cult called The Leopard Men. Or at least that''s what his late brother''s two unscrupulous partners tell him.
Runaway Daughters (1956) as Assistant Director
Pillars of the Sky (1956) as Director
A cavalry officer trying to stop an Indian war gets involved with a married woman.
Destry (1955) as Director
In the old West, a small frontier town is being controlled by ruthless mob boss Decker (Lyle Bettger) and his cronies. After the local sheriff dies under mysterious circumstances, Decker arranges to have the town drunk (Thomas Mitchell) appointed sheriff, thinking he will be ineffectual. But the new sheriff sends for Tom Destry, son of a famous two-fisted lawman, to be his deputy. When Tom (Audie Murphy) arrives, he isn't exactly the swaggering he-man the sheriff had in mind. In fact, Destry doesn't even carry a gun. But the new deputy's mild exterior masks a fierce determination to see justice done, as Decker and the other locals soon discover.
The Second Greatest Sex (1955) as Director
In 1880, Osawkie, Kansas is feuding with rival town Mandaroon over which will be county seat, keeping the town's men away from home most of the time. The last straw is when Matt Davis feels compelled to go on a new foray on his wedding night; his bride Liza (just call her Lysistrata) takes teacher Cassie's advice and organizes a marital strike to make the men-folk stop their nonsense.
Red Garters (1954) as Director
A musical about a man, Jason Carberry, who rides into a frontier town looking for his brother's killer, but is surprised to find everyone in the town is celebrating his kin's death and, for that matter, gunplay in general. He eventually discovers the murderer and each man swears to shoot down the other in a gunfight. However, their girlfriends team up to put an end to the bloodshed.
Money from Home (1954) as Director
Matt and Dean are in trouble. Dean owes tons of gambling debts. To pay it off, he promises to fix a horse, so that it does not run. To do that, he intends to use his animal lover, veterenian apprentice cousin, Jerry to do this. Of course, he doesn't tell Jerry the real reason. Hilarity ensues as mistaken identies are assumed, while along the way, Jerry meets a female vet and Dean falls for the owner of the horse he's promised to fix. Goons and mobsters are also lurking around; so beware!
Duel in the Jungle (1954) as Director
An American insurance investigator is sent to Rhodesia to investigate the mysterious death of a diamond broker who drowned whilst diving off the coast. The broker was insured for $1 million so the insurerers are suspicious.
Off Limits (1953) as Director
Wally Hogan has things going his way. He is the manager-trainer of Bullet Bradley, a fighter who has just won the lightweight championship. Life suddenly takes a not-so-happy turn, however, when Bullet gets drafted. Hogan's gangster partners "persuade him to enlist and keep an eye on the fighter, who is subsequently declared psychologically unfit for the Army. Enter Herbet Tuttle, a draftee eager to have Hogan turn him into a fighter. Hogan Reluctantly agrees only after he discovers Tuttle's aunt is the beautiful singer at a nightclub. From then on it's a case of stringing Tuttle along while trying to get close to his aunt. To further complicate Hogan's life there is a rulebook Military Police Officer who tries to squish the shenanigans.
Scared Stiff (1953) as Director
Houdini (1953) as Director
The famed magician and escape artist rises to stardom while haunted by the loss of his mother.
The Savage (1952) as Director
Charlton Heston, Susan Morrow, Peter Hanson, Joan Taylor, Richard Rober, Milburn Stone, Ted De Corsia, & Donald Porter as Running Dog. A white man raised as an Indian by the Sioux is torn between loyalty to his adopted tribe and his true heritage when a minor feud between the cavalry and the Sioux erupts into warfare.
A Millionaire for Christy (1951) as Director
A woman sets her hat for a man who's inherited a million dollars.
Never a Dull Moment (1950) as Director
A female music critic marries a rancher and has to adjust to life out West.
Fancy Pants (1950) as Director
A wild West family wins a British valet in a poker game and passes him off as a nobleman.
My Friend Irma (1949) as Director
Based on the long-running radio show. Irma is a likeable airhead who meddles in her roommate's love-life. Dean Martin and Jerry Lewis, in their first screen appearance, are juice-bar operators who are discovered when a self-proclaimed manager hears Martin's golden voice. Irma's roommate wants to marry her rich boss, but instead falls in love with Martin.
Hazard (1948) as Director
Tap Roots (1948) as Director
The Perils of Pauline (1947) as Director
The world''''s worst actress rises to stardom as serial queen Pearl White.
Variety Girl (1947) as Director
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.
Monsieur Beaucaire (1946) as Director
Beaucaire is a barber for the Royal French court who becomes a real "royal pain" for the king. As a result he is sent to the guillotine - however he is saved by the Duc de Chandre, who rescues and transports him to the Spanish court. While there Beaucaire poses as a noblesman. The only problem is, he gets into even more trouble.
The Blue Dahlia (1946) as Director
A veteran fights to prove he didn''''t kill his cheating wife.
Incendiary Blonde (1945) as Director
In this true story, Texas Guinan rises from Wild West shows to become New York's "Queen of the Nightclubs" during Prohibition.
Hold That Blonde (1945) as Director
Ogden Spencer Trulow III (Eddie Bracken) is a wealthy kleptomaniac who turned to stealing when he was spurned by a girl. His psychoanalyst advises him to find another girl for a cure. He fastens his interest upon Sally Martin (Veronica Lake), who happens to be engaged upon helping some crooks steal a valuable necklace. Complications include two scantily attired individuals, one of them drunk, clinging to the cornice of a skyscraper and a large band of crooks in quest of the precious jewels.
Murder, He Says (1945) as Director
A pollster stumbles on a family of small-town killers.
And the Angels Sing (1944) as Director
The singing/dancing Angel sisters, Nancy (Dorothy Lamour), Bobby (Betty Hutton), Josie (Diana Lynn) and Patti (Mimi Chandler), aren't interested in performing together, and this plays havoc with the plans of Pop Angel (Raymond Walburn) to buy a soy bean farm. They do accept an offer of ten dollars to sing at a dubious night club on the edge of town where a band led by Happy Marshall (Fred MacMurray) is playing. Bobby takes the ten dollars and runs it up to $190 at the dice table. Happy hits on Nancy but she rebuffs him. He doesn't have the money to pay his band and borrows the gambling winnings from Bobby on the pretext that he will give her a job with his band. Bobby discovers the next day that Happy has hastily departed for New York. The girls follow to a night club where he is working and, after an audition, the manager is willing to give Happy a contract if the girls will sing with his band.
Star Spangled Rhythm (1943) as Director
Pop, a security guard at Paramount has told his son that he's the head of the studio. When his son arrives in Hollywood on shore leave with his buddies, Pop enlists the aid of the studio's dizzy switchboard operator in pulling off the charade. Things get more complicated when Pop agrees to put together a show for the Navy starring Paramount's top contract players.
True to Life (1943) as Director
A writer for a radio program needs some fresh ideas to juice up his show. For inspiration, he rents a room with a typical American family and begins to secretly write about their true life antics. The show becomes a big hit, but he begins to feel guilty about his charade when he falls in love with the family's pretty older daughter.
Riding High (1943) as Director
Valley of the Sun (1942) as Director
A government spy goes after a crooked Indian agent in Arizona.
The Forest Rangers (1942) as Director
Ranger Don Stuart fights a forest fire with timber boss friend Tana 'Butch' Mason, and finds evidence of arson. He suspects Twig Dawson but can't prove it. Butch loves Don but he, poor fool, won't notice her as a woman; instead he meets socialite Celia in town and elopes with her. The action plot (Don's pursuit of the fire starter) parallels Tana's comic efforts to scare tenderfoot Celia back to the city.
Texas (1941) as Director
Friendly cowhands end up on opposite sides of the law.
Pot O' Gold (1941) as Director
A young man is caught between his music-hating uncle and a pretty girl from a family of musicians.
The Ghost Breakers (1940) as Director
A radio broadcaster running from the mob helps an heiress deal with her family''''s haunted mansion.
When the Daltons Rode (1940) as Director
Young lawyer Tod Jackson arrives in pioneer Kansas to visit his prosperous rancher friends the Daltons, just as the latter are in danger of losing their land to a crooked development company. When Tod tries to help them, a faked murder charge turns the Daltons into outlaws, but more victims than villains in this fictionalized version. Will Tod stay loyal to his friends despite falling in love with Bob Dalton's former fiancée Julie?
Destry Rides Again (1939) as Director
A deputy who''''s sworn not to shoot again takes on a corrupt town boss and a sultry saloon singer.
You Can't Cheat an Honest Man (1939) as Director
A circus manager tries to break up his daughter''''s romance with a ventriloquist.
The Goldwyn Follies (1938) as Director
A movie mogul hires an innocent girl to teach him what the average audience member likes.
Battle of Broadway (1938) as Director
Hold That Co-Ed (1938) as Director
While running for governor a politician aids a needy college by plotting to assure victory for their football team. Though to be a parody of Huey Long and his machine.
Can This Be Dixie? (1937) as Director
Love Under Fire (1937) as Director
Nancy Steele Is Missing! (1937) as Director
After being in jail for seventeen years a crook is met by the girl he kidnapped as a baby. She now thinks he's her father. When he returns her to her real father there's a job and a reward, but an old prisonmate gets in the way.
The Crime of Dr. Forbes (1936) as Director
Injured scientist Eric Godfrey asks his protege to give him a fatal dose of opiates to end his misery. When he dies the doctor is accused of murder.
A Message to Garcia (1936) as Director
A fiery Cuban woman guides an emissary from the U.S. president through the jungles of war-torn Cuba.
Show Them No Mercy! (1935) as Director
The title refers to the government's plan at the time for putting an end to a lucrative racket, kidnapping. When Hudson and Norris enter a country house to get out of the rain it turns out to be a kidnapper hideout.
In Old Kentucky (1935) as Director
A drunken young veteran returns home to find the family horse-breeding business facing ruin.
Music Is Magic (1935) as Director
Vaudevillians supporting the musical efforts of aging Hollywood star Diane de Valle decide to head for Tinseltown themselves when de Valle's high salary and low drawing power cancel the revue. Managing to land roles in a de Valle musical movie, perky Peggy is rescued from the chorus line by the tricks of her boyfriend Jack, who uses bravado to usurp de Valle's role in favor of Peggy, who is more suited to the bouncy musical.
$10 Raise (1935) as Director
Life Begins at 40 (1935) as Director
A small-town newspaper publisher champions a young man who may have been jailed wrongly.
365 Nights in Hollywood (1934) as Director
Down-on-his-luck film director Jimmie Dale takes a job at a fly-by-night acting school. He is drawn into the plans of the school's owner to bilk a wealthy young man out of the funds he has supplied to shoot a movie starring pretty student Alice Perkins. But Jimmie hopes to bilk the bilkers by actually completing the movie as ostensibly planned.
Ever Since Eve (1934) as Director
She Learned About Sailors (1934) as Director
Shanghai nightclub singer Jean falls in love to a sailor, but after his ship left Shangahai, he is of the oppinion that he cannot support her in the States, so he writes her in a letter, that he will not see her again, but two practical jokers intercept it and write another with an opposite content. Jean comes to the states, but her sailor doesn't aknowledge her, but the two don't give up trying to bring Jean and sailor back together.
Wild Gold (1934) as Director
Pack Up Your Troubles (1932) as Director
Two World War I veterans try help a comrade''''s orphaned daughter find her family.
Men in the Raw (1923) as Director
Haunted Valley (1923) as Director
Where Is This West? (1923) as Director
Smiles Are Trumps (1922) as Director
The Lady From Longacre (1921) as Director
Why Trust Your Husband? (1921) as Director
Hands Off (1921) as Director
After Your Own Heart (1921) as Director
The Jolt (1921) as Director
A Ridin' Romeo (1921) as Director
Prairie Trails (1920) as Director
Ruth of the Rockies (1920) as Director
Adventures of Ruth, The (1919) as Director
The Man from Montana (1917) as Director
Love's Lariat (1916) as Director

Cast (feature film)

Crazy World of Julius Vrooder, The (1974) as Corky
After returning home, a Vietnam veteran lives in the psychiatric ward on the V.A. hospital, because he cannot cope with the craziness of the world.
Putney Swope (1969) as Mr. Executive
An unexpected member of the executive board of an advertising firm is accidentally put in charge.
The Road to Denver (1955) as
The Mayhew brothers flee from one Texas town to another as older brother Bill repeatedly attempts to keep younger brother Sam out of jail. Bill finally gives up on his younger brother and heads for Colorado. He gets a job and all is well until his brother shows up and takes a job that puts them on opposite sides of the law.
Timberjack (1955) as Fireman
Tim Shipman returns to his father's logging company only to find his father has been killed, money is owed, and Croft Brunner controls the railroad used to haul out the logs. But he learns the Government restriction on his valuable stand of timber has been lifted. Brunner wants that timber and tries to buy him out. Refusing to sell, Tim makes plans to somehow get the timber out.
Variety Girl (1947) as
Dozens of star and character-actor cameos and a message about the Variety Club (show-business charity) are woven into a framework about two hopeful young ladies who come to Hollywood, exchange identities, and cause comic confusion (with slapstick interludes) throughout the Paramount studio.

Writer (feature film)

Can This Be Dixie? (1937) as Story
Love Under Fire (1937) as Contract Writer
Call It Luck (1934) as Story
Olsen's Big Moment (1933) as Story
A Ridin' Romeo (1921) as Scen
Why Trust Your Husband? (1921) as Story
The Jolt (1921) as Story
The Man from Montana (1917) as Scen
Love's Lariat (1916) as Scen

Producer (feature film)

The Gay Retreat (1927) as Supervisor
A Trip to Chinatown (1926) as Supervisor

Music (feature film)

Ever Since Eve (1934) as Composer

Assistant Direction (feature film)

Liberty, A Daughter of the U.S.A. (1916) as Assistant Director

Production Companies (feature film)

Tap Roots (1948) as Company
The Blue Dahlia (1946) as Company
A veteran fights to prove he didn''''t kill his cheating wife.
Murder, He Says (1945) as Company
A pollster stumbles on a family of small-town killers.

Film Production - Main (feature film)

Career Girl (1959) as 2d asst mgr

Misc. Crew (feature film)

Marlene (1984)
Film clips and rare footage tell the life story of the glamorous German actress/singer.

Director (short)

How to Break 90 #6 Fine Points (1934)
In this final entry in his "How To Break 90" series of short films, Bobby Jones gives pointers on how to control hooking, slicing, and how to put backspin on a ball.
Position & Back Swing (1933)
In this short film, golf champion Bobby Jones demonstrates the correct and incorrect ways to hit a drive. Vitaphone Release 5820.
How to Break 90 #1: The Grip (1933)
In this short film, golf champion Bobby Jones shows why the proper grip on the club is so important. Vitaphone Release 5819.
How to Break 90 #4 Downswing (1933)
Famed golfer Bobby Jones gives a taught, nine minute lesson on how to swing a golf club in this short film. Vitaphone Release 5822.
How to Break 90 #5 Impact (1933)
In this short film, Bobby Jones demonstrates the proper golf swing and how it affects the moment of impact between the club face and the ball. Vitaphone Release 5823.
Strictly Unreliable (1932)
In this comedic short, Thelma Todd has gotten her big break in a vaudeville act but friend ZaSu Pitts steals the show.
Alum and Eve (1932)
To avoid getting a speeding ticket, comedic duo Thelma Todd and ZaSu Pitts pretend they are rushing to the hospital in this short film.
Soilers, The (1932)
In an attempt to make money for college, comedic duo Thelma Todd and ZaSu Pitts, go door to door selling magazines but end up in a courtroom instead of a classroom in this short film.
The Old Bull (1932)
In this short film, comedic duo Thelma Todd and ZaSu Pitts go out for a driving lesson... and what a lesson they get!
Practice Shots (1931)
In this short film, champion Bobby Jones joins several actors on the golf course to show his approach to the sport. Vitaphone Release 4802.
How I Play Golf by Bobby Jones No. 9 "The Driver" (1931)
During a dream, an inexperienced golfer gets driving advice from golf expert Bobby Jones in this short film. Vitaphone Release 4800.
How I Play Golf by Bobby Jones No. 1 The Putter (1931)
The first in a series of short films in which golf champion Bobby Jones helps the viewer improve their game. Vitaphone Release 4791-4792.
The Big Irons (1931)
A businessman sneaks out of his office to play golf with champ Bobby Jones, but he meets his boss on the fairway in this short film. Vitaphone Release 4797.
How I Play Golf, by Bobby Jones No. 8: 'The Brassie' (1931)
In this short film, a father would rather have an impromptu lesson on playing with a brassie than thwarting his daughter''''s engagement. Vitaphone Release 4799.
How I Play Golf by Bobby Jones No. 5 The Medium Irons (1931)
Golf champion Bobby Jones demonstrates the types of shots that call for using medium irons in this short film. Vitaphone Release 4796.
How I Play Golf by Bobby Jones No. 12 "A Round of Golf" (1931)
In this short film, champion Bobby Jones demonstrates various shots encountered during a typical round of golf.
How I Play Golf by Bobby Jones No. 3 The Niblick (1931)
In this short film, golfer Bobby Jones offers some tips on the use of the niblick club. Vitaphone Release 4794.
The Mashie Niblick (1931)
In this short film, golf champion Bobby Jones gives a lesson to comic actor Leon Errol in the use of the mashie niblick club. Vitaphone Release 4795.
How I Play Golf by Bobby Jones No. 2 "Chip Shots" (1931)
In this short film, golfer Bobby Jones offers a few tips on chip shots. Vitaphone Release 4793.
How I Play Golf by Bobby Jones No. 10 "Trouble Shots" (1931)
In this short film, golfer Bobby Jones presents how to hit the golf ball out of roughs, water, weeds, and trees. Vitaphone Release 4801.
How I Play Golf by Bobby Jones No. 7 The Spoon (1931)
In this short film, golfer Bobby Jones instructs the viewer on the use of the club known as the spoon. Vitaphone Release 4798.

Cast (short)

Soilers, The (1932)
In an attempt to make money for college, comedic duo Thelma Todd and ZaSu Pitts, go door to door selling magazines but end up in a courtroom instead of a classroom in this short film.
Practice Shots (1931)
In this short film, champion Bobby Jones joins several actors on the golf course to show his approach to the sport. Vitaphone Release 4802.

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