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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Cast (feature film)
After County Attorney Dave Connors (Cornel Wilde) helps Julian Norman (Anne Baxter) with her shiftless father, Jefferson Norman (Henry Hull), she leaves Jericho, Kansas to college to study for a law degree.A few years later, Algeria Wedge (Linda Darnell), the new bride of Dave's best friend, Tucker Wedge (Kirk Douglas), makes overtures and plays for Dave, much to the displeasure of Dave's hard-drinking wife Belle (Ann Dvorak.) Angered by Dave's rebuffs, Algeria induces the state political boss to back Tucker for a Congress race against Dave. Meanwhile, Julia has returned to Jericho, with her law degree, and she and Dave fall in love. But when Dave announces he won't run for Congress, she feels she is the reason and she takes a job in Kansas City. Tucker wins the election and he and Algeria go to Washington. Later, Tucker announces a run for the Senate and Dave decides to run against him. When Marjorie Ransome (Coleen Townsend) kills a drunk in self-defense, Julia returns to Jericho to work with Dave, now in private practice,on Marjorie's defense. The still-resentful Algeria moves to kill Dave's senate bid when Tucker's newspaper announces that Dave is being sued for divorce, with Julia named as correspondent.
The singer and star of the first "talkie" risks it all to become a star.
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.
A criminal psychologist investigates the murder of a veteran with amnesia.
A radio station page tries to solve a singer's murder.
A chronicle of the political career of U.S. President Woodrow Wilson.
A girl is raised as a native while living on a tropical island.
In 1915, Atlantic City is a sleepy seaside resort, but Brad Taylor, son of a small hotel and vaudeville house proprietor, has big plans: he thinks it can be "the playground of the world." Brad's wheeling and dealing proves remarkably successful in attracting big enterprises and big shows, but brings him little success in personal relationships. Full of nostalgic songs and acts, some with the original artists.
Republic, never a company to not try getting ahead of the curve and with writers who could remember the 1930's social conscience WW I vets-returning-home films, made this in mid-1944 (a full year before the end of WW II) as a don't-let-it-happen-again sermon. The semi-prologue opening finds Father Jim Donnelly (John Litel) before a post-war planning board in Washington and, as Priests quite often did in 1930 and 1940's films, tells his point-making story in flashback of how WW I vet Eddie Ballinger (Don Barry as Donald Barry), shaken by battle experiences anyway, returns home to a job that is no longer there for him and finds "No Help Wanted" signs standing in his way of making an honest living. Despite the pleas from his mother (Emma Dunn) and his sweetheart Lucy Manners (Lynne Roberts), Eddie starts hauling booze for bootlegger Tim Oberta (Alexander Granich) and takes up with entertainer Lola (Ruth Terry), who eventually betrays him, mainly because she is a one-name character and that's what one-name characters are there for...especially in a movie with the lead playing his 1944 version of Jimmy Cagney in a 1933 Warner's film. Father Jim makes his don't-repeat-the-past point in less than an hour as the hearing committee had also seen and heard the story before.
An aviation engineer and a government secretary are thrown together by the war effort.
A Navy doctor fights to help wounded sailors escape the Japanese during World War II.
A couple on the verge of divorce learns the wife is pregnant.
Margot Bracken returns home to Germany after several years of absence, and is horrified at the degraded status which has been forced on the women of her homeland. Toni Hall is prevented from marrying her sweetheart. Both women speak out against the terrorist reign and are imprisoned. Pagan baptisms, "mercy" killings, sterilizations, government-encouraged vice and the cruelties of the Gestapo are only a few of the practices they see or endure.
A German-born art dealer finds himself falling for Nazi propaganda.
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