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|Also Known As:||Jon Lithgow, John Arthur Lithgow||Died:|
|Born:||October 19, 1945||Cause of Death:|
|Birth Place:||Rochester, New York, USA||Profession:||actor, songwriter, director, singer, playwright, musician|
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A versatile character player who was a familiar face in theater, film and on television, actor John Lithgow proved adept with a wide range of material spanning drama, comedy, science-fiction, family fare and thrillers. With a vast array of talents from which to draw, Lithgow ironically had difficulty translating his acting versatility into stardom. He had his start in the theater, performing in numerous Shakespeare productions before making the jump to features in the early 1970s; most notably as a relentless assassin in the Brian De Palma thriller "Blow Out" (1981). But it was his Oscar-nominated performance as a former football player-turned-transvestite in "The World According to Garp" (1982) that propelled him into the limelight, as well as his follow-up performance of the married but still needy lover of an also married Debra Winger in James L. Brooks' Oscar-winning tearjerker, "Terms of Endearment" (1983). Since that time, Lithgow moved smoothly from stage to screen, performing in a variety of different roles, though he occasionally was typecast as an all-too-evil villain in thrillers like "Ricochet" (1991) and "Cliffhanger" (1993). He became a surprise hit on television with the acclaimed...
A versatile character player who was a familiar face in theater, film and on television, actor John Lithgow proved adept with a wide range of material spanning drama, comedy, science-fiction, family fare and thrillers. With a vast array of talents from which to draw, Lithgow ironically had difficulty translating his acting versatility into stardom. He had his start in the theater, performing in numerous Shakespeare productions before making the jump to features in the early 1970s; most notably as a relentless assassin in the Brian De Palma thriller "Blow Out" (1981). But it was his Oscar-nominated performance as a former football player-turned-transvestite in "The World According to Garp" (1982) that propelled him into the limelight, as well as his follow-up performance of the married but still needy lover of an also married Debra Winger in James L. Brooks' Oscar-winning tearjerker, "Terms of Endearment" (1983). Since that time, Lithgow moved smoothly from stage to screen, performing in a variety of different roles, though he occasionally was typecast as an all-too-evil villain in thrillers like "Ricochet" (1991) and "Cliffhanger" (1993). He became a surprise hit on television with the acclaimed sitcom "3rd Rock from the Sun" (NBC, 1996-2001), which earned the actor three Emmy awards and a lifetime of recognition. By the time he delivered his award-winning turn as a hard-to-catch serial killer on the acclaimed series "Dexter" (Showtime, 2006-13) and a bravura performance as Winston Churchill in Peter Morgan's historical drama "The Crown" (Netflix 2016- ), Lithgow was widely considered one of the most esteemed and respected actors in the business.
Born on Oct. 19, 1945 in Rochester, NY, Lithgow was raised in a theatrical home by his father, Arthur, a director and actor who managed the McCarter Theatre in Princeton, NJ, and his mother, Sarah Jane, a teacher and former actress. Because his father ran the Anitoch Shakespeare Festival, among a few others, Lithgow was exposed to the theater from an early age. When he was six, he made his performing debut in "Henry VI, Part III" (1951), then continued to appear periodically in productions of "A Midsummer Night's Dream" and "Henry V" throughout his youth. After graduating Princeton High School in Princeton, NJ, Lithgow attended Harvard University where he was president of the Gilbert and Sullivan Society, graduated magna cum laude, and was awarded a Fulbright Scholarship to attend the London Academy of Music and Dramatic Art, where he fully delved into the study of his craft. Upon his return to the states, he began his stage career in earnest, directing productions at the McCarter Theatre, then made his feature film in the long-forgotten drug comedy, "Dealing: or the Berkley-to-Boston Forty-Brick Lost-Bag Blues" (1972).
In 1973, Lithgow made his Broadway debut in "The Changing Room," playwright David Storey's drama about a group of working-class men who play semi-professional rugby. Lithgow won both a Drama Desk Award and a Tony Award for Best Actor, establishing him as a young performer worthy of note. He next starred opposite Lynn Redgrave in Charles Laurence's "My Fat Friend" (1974) on Broadway, then paired up with Meryl Streep for Arthur Miller's "A Memory of Two Mondays" (1976) at the Playhouse Theatre. Lithgow co-starred in Brian De Palma's feature thriller, "Obsession" (1976), playing the friend and business partner of a man (Cliff Robertson) trying to put his tortured past behind him. Following his off-Broadway one-man show, "Kaufman at Large" (1976), Lithgow co-starred with Richard Dreyfuss in the gumshoe comedy, "The Big Fix" (1978) before appearing in Bob Fosse's glitzy musical, "All That Jazz" (1979). After co-starring in the coming-of-age drama "Rich Kids" (1979), as well as appearing on small screen fare like "The Oldest Living Graduate" (NBC, 1980) and "Mom, the Wolfman and Me" (Syndicated, 1980), Lithgow began a long series of playing villains, beginning with "Blow Out" (1981), in which he portrayed a cold blooded assassin being pursued by a sound technician (John Travolta).
Lithgow emerged from being an unknown supporting player to a widely recognized performer with his next project, "The World According to Garp" (1981). Though one of several offbeat supporting players, Lithgow stole the show from Robin Williams and Glenn Close as Roberta Muldoon, a former tight end for the Philadelphia Eagles who underwent a sex-change operation. Lithgow earned an Oscar nomination for Best Supporting Actor, his first such honor from the Academy. Following an Oscar-nominated turn in as Debra Winger's befuddled paramour in "Terms of Endearment" (1983) and a role in the post-nuclear war drama "The Day After" (ABC, 1983), he was a crew member on the joint U.S-Russian spaceflight in "2010" (1984), then made an indelible impression as a reverend trying to keep the teenagers in his small town from dancing to rock music in "Footloose" (1984). Lithgow received a Tony Award nomination for the Broadway production of Rod Serling's "Requiem for a Heavyweight" (1985), then played an evil businessman under investigation for making shoddy toys in "Santa Claus: The Movie" (1985).
Lithgow's career blossomed throughout the rest of the decade and continued full-tilt into the next. He played a doctor at a research facility where secret plutonium experiments are conducted in "The Manhattan Project" (1986), then was amiable and endearing as the father who befriends a Bigfoot-like monster in the family favorite, "Harry and the Hendersons" (1987). He returned to the stage for the Tony-nominated role of Rene Gallimard in "M. Butterfly" (1988). After a small role in the ensemble "Memphis Belle" (1990), Lithgow was over-the-top evil as an escaped convict who wants revenge on the cop (Denzel Washington) who sent him to prison in the thriller, "Ricochet" (1991). In "At Play in the Fields of the Lord" (1991), Lithgow starred as an evangelist missionary who helps two Americans (Tom Berenger and Tom Waits) stranded in the Amazon jungle.
Lithgow next appeared in "Raising Cain" (1992), a Jekyll & Hyde-like thriller directed by Brian De Palma, which the actor followed by playing a fugitive battling the leader of a mountain rescue team (Sylvester Stallone) in "Cliffhanger" (1993). Lithgow starred in a string of film and television projects, including "The Wrong Man" (Showtime, 1993), the drama "A Good Man in Africa" (1994) and "My Brother's Keeper" (CBS, 1995), which earned him his first Emmy Award nod, before starring in his first sitcom as a regular, "3rd Rock From the Sun." As the arrogant, self-absorbed and sometimes foolish leader of a group of aliens who have been sent to observe life on Earth, Lithgow displayed surefire comic timing. "3rd Rock" was hailed by critics and earned several awards, including three Emmys for Lithgow for Best Actor in 1996, 1997 and 1999.
Long dedicated to working with children, Lithgow made his recording artist debut with Singin' in the Bathtub, a collection of songs for kids. Meanwhile, during his sitcom's run, he made appearances in features like "Homegrown" (1998) and "A Civil Action" (1999), then played the romantic hero in the faithful small screen adaptation of "Don Quixote" (TNT, 2000). Adding yet another eccentric character to his overflowing gallery, he garnered excellent reviews for his performance as he introduced the classic story to a new generation. By the time "3rd Rock" left the airwaves, Lithgow returned to more light-hearted fare, lending his distinctive voice to the animated feature films "Rugrats in Paris: The Movie" (2000) and "Shrek" (2001); the latter in which he played the diminutive, but arrogant villain Lord Farquaad. In 2002, he released his second children's album, Farkle and Friends alongside the companion book, The Remarkable Farkle McBride. Lithgow also authored other popular children's' books, including Micawber (2002), I'm a Manatee (2003) and Carnival of the Animals (2004).
After a small role in the independent feature "Orange County" (2002), Lithgow played the stern, devout and disapproving father of famed sex researcher Alfred Kinsey (Liam Neeson) in ""Kinsey" (2004), before portraying filmmaker Blake Edwards in the acclaimed telepic "The Life and Death of Peter Sellers" (HBO, 2004). Lithgow kept returning to the stage, headlining a 2000 workshop of "Sweet Smell of Success" and assumed the role of J.J. Hunsecker when the production went to Broadway in 2002. For his acclaimed performance, he won a Tony for Best Performance by a Leading Actor in a Musical. In 2003, he joined Eileen Atkins in the William Nicholson drama "The Retreat from Moscow," at the Booth Theatre, then starred as the sophisticated con artist Lawrence Jameson, the Michael Caine role in the musical stage production of "Dirty Rotten Scoundrels" at New York's Imperial Theatre, for which he earned yet another Tony nomination. Following a small role as a film producer in "Dreamgirls" (2006), he starred in a Broadway revival of Arthur Miller's "All My Sons" (2008) at the Gerald Schoenfeld Theatre, before returning to the big screen as a publishing magnate in the romantic comedy, "Confessions of a Shopaholic" (2009). Showing off his eclectic gifts, Lithgow had a season-long guest starring role on the hit series, "Dexter" (Showtime, 2006-13), playing the hard-to-capture Trinity serial killer, who d s battle with the titular avenger of murderous bad guys (Michael C. Hall). Lithgow's atypical performance earned him widespread recognition and a Golden Globe award win for Best Supporting Actor. The win helped propel him to further award recognition when he received an Emmy for Outstanding Guest Actor in a Drama Series in 2010. A series of supporting roles in films followed, including the romantic comedies "Leap Year" (2010) and "New Year's Eve" (2011), science fiction reboot "Rise of the Planet of the Apes" (2011), and Judd Apatow comedy "This Is 40" (2012). After an arc on the sitcom "How I Met Your Mother" (CBS 2005-2014), Lithgow reappeared on TV as The White Rabbit in the fantasy series "Once Upon A Time" (ABC 2013- ). Along with supporting roles in the Tommy Lee Jones drama "The Homesman" (2014) and the Christopher Nolan space opera "Interstellar" (2014), Lithgow received critical raves co-starring opposite Alfred Molina as half an aging gay couple in the comedy-drama "Love Is Strange" (2014). Lithgow next appeared in the action drama "The Accountant" (2016) before co-starring as Winston Churchill in Peter Morgan's television drama about the early years of Queen Elizabeth II's reign, "The Crown" (Netflix 2016- ).
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CAST: (feature film)
Milestones close milestones
"The things is that stage acting feeds you immediately. It stays fresh because you have the feeling every night that the audience is seeing the play for the first time. They're starting fresh and so are you. It's different every night." --John Lithgow to the Los Angeles Times, May 1, 1988.
"I've always had a sort of innate fear of becoming too well known in any one role. I'm a character actor, and the fun of that is being different every time." --Lithgow to Entertainment Weekly, February 2, 1996.
"It's perfectly logical that I should end up having one of my biggest successes playing an alien--I don't fit many molds. But I enjoy the position of outsider, and I love the comedy that can come from being an outsider." --Lithgow to US, May 1996.
"My plate is full all the time, but I never have the opportunity to choose from ten parts. I do turn down junk. I've played important parts in movies, but rarely the person the story is about. The joy is the work. You can get too hung up on where you are. I'm not preoccupied with the desire to be top banana, but I do want to play bigger parts." --Lithgow to Biography, September 1997.
On the success of his NBC sitcom "3rd Rock From the Sun": "It's amazing they can keep a show this fresh for five seasons ... You must credit the writers. After all, the aliens now know how the Kleenex box works." --Lithgow to Parade Magazine, March 12, 2000.
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