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Stanley Kubrick

Stanley Kubrick

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Also Known As: Died: March 6, 1999
Born: July 26, 1928 Cause of Death: heart attack
Birth Place: Bronx, New York, USA Profession: Director ... director producer screenwriter photographer
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BIOGRAPHY

One of the most consistently fascinating filmmakers in the latter half of the 20th century, director Stanley Kubrick saw his seminal work praised and damned with equal vigor, though oftentimes found that his film's reputations grew over time. Just as his singularly brilliant visual style won him great acclaim, his unconventional sense of narrative and seeming lack of overt emotionalism often elicited critical scorn. Emerging onto the filmmaking scene with films like "Killer's Kiss" (1953) and "The Killing" (1956), Kubrick truly arrived with his bleak antiwar epic "Paths of Glory" (1957). After playing the role of director-for-hire on the sword and sandal epic "Spartacus" (1960), Kubrick entered the pantheon of great filmmakers with "Dr. Strangelove or: How I Stopped Worrying and Learned to Love the Bomb" (1964), often cited as the finest political satire ever made. Continuing that tradition, he directed the technically brilliant "2001: A Space Odyssey" (1968), which was hailed as the best science fiction film of all time, though not without earning some detractors for its lack of emotion. Kubrick courted controversy with the ultraviolent "A Clockwork Orange" (1971) before making what many considered to be one of his best films, "Barry Lyndon" (1975). With "The Shining" (1980), Kubrick waded into the horror genre with exacting aplomb, though he misfired a bit with the uneven Vietnam picture "Full Metal Jacket" (1987). Twelve years later, Kubrick directed his final film, "Eyes Wide Shut" (1999), which managed to garner its share of controversy even after his death prior to its release. Cited by many filmmakers from Steven Spielberg to Woody Allen as being a source of inspiration, Kubrick remained a unique artist capable of a wide diversity in a medium often dominated by repetition and mediocrity. Though his ambitious and often obsessive vision sometimes exceeded his capacity to satisfy the demands of mainstream filmmaking, Kubrick nonetheless laid claim to a distinctive style of cinema often imitated, but never duplicated.

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