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|Also Known As:||Martin Fitzgerald Lawrence||Died:|
|Born:||April 16, 1965||Cause of Death:|
|Birth Place:||Germany||Profession:||comedian, actor, director, screenwriter, producer, music supervisor, gas station attendant|
Biography CLOSE THE FULL BIOGRAPHY
while going solo to play a diamond thief pretending to be a cop in "Blue Streak" (1999). That year he made even stranger headlines than before, when he slipped into a three-day coma after running in 100-degree heat while wearing several layers of clothes. Though he eventually recovered, Lawrence did nearly die after his body temperature rose to 107-degrees while his breathing was sustained by a respirator. Meanwhile, he roared back to the forefront in the hit comedy "Big Momma's House" (2000), playing an FBI agent who dons a fat suit to impersonate a 300-pound woman in order to nab a violent bank robber (Terrance Howard). His follow-up project, "What's the Worst that Could Happen?" (2001) pitted him against Danny DeVito as a thief and billionaire, respectively, in a battle to see whose evilness would triumph. The taunting title of the film proved prolific when it flopped at the box office following a severe critical beating.Lawrence next starred in the woeful comedy, "Black Knight," (2001), in which he played a mini-golf course employee who wakes up to find himself in the 14th century following a blow to the head. Unsurprisingly, the fantasy comedy took at hit with the critics on its way to becoming...
while going solo to play a diamond thief pretending to be a cop in "Blue Streak" (1999). That year he made even stranger headlines than before, when he slipped into a three-day coma after running in 100-degree heat while wearing several layers of clothes. Though he eventually recovered, Lawrence did nearly die after his body temperature rose to 107-degrees while his breathing was sustained by a respirator. Meanwhile, he roared back to the forefront in the hit comedy "Big Momma's House" (2000), playing an FBI agent who dons a fat suit to impersonate a 300-pound woman in order to nab a violent bank robber (Terrance Howard). His follow-up project, "What's the Worst that Could Happen?" (2001) pitted him against Danny DeVito as a thief and billionaire, respectively, in a battle to see whose evilness would triumph. The taunting title of the film proved prolific when it flopped at the box office following a severe critical beating.
Lawrence next starred in the woeful comedy, "Black Knight," (2001), in which he played a mini-golf course employee who wakes up to find himself in the 14th century following a blow to the head. Unsurprisingly, the fantasy comedy took at hit with the critics on its way to becoming a box office dud. In 2002, Lawrence took his comedy stint to the big screen, resulting in "Martin Lawrence Live: Runteldat," which featured bits aimed at the many events that brought him unfavorable exposure. The following year, Lawrence joined Steve Zahn for the comedy feature "National Security" (2003), a buddy flick about two unlikely cops-turned-security guards, before reuniting with Will Smith and director Michael Bay for the uninspired retread sequel "Bad Boys II" (2003). Lawrence lightened his image with the broad, heartwarming comedy "Rebound" (2005), playing a basketball coach looking for a second chance with a middle school team of misfits after being banned from the college level for his bad temper. After voicing Boog, a 900-pound domesticated grizzly bear with no survival skills trying to survive the wild in "Open Season" (2006), Lawrence once again donned a fat suit for the unfunny, unfortunate and inevitable sequel, "Big Momma's House 2" (2006).
Lawrence went on to co-star in "Wild Hogs" (2007), a critically-panned, but hugely successful ensemble comedy about four down-and-out men (Lawrence, John Travolta, Tim Allen and William H. Macy) who go through respective mid-life crises by embarking on a freewheeling, cross-country motorcycle trip in order to prove their manhood. Despite scores of bad reviews, many of which complained about the bizarre, almost obsessive need for the four leads to constantly prove their heterosexuality onscreen, "Wild Hogs" dominated the box office its opening weekend, eventually taking in over $250 million worldwide. Meanwhile, he returned to his stand-up roots to executive produce "Martin Lawrence Presents: 1st Amendment Standup" (Starz, 2006- ), an uncensored showcase of the day's best under-the-radar comedians. Back on the big screen, he starred in "Welcome Home Roscoe Jenkins" (2008), a comedy-of-manners in which he played a successful radio talk show host who finds going back home for his parent's 50th wedding anniversary harder than he imagined. He next played an overprotective father unwilling to let his daughter (Raven-Symoné) go off to college on her on her own in "College Road Trip" (2008), which he followed with a co-starring turn in director Neil LaBute's remake of the British black comedy, "Death at a Funeral" (2010). and a two-season hosting gig of the new series, "Russell Simmons' Def Comedy Jam" (HBO, 1992-2008). But it was the popular Fox sitcom that brought Lawrence to prominence. On the show, he played Martin Payne, a wise-cracking radio disc jockey who exudes a macho exterior on air, but displays his sensitive side while at home with his wife, Gina (Tisha Campbell-Martin). Lawrence also had a knack for playing a wide array of characters, many of which required prosthetics and which showed his particular penchant for performing in drag, including Sheneneh Jenkins, a flashy girl from the ghetto; Edna Payne, Martin's overprotective mother; Jerome, an aging pimp; and Bob, a white surfer-dude. Though popular with black audiences, the show was criticized by high-profile celebrities like Bill Cosby who accused "Martin" for its vulgarity and for reinforcing negative stereotypes of blacks. Following Cosby's lead, Newsweek magazine called Martin's radio show host a "sex-obsessed homeboy shucking his way to nowhere."
Despite the alleged controversial nature of the series, "Martin" was embraced by audiences and became a significant hit. Lawrence's insightful edginess often raised his sitcom work above the level of stereotype, enough so that the NAACP honored "Martin" with its Image Award, while the series allowed him huge improvisational freedom. Following in the footsteps of Richard Pryor and Murphy, he branched into comedy albums with Talkin' Shit (1993) and concert films with You So Crazy (1994). He raised his profile further by co-starring with Will Smith in Michael Bay's feature directorial debut, "Bad Boys" (1995), a cop-buddy movie that was part " Odd Couple;" part "Lethal Weapon;" part "Beverly Hills Cop." Despite the financial success of the movie, "Bad Boys" took a drubbing with critics. Lawrence bit off more than he should have chewed with his directing debut, "A Thin Line Between Love and Hate" (1996), on which he co-wrote, starred in, served as music supervisor for and executive produced. Critics dismissed the effort as "Martin" meets "Fatal Attraction" (1987).
With the strain of doing both movies and a regular television show simultaneously, cracks began to appear in the armor of the workaholic Lawrence. The first signs came when he inexplicably lashed out on the set of "A Thin Line Between Love and Hate," which was later revealed to be caused by his abuse of psychotropic drugs. In 1996, his "Martin" costar, Tisha Campbell-Martin, quit amidst filming the show's final season, accusing him in a lawsuit of "repeated and escalating sexual harassment, sexual battery, verbal abuse and related threats." She eventually agreed to finish filming the season, but in an agreement struck with the producers, refused to appear in any more scenes with Lawrence and even had him barred from the set of his own show while she was present. Meanwhile, his wife, Patricia, a former Miss Virginia, lived in fear of her husband after several episodes where he physically abused her. The last straw came when he allegedly pushed Patricia while holding their baby daughter in his arms. His wife took their daughter to live in a hotel and filed a restraining order, while adding further comfort by hiring a private security firm to protect her. The couple divorced in 1997.
But the craziness did not abate. Lawrence was arrested earlier in the year for punching a nightclub patron and found himself in deeper hot water after being stopped from bringing a 9mm Beretta onto a plane in Phoenix. He earned two years probation for the gun incident and was later sent to a drug rehabilitation center by his family, only to leave two days later and begin abusing drugs once more, according to his ex-wife. Lawrence made his biggest headlines, however, when he was found on Ventura Boulevard in an erratic state screaming at tourists while brandishing a gun. He was taken away by ambulance and hospitalized for what his handlers called "exhaustion and dehydration." Despite what appeared to be the crash-and-burn of his career, Lawrence continued to work. Sticking mainly to features, he starred in "Nothing to Lose" (1997), a workman-like buddy comedy co-starring Tim Robbins as a man who roars off into the desert with his carjacker after seeing his wife in bed with his boss.
Lawrence took some time off to recharge and returned with two features, reuniting with Eddie Murphy to play a pair of convicts for "Life" (1999),
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CAST: (feature film)
Milestones close milestones
Lawrence was accused of sexual harrassment by co-star Tisha Campbell in a lawsuit filed in January 1997. Campbell, who had quit the Fox sitcom in November, agreed to complete the final two episodes of the five-year run of "Martin" on the condition that she would not have to appear in any more scenes with him. This provided a real a challenge for the writers who had to to make the pair seem like a loving couple, though they never stood in the same room.
Actor Martin Lawrence collapsed while jogging and lay in a coma for three days before regaining consciousness, hospital officials said Wednesday. He was running in heavy clothing to try to lose weight for a movie role, putting himself near death when his body temperature rose to more than 107 degrees. --From USA Today, August 26, 1999.
" . . . it's like Arsenio [Hall] says: If you're doing comedy and you haven't stolen from [Richard] Pryor, then you ain't doing it right. I agree with that. All I studied was Pryor. Pryor, [Eddie] Murphy, Redd Foxx, Moms Mably. I looked to the old school. I looked to those I considred to be the best of their times. I consider Richard Pryor the best of all time." --Martin Lawrence quoted in Rolling Stone, November 11, 1993.
"If you gave the same publicity they've given me about language to missing kids, they'd have found them all by now." --Lawrence to Jay Martel in Rolling Stone, April 21, 1994.
Regarding the flap over his inappropriate remarks on "SNL": "People know I can be clean every Sunday at 8. On 'Saturday Night Live', it's 11:30, and things get a little more risque. In my monologue, I made sure to ask if people had their kids in bed yet. Maybe I misjudged my material, but the people at the show said, 'You're the host. Do what you do and have a good time.' That's what I did."
Referring to a previous "SNL": "I saw Alec Baldwin playing a camp counselor and licking a little boy's fingers. That seems worse to me than what I had to say. Let's be clear about what's in bad taste. What I said wasn't any harsher than what you hear on a douche commercial. But I'm not mad at NBC. I laugh and take my lumps. They made the decision they thought they had to, and I'll live with that." --Lawrence to the Los Angeles Times, March 8, 1994.
"When I was growing up, people cracked on my ears, a lot. Kids are blunt. They don't know no better, so they'll say, 'Oooh, you got some big ears,' or 'Hi, Mr. Elf.' So there came a time when I had to learn to joke on my own ears." --Lawrence, quoted in New York Post, April 9, 1996.
On his erratic behavior: "He's not sick, he's not taking drugs. I think [his behavior] was a combination of many things--a marriage that didn't go well, doing movies back to back with his sitcom. I think he's learned how to pace himself." --an inside source quoted in New York Post, July 16, 1997.
About his first meeting long ago with Eddie Murphy at the Comedy Store on Sunset Boulevard: "I watched Eddie on 'Saturday Night Live' and I couldn't believe it when I looked down and saw Eddie Murphy in the audience. I thought I might need oxygen or something. I still can't believe I did two movies with him.
"I learn something from him each time. Eddie's a great teacher." --Lawrence to Cindy Pearlman in Chicago Sun-Times, April 11, 1999.
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