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Overview for Veronica Lake
Veronica Lake

Veronica Lake

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Ramrod ... This western from legendary director Andre de Toth (HOUSE OF WAX) was the first... more info $18.71was $24.95 Buy Now

I Married a... Veronica Lake (SULLIVAN'S TRAVELS) casts a seductive spell as a charmingly... more info $19.47was $29.95 Buy Now

The Cemetery ... Deep in the Pennsylvania hills, a cemetery for those who died during exorcism... more info $17.95was $24.95 Buy Now

Lights Out 4 ... Another collection of mysterious terror-filled tales of the unexpected from the... more info $6.95was $6.98 Buy Now

This Gun for... Glossy noir about ultra-cool hired killer is genre landmark, despite... more info $11.21was $14.98 Buy Now

Film Noir... Film Noir - the dark, suspenseful style of filmmaking from the 1940s and 1950s -... more info $63.95was $79.98 Buy Now

Also Known As: Died: July 7, 1973
Born: November 14, 1919 Cause of Death: hepatitis
Birth Place: Brooklyn, New York, USA Profession: Cast ...
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NOTES

"You could put all the talent I had in your left eye and still not suffer from impaired vision." --remark attributed to Veronica Lake, quoted in Halliwell's Filmgoer's Companion, 8th ed.

In the early 1940s, US government officials asked Lake to wear her hair up for the duration of WWII: it seems that too many women working in factories were imitating her famous "peek-a-boo bang" and getting their hair caught in assembly-line machinery.

"Possibly no candidate for the pantheon of cinema love goddesses was admitted on such a gimmicky whim as Veronica Lake, whose sulky but beauteous face was characteristically half-obscured by tossed locks of her blonde hair....Her initial cinema popularity was extended by a fortuitous teaming with stone-faced Alan Ladd, he of the sloppy fedora and trenchcoat. They created a new brand of screen lovers: calculating, conscienceless, self-possessed individuals. Their love scenes together were the epitome of restrained ego-feeding, filled with non-sequitur conversation, wisps of cigarette smoke, and bristling icy stares.

The essence of hauteur, she proved the perfect screen bitch: a lithe, provocative figure, topped by luscious blonde hair partially revealing a lean face with slightly sunken cheeks, big cold eyes ... and the surprise of her husky, mature voice." --James Robert Parish ("The Paramount Pretties", 1972)

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