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Overview for Anita Louise
Anita Louise

Anita Louise



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Also Known As: Died: April 25, 1970
Born: January 9, 1915 Cause of Death: stroke
Birth Place: New York City, New York, USA Profession: Cast ...


Cast (feature film)

Retreat, Hell! (1952) as Ruth Hanson
Bulldog Drummond at Bay (1947) as Doris Hamilton, also known as Doris Meredith
When thieves rob his country estate, Bulldog Drummond¿s investigation uncovers a deadly jewel heist.
Blondie's Big Moment (1947) as Miss Harriet Gary
Dagwood falls foul of George M. Radcliffe even before he knows he's the new boss. After he manages to put a big deal in jeopardy he's in real trouble, and Blondie has the bright idea of having Radcliffe round for dinner. Maybe also inviting the feisty new schoolteacher to make up the foursome wasn't so bright though.
The Bandit of Sherwood Forest (1946) as Lady Catherine Maitland
Robins Hood''''s son reunites the Merry Men to battle royal corruption.
The Devil's Mask (1946) as Janet Mitchell
A detective tries to identify a shrunken head found in a crashed cargo plane.
Personality Kid (1946) as Laura Howard
Shadowed (1946) as Carol Johnson
Fred J. Johnson (Lloyd Corrigan) scores a hole-in-one but his next drive, using the lucky, initialed golf ball, soars out of bounds and lands near a spot where some counterfeiters are burying a murder victim. Then begins a series of events in which he is hounded and threatened by the killers. The consequences of his not reporting what he saw to the police lead to a climax in which is daughter is held hostage by the crooks.
Love Letters (1945) as Helen Wentworth
A soldier falls for the woman who may have killed his best friend.
The Fighting Guardsman (1945) as Amelie de Montrevel
A French nobleman robs from his fellow aristocrats to help the poor.
Casanova Brown (1944) as Madge Ferris
A couple on the verge of divorce learns the wife is pregnant.
Nine Girls (1944) as Paula Canfield
When a sorority girl is found murdered, her classmates set out to solve the case.
Dangerous Blondes (1943) as Julie Taylor
A mystery writer and his wife investigate the murder of a couturier''''s wife.
Harmon of Michigan (1941) as Peggy Adams
Tom Harmon (ol' # 98 for the Michigan Wolverines, husband of actress Elyse Knox and father of Mark Harmon and Kelly Harmon)took a back seat to no one on the football field (except the Minnesota Gophers) or, later, in the broadcast booth, but, on film, he managed to find himself in two of the all-time bad sports movies..."The Spirit of West Point" and "Harmon of Michigan." The latter, if it had been a true-life biography of Tom Harmon, might have made a passable film but after a short prologue, narrated by sports writer Bill Henry who is not the same as actor William Henry, that semi-recaps Harmon's football-playing days at the University of Michigan, it quickly develops into a mess that indicates the director and writers used the technical adviser, Coach Jeff Cravath, only to put plays on the blackboard. Once Harmon,(supposedly playing himself but the character he plays here has more character flaws than the law allows), graduates from Michigan, he marries his college sweetheart Peggy Adams (Anita Louise), turns up his nose at the prospect of playing professional football---a poor-paying and not-that-well respected job in 1941---and starts a vagabond tour of coaching tank-water colleges. Authenicity went out the window when the narration ended, as did any kind of time tracking, as everything that follows seems to happen in a single football season. Tom takes an assistant coach job at a cow-pasture college under Jimmy Wayburn (William Hall) and lasts one day before Wayburn fires him. Then he signs to play for a College All-Star team doing exhibition games against pro teams, but his team-mates, hacked because Tom gets star billing, lay down on him and he gets smacked down hard on every play. One of the leaders willing to let Harmon get slaughtered is old Michigan teammate Forrest Evashevski (playing himself), a life-long friend in real life and Godfather to Mark Harmon and a long-time respected coach at the University of Iowa. Harmon wins the game by himself, but decides this isn't his cup of tea. He hangs around the house a few weeks, then gets a job as an assistant under old-time coach Pop Branch at a college that has three buidings on campus and a football stadium seating 100,000 fans. He helps Pop win a few games (still ticking along in what appears to be the same fall football season), but the alumni at Webster College are tired of losing, fire their coach and hire Harmon away from Pop. Harmon takes over the Webster team in mid-season and becomes the all-time example of a hard-ass coach willing to win at any cost, including installing a screen-pass play that depends on an illegal blcoking scheme---the Flying Wedge---to make it work. His Webster team begins to thump their opponents by large scores, usually leaving the other team battered and bloodied by the use of the illegal blocking scheme. They win four or five games which, based on the writers time scheme, would have them playing 20 games a season in what was then a nine-and-ten game season. Plus, the press and other coaches around and about, are up in arms about Harmon's tatics, but the jerks refereeing the games evidently haven't read the rule book nor the newspapers and throw no penalty flags against his team. Well, one referee does once, but he never officiated nor had lunch in that town again. It, by any reasonable calendar must now be July of the next year in a season that should have ended in December, and hard-case Harmon's team is going up against Pop's team (where Harmon coached earlier in this never-ending season) and Pop drops by and tells Tom he ain't all that fond of Tom's coaching methods, but Tom poo-pahs him off, and then sends his team out and they gleefully dismantle Pop's fair-playing team by 109-0. But Webster's quarterback Freddie Davis (Stanley Brown) suffers a concussion running a play Harmon calls just to run up the score even higher---Harmon evidently didn't read the script because nobody using their own name would want this character perceived
Two in a Taxi (1941) as Bonnie
The Villain Still Pursued Her (1940) as Mary [Wilson]
Phantom Submarine (1940) as Madeleine Neilson
Wagons Westward (1940) as Phyllis O'Conover
Republic, in pre-producion trade announcements, had John Wayne slated as the star of this film but cooler heads, once the script was read, realized that Wayne wasn't exactly the dual-role, twin brothers type. The film opens by establishing that, as young boys, David Cook (Wayne Hull) and twin brother Tom (Warren Hull (II) ) are poles apart in disposition and traits. When their father, (Trevor Bardette) dies, Tom goes to New Mexico to live with his Uncle Hardtack (George "Gabby" Hayes) while David remains behind to care for their mother (Virginia Brissac) . The grown Tom (Chester Morris) becomes an outlaw while brother David (Chester Morris) becomes a government lawman. David is charged with apprehending Tom and also two other renegades, Hardman (Guinn Williams) and Marsden (Douglas Fowley), both bitter enemies of Tom. Unable to arrest Tom in his home territory because he is in league with crooked sheriff McDaniels (Buck Jones, in his only Republic film and only villain role in what is considered the only black mark against Republic by hard-core western fans. They are correct, for that and other reasons seen as this one moves along...slowly.) Tom is lured home by a fake telegram telling him his mother is dying and put in jail. David, posing as Tom, goes to Mesa City, New Mexico and undertakes a campaign to obtain evidence to convict Hardman and Marsden. He persuades the latter to pool their interests in one gang, under his leadership. Tom had been romancing Phyllis O'Conover (Anita Louise), an entertainer at the Bonanza Cafe, and Phyllis' older sister, Julie (Ona Munson), has been working hard to break up the romance. David, posing as Tom, has to continue the pursuit of Phyllis, but finds himself falling in love with Julie. Julie learns Tom's real identity and agrees to marry him but Phyllis, thinking her sister is taking from her the man she believes to be Tom Cook, threatens suicide. The broken-hearted Julie urges David to marry Phyllis and David, much against his own desires, carries out Julie's wishes. (The mis-casting of Buck Jones isn't the only problem with this film.) Meanwhile, Hardman, Marsden and McDaniel have discovered David's real identity and plot to get rid of him. And in another meanwhile, Tom escapes, returns to town and, finding that Phyllis has married David, kills her for what seems to him to be her unfaithfulness, never mind that she thought David was Tom. Some days, a good girl just can't get a break. Tom and the other outlaws are lined up against David in a gun battle when Pima (Charles Stevens), Tom's Indian servant, who has long hated him for his cruelties, brings a large force of Indians to David's aid. Tom attempts to kill David, but Uncle Hardtack shoots him first. Some days, a bad guy just can't get a break either.
Glamour for Sale (1940) as Ann Powell
Hero for a Day (1939) as Sylvia Higgins
Main Street Lawyer (1939) as Honey Boggs
These Glamour Girls (1939) as Daphne Graves
A drunken college boy invites a taxi dancer to spend the weekend at his snobbish school.
The Gorilla (1939) as Norma Denby
Three screwball detectives try to protect a lawyer from a murderous gorilla.
Reno (1939) as Mrs. Joanne Ryder
A divorce lawyer prospers as a gambling tycoon.
The Little Princess (1939) as Rose
When her father is reported dead in war, his daughter fights harsh conditions at her boarding school.
The Sisters (1938) as Helen Elliott
Three western girls make unhappy marriages at the turn of the century.
Going Places (1938) as Ellen Parker
A sporting-goods salesman poses as a jockey to stimulate sales.
My Bill (1938) as Muriel Colbrook
An impoverished widow fights scandal for the sake of her four children.
Marie Antoinette (1938) as Princess de Lamballe
Lavish biography of the French queen who "let them eat cake."
Call It a Day (1937) as Joan Collett
An average day brings a variety of comic problems to members of a British family.
Tovarich (1937) as Helene Dupont
Russian nobles flee the revolution and take jobs in Paris as servants.
Green Light (1937) as Phyllis Dexter
An idealistic doctor sacrifices his career to protect an elderly surgeon.
The Go Getter (1937) as Margaret Ricks
A Navy veteran with one leg fights to make himself a success.
First Lady (1937) as Emmy Page
A U.S. president's granddaughter fights a femme fatale to groom her husband for the White House.
That Certain Woman (1937) as [Florence] Flip [Carson Merrick]
A gangster's widow fights for love despite society's disapproval.
Stage Struck (1936) as
Broadway hopefuls put on a show.
Brides Are Like That (1936) as Hazel Robinson
A young man uses flattery to beat out a romantic rival.
The Story of Louis Pasteur (1936) as Annette Pasteur
True story of the French scientist''''s battle to establish modern medical methods.
Anthony Adverse (1936) as Maria Bonnyfeather
An orphan runs off to a life of adventure, then returns to France in search of the girl he left behind.
Here's to Romance (1935) as Lydia Lubov
Lady Tubbs (1935) as Wynne [Howard]
Personal Maid's Secret (1935) as Diana [Abercrombie]
A maid''''s ability to pick stock market winners keeps her employer in the money.
A Midsummer Night's Dream (1935) as Titania, Queen of the fairies
Shakespeare's classic about two pairs of lovers and an amateur actor who get mixed up with fairies.
I Give My Love (1934) as Lorna March
Are We Civilized? (1934) as Norma Bockner
Judge Priest (1934) as Ellie May Gillespie
A Southern judge confounds civic leaders with his laid-back approach to his job.
Bachelor of Arts (1934) as Mimi Smith
The Firebird (1934) as Mariette [Pointer]
A young girl''''s secret romance is exposed when her lover is murdered.
Most Precious Thing in Life (1934) as Patty O'Day
Years after being pushed out of her husband’s life, a woman befriends her long lost son.
Madame Du Barry (1934) as Marie Antoinette
True story of the legendary courtesan who was mistress to France''''s King Louis XV.
Cross Streets (1934) as June Grattan
Our Betters (1933) as Bessie [Saunders]
An American heiress marries into the British nobility.
The Phantom of Crestwood (1932) as Esther Wren
Five men have to prove their innocence when a blackmailer is murdered.
The Great Meadow (1931) as Betty Hall
Early American frontiersmen brave the mountains to settle Kentucky.
Everything's Rosie (1931) as Rosie
A carnival con artist tries to mend his ways when his adopted daughter gets engaged.
Heaven on Earth (1931) as Towhead
The Woman Between (1931) as Helen Weston
A World War I pilot falls for his commander's wife.
Millie (1931) as Connie Maitland
A prostitute turns to murder to protect her teenage daughters honor.
The Third Alarm (1930) as Milly Morton
What a Man (1930) as Marion Kilbourne
The Florodora Girl (1930) as
A turn-of-the-century chorus girl searches for romance.
Just Like Heaven (1930) as Mimi
Square Shoulders (1929) as Mary Jane
The Marriage Playground (1929) as Blanca

Cast (short)

The Making of a Great Motion Picture (1936)
This promotional short film provides a behind-the-scenes look at the making of "Anthony Adverse" (1936).
A Dream Comes True The Making of an Unusual Motion Picture (1935)
This short film promotes the film "A Midsummer Night''s Dream" (1935), and offers behind-the-scene footage of the creation of the film.

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