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|Also Known As:||Laura Legett Linney||Died:|
|Born:||February 5, 1964||Cause of Death:|
|Birth Place:||New York City, New York, USA||Profession:||actor|
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An award-winning stage actress who grew up around New York theaters, Laura Linney's distinctive artistry immediately stood out from the Hollywood crowd when she began hitting film screens in the 1990s. Her multi-layered portrayal of hired actress-wife to unwitting husband Jim Carrey in "The Truman Show" (1998) was a breakout supporting role. Only two years later, she topped critics' year-end lists and earned an Academy Award nomination for her lead in the refreshingly realistic family portrait, "You Can Count on Me" (2000). While residing comfortably under the radar of general public recognition, Linney's rare qualities were coveted by quality filmmakers, and the actress shone in Clint Eastwood's "Mystic River" (2004), Noah Baumbach's "The Squid and the Whale" (2005), and was Oscar-nominated as well for "Kinsey" (2004) and "The Savages" (2007). A multiple Emmy winner and star of the successful "John Adams" (HBO, 2008) miniseries, Linney returned to television to headline her own show, "The Big C" (Showtime, 2010-13) opposite Oliver Platt, and reunited with Eastwood for a key supporting role in "Sully" (2016), a biopic starring Tom Hanks as instantly famous airline pilot Captain Chesley Sullenberger....
An award-winning stage actress who grew up around New York theaters, Laura Linney's distinctive artistry immediately stood out from the Hollywood crowd when she began hitting film screens in the 1990s. Her multi-layered portrayal of hired actress-wife to unwitting husband Jim Carrey in "The Truman Show" (1998) was a breakout supporting role. Only two years later, she topped critics' year-end lists and earned an Academy Award nomination for her lead in the refreshingly realistic family portrait, "You Can Count on Me" (2000). While residing comfortably under the radar of general public recognition, Linney's rare qualities were coveted by quality filmmakers, and the actress shone in Clint Eastwood's "Mystic River" (2004), Noah Baumbach's "The Squid and the Whale" (2005), and was Oscar-nominated as well for "Kinsey" (2004) and "The Savages" (2007). A multiple Emmy winner and star of the successful "John Adams" (HBO, 2008) miniseries, Linney returned to television to headline her own show, "The Big C" (Showtime, 2010-13) opposite Oliver Platt, and reunited with Eastwood for a key supporting role in "Sully" (2016), a biopic starring Tom Hanks as instantly famous airline pilot Captain Chesley Sullenberger. On stage, film or television, there seemed no limit to the range of this classically-trained chameleon.
Laura Linney was born in New York City, NY on Feb. 5, 1964. Her parents were divorced before she was a year old, leaving Linney to live on the Upper East Side with her mother, spending her early years as an only child with a working mom and an over-developed imagination. Weekends and summer vacations with her father, renowned playwright and professor Romulus Linney, offered her an early introduction to the theater world. Linney spent three summers with a regional New Hampshire theater company, beginning when she was just 12 years old. From then on, her life was devoted to theater, though initially the shy teen was not certain whether her role would be onstage or off. At the Northfield Mt. Hermon boarding school in Massachusetts, Linney was active in the theater department and further focused on acting at Brown University, where she graduated with a BFA in Theater Arts in 1986. The young stage veteran faced her biggest creative challenge when she was accepted into the prestigious program at Juilliard.
After surviving the rigorous demands of Juilliard and breaking into the business with a few stage roles, Linney harbored modest hopes of landing in a solid regional theater company somewhere far from Broadway. She was granted a much bigger opportunity as the understudy for Tess in the original Broadway production of "Six Degrees of Separation." The position lasted nearly a year, after which Linney landed a small but critically acclaimed role as a German journalist in the art world drama "Sight Unseen," which earned her Drama Desk and Theater World Awards. The unshowy actress was surprised to find that she had any Hollywood appeal at all when she was cast in a small role as a teacher in "Lorenzo's Oil" in 1992, thus the theater devotee reluctantly launched her film career.
Linney focused on her stage career over the next few years, building a solid reputation of artistry with "The Seagull" and "Hedda Gabler" before she was cast opposite Steve Martin in "A Simple Twist of Fate" (1994), a modernized spin on "Silas Marner." For a PBS adaptation of "Armistead Maupin's Tales of the City" (1994), Linney landed one of her first starring roles as Mary Ann Singleton, a naive Ohio transplant to San Francisco, CA. A role in the thriller "Congo" (1995) was followed by a return to Broadway in a revival of the comedy "Holiday" in the role made famous on film by Katharine Hepburn in 1938.
After admiring her performance as former lover and courtroom adversary of Richard Gere in the sleeper hit "Primal Fear" (1996), Clint Eastwood tapped Linney to portray his daughter in the political thriller "Absolute Power" (1997). Linney reprised her role of Mary Ann Singleton in the sequel "Armistead Maupin's More Tales of the City" (Showtime, 1998) and took to the stage alongside Jane Alexander in "Honour" (1998). She followed up with her highest profile role to date - that of Meryl, wife of Jim Carrey's Truman Burbank in the satirical "The Truman Show" (1998). Under Peter Weir's direction, Linney's performance as the increasingly unhappy actress chafing under her duty to be loyal wife and commercial pitchwoman worked in counterpoint to Carrey's fine work as the questioning Truman.
Linney became a virtual overnight indie sensation with her unanimous accolades for "You Can Count on Me" (2000), writer-director Kenneth Lonergan's study of grown siblings who have grown worlds apart. Playing a former wild child who reined herself in to a respectable small town life as a bank loan officer and single mom, Linney's character tried to strike a balance with an aimless younger brother (Mark Ruffalo) and an overbearing boss (Matthew Broderick). Linney was cheered for her depth and brilliance, sweeping film critic's awards and earning Oscar and Golden Globe nominations. At the height of her newfound recognition, the actress returned to Broadway in "Uncle Vanya" before appearing back onscreen in Merchant Ivory's adaptation of Edith Wharton's "The House of Mirth" (2000) opposite Gillian Anderson.
Continuing her relationship with Showtime, Linney reprised Mary Ann Singleton in "Armistead Maupin's Further Tales of the City" (2001) before co-starring with Gena Rowlands in "Wild Iris" (Showtime, 2002), a drama about an estranged mother and daughter forced by circumstance to share a home. Linney's performance earned the actress her first Emmy nomination as Outstanding Lead Actress in a Miniseries or a Movie. She also made an appearance in HBO's "The Laramie Project" (2002), which chronicled events following the tragic hate-killing of gay teen Matthew Shepard. In 2002's thriller "The Mothman Prophecies," Linney played a cop again opposite Richard Gere, a widower on the hunt for a legendary local monster. Linney rebounded with her first Tony win, as lead Elizabeth Proctor in Henry Miller's classic "The Crucible," which also snared the Tony for Best Revival.
Early Linney champion Clint Eastwood recruited her for his highly praised revenge opus "Mystic River" (2003), where she played the strong-willed wife of Sean Penn. She took a brief detour into straight comedy with writer-director Richard Curtis' ensemble rom-com "Love Actually" (2003), and scored an Emmy for her guest spots as Dr. Frasier Crane's love interest on the final season of "Frasier" (NBC 1993-2004). Hot on the heels of her Emmy win, she received Best Supporting Actress nominations from SAG, the Golden Globes and the Academy Awards for starring opposite Liam Neeson as sex researcher Alfred Kinsey's wife Clara in Bill Condon's "Kinsey" (2004). That same year, Linney appeared in a Broadway revival of "Sight Unseen," playing a different role in the play that had been her earliest stage success and earning a Tony nomination in the process.
The versatile actress with seemingly endless range segued into another winner with writer-director Noah Baumbach's dark comedy "The Squid and the Whale" (2005). The indie was among the most talked about films of the year, earning Linney another Golden Globe nod for playing the estranged wife of a failed writer (Jeff Daniels) who achieves literary success herself and engages in a painful volley with her ex built on mutual affairs and battles over raising their young sons. Linney lent a rich performance to "Man of the Year" (2006), playing a software employee who unwittingly enables a talk show host (Robin Williams) to win the presidency after running a mock campaign. Released the same week was "Driving Lessons" (2006), a little-seen coming-of-age film about a repressed 17-year-old (Rupert Grint) tired of his over-bearing, Bible-thumping mother (Linney).
Linney took a leading role in "Jindabyne" (2007), an Australian film based on the writings of Raymond Carver, and enjoyed a round of accolades in the festival favorite before signing on to co-star in "Breach" (2007), a well-reviewed thriller focusing on the life of former FBI agent-turned-Russian spy Robert Hanssen (Chris Cooper). In the comedy "The Nanny Diaries" (2007), Linney sent up the Manhattan elite with relish, standing out in this film adaptation of the popular novel.
The year ended on a positive note with the release of writer-director Tamara Jenkins' "The Savages," in which Linney co-starred with Phillip Seymour Hoffman as a pair of maturity-challenged siblings faced with caring for their estranged and ailing father (Philip Bosco). The film enjoyed a wave of critical buzz following successful screenings on the festival circuit, with both stars praised for their performances. Its U.S. premiere at the American Film Institute Festival in December coincided with an AFI tribute to the well-respected actress who had never even planned on a career outside the world of theater. It turned out that the praise she received was well deserved - she earned an Academy Award nomination for Best Performance by an Actress in a Leading Role. Meanwhile, Linney was slated to return to Broadway in "Les Liasons Dangereuses" beginning in May of 2008, then revisited the small screen, playing Abigail Adams to Paul Giamatti's John Adams in the historic miniseries "John Adams" (HBO, 2008), for which she would receive a Golden Globe, an Emmy award and a Screen Actors Guild award for her strong and nuanced performance as the wife of the complex and conflicted president.
Heralding the great migration of powerhouse film actresses to meaty TV roles, Linney made headlines when she signed on to star in "The Big C" (Showtime, 2010-13), a dark comedy about a suburban teacher (Linney) whose diagnosis of cancer upends her world and gives her a new, frightening yet freeing look at life and what she wants out of it. Once again, Linney brought her award-worthy talents to bear, earning a Golden Globe for Best Actress in a Television Series - Comedy or Musical, while setting herself up to win an Emmy after receiving a nomination in 2011. As she continued to amass award nominations and praise for "The Big C," Linney continued making movies, voicing the North Pole computer in "Arthur Christmas" (2011) and playing Margaret Suckley, distant cousin and eventual mistress to President Franklin D. Roosevelt (Bill Murray), in the acclaimed "Hyde Park on Hudson" (2012). Supporting roles in Wikileaks drama "The Fifth Estate" (2013), Sherlock adaptation "Mr. Holmes" (2015), and "Genius" (2016), a biopic of famed editor Maxwell Perkins, followed. Linney reteamed with Eastwood for "Sully" (2016), the story of "Miracle on the Hudson" pilot Chesley Sullenberger, portrayed by Tom Hanks; Linney played the captain's patient wife, Lorraine.
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CAST: (feature film)
Milestones close milestones
"I have worked closely with a lot of great actresses on the stage and on television, but I've been in a lot of boy movies. The formula calls for all these guys and one girl ... Unfortunately, most good roles for women are in lower-budget, independent films, and those filmmakers work with the people they know."---Laura Linney quoted in Movieline, May 1996.
"I have the Cindy Brady complex. You know that episode of 'The Brady Bunch' where Cindy goes catatonic when she appears on a TV show? That was me. There are all these photos of me as a child with my hand in front of the camera. I always fear the camera is going to see everything bad about me. It's taken me a while to realize the camera is not some scary medical device."---Linney in Movieline, June 1995.
"I grew up in Manhattan and, since my father was a playwright, all I ever wanted to be was a stage actress. Not that I had anything against movies or TV, it's just that they were never anything that had entered my world and, quite frankly, I never thought I'd be any good in them."---Linney quoted in Venice, April 1996.
"When I first came [to Los Angeles], I had my lovely list of theatre credits. My resume was golden in my mind. I had worked regionally, I'd worked on Broadway. And a casting director looked at my resume and said `You really haven't done anything, have you?' I was just dumbstruck.
The attitude here is that theatre is what you do when you can't get filmwork, and that is just insulting to the marrow of my bones! I find that so hateful and so ignorant. What is our country, like, turning into? Are we going to just be a bunch of hicks? Don't get me started."---Laura Linney quoted in Toronto Sun, April 1, 1996.
"The great thing about Laura is that she didn't just prepare exhaustively and then stick to that. She was extremely open to other things happening. Mark [Ruffalo] was fast on his feet, too; they have a real generosity with each other. And I found I used her ideas as much as my own. In the editing room, I'd say, 'Oh, I'm glad she said that, because her idea was much better than mine.'"---"You Can Count on Me" writer-director Kenneth Lonergan quoted in Time Out New York, November 9-16, 2000.
"I wish our industry were a little more sympathetic when something doesn't quite work. Because it's what you learn during those times that trains you, so that something else can turn out right."---Linney quoted in Premiere, December 2000.
"I grew up in the theatre, my whole life was the theatre. I was terribly intimidated by TV and film and the whole lifestyle. The cameras scared me. I'm still camera shy,"---Linney quoted in London's Evening Standard, February 27, 2002.
"Good scripts, good actors, good directors. Why else would you do a movie?"---Laura Linney on how she picks her roles to THE TORONTO STAR, September 15, 2004.
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