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Broadway stage actor and playwright who entered films in the mid-1930s as a writer. After serving as director of the Army's Combat Film Division during WWII, Maibaum became a producer, most notably of the film noir classic "The Big Clock" (1948). In the 1950s he moved to England where he wrote for Albert Broccoli, or co-wrote most of the "James Bond" screenplays beginning with the first, "Dr. No" (1963) and concluding with "Licence to Kill" (1989).
Broadway stage actor and playwright who entered films in the mid-1930s as a writer. After serving as director of the Army's Combat Film Division during WWII, Maibaum became a producer, most notably of the film noir classic "The Big Clock" (1948). In the 1950s he moved to England where he wrote for Albert Broccoli, or co-wrote most of the "James Bond" screenplays beginning with the first, "Dr. No" (1963) and concluding with "Licence to Kill" (1989).
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In an article Mainbaum wrote after scripting the first three Bond films, he said that the movie character James Bond retained Ian Fleming's image of a "super sleuth, super fighter, super hedonist, super lover" but that the films "added another large dimension: humor. Humor vocalized in wry comments at critical moments. In the books, Bond was singularly lacking in this."--NY Times Obituary (Janaury 9, 1991)
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