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James Grant

James Grant


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Also Known As: Died:
Born: Cause of Death:
Birth Place: Profession: Cinematography ...


Cast (feature film)

The Great American Broadcast (1941) as
After WWI two men go into radio. Failure leads the wife of one to borrow money from another; she goes on, after separation, to stardom. A coast-to-coast radio program is set up to bring everyone back together.

Cinematography (feature film)

The Nutty Professor (1963) as Assistant Camera
A timid chemist discovers a potion that unleashes his sleazy side.
G.I. Blues (1960) as Assistant Camera
An American stationed in Germany bets that he can make an icy entertainer fall for him.
CinderFella (1960) as Assistant Camera
The Cinderella story in form of a farce and with a guy in the leading role: Fowler is a clumsy simpleton, who has to care for his step mother and her two stuck-up sons Maximilian and Rupert. Only in the realms of phantasy he can find comfort. One day a good spirit appears to him and helps him to win the heart of the beautiful princess Charmant.
Heller in Pink Tights (1960) as Assistant Camera
Touring actors in the wild West brave Indians and outlaws.
The Five Pennies (1959) as Assistant Camera
Loring "Red" Nichols is a cornet-playing country boy who goes to New York in the 1920s full of musical ambition and principles. He gets a job playing in Wil Paradise's band, but quits to pursue his dream of playing Dixieland jazz. He forms the "Five Pennies" which features his wife, Bobbie, as vocalist. At the peak of his fame, Red and Bobbie's daughter, Dorothy, develops polio. Red quits the music business to move to Los Angeles where the climate is better for Dorothy. As Dorothy becomes a young teen, she learns of her father's musical past, and he is persuaded to open a small nightclub which is failing until some noted names from his past come to help out.
Li'l Abner (1959) as Assistant Camera
The residents of Dogpatch fight to persuade the government not to use their town as a nuclear testing ground.
Last Train from Gun Hill (1959) as 1st asst cam
A Western Marshall discovers the man who raped and murdered his wife is his best friend''''s son.
Desire Under the Elms (1958) as Assistant Camera
A fiery immigrant falls in love with her aging husband''''s brooding young son.
The Geisha Boy (1958) as Assistant Camera
A third-rate magician tours Japan with the USO.
As Young as We Are (1958) as Assistant Camera
St. Louis Blues (1958) as Assistant Camera
Musical biopic about the life of legendary bluesman W.C. Handy.
Fear Strikes Out (1957) as 1st asst cam
Major League star Jimmy Piersall fights to save his sanity.
The Trouble with Harry (1955) as Assistant Camera
A corpse creates a world of trouble for several passersby who each believe they may have caused the death.
To Catch a Thief (1955) as Cam asst
A retired cat burglar fights to clear himself of a series of Riviera robberies committed in his style.
Anything Can Happen (1952) as Assistant Camera
A quirky relationship unfolds between an immigrant and an all-American folk music fan.
Union Station (1950) as Cam asst
A secretary gets caught up in the hunt for kidnappers.
The Furies (1950) as Cam asst, location
The 1870s, New Mexico territory: T.C. Jeffords is a cattle baron who built his ranch, the Furies, from scratch.
Red, Hot and Blue (1949) as Assistant Camera
An actress''''s rising career is threatened when she finds a dead gangster in her apartment.
Bride of Vengeance (1949) as Assistant Camera
Five Graves to Cairo (1943) as 1st asst cam
A British corporal goes undercover to infiltrate Field Marshall Rommel's command.
For Whom the Bell Tolls (1943) as Assistant Camera
A U.S. mercenary and an army of peasants fight for Spain.
I Wanted Wings (1941) as Assistant Camera
Story follows the training and personal lives of three recruits in the Army Air Corps --- a wealthy playboy, a college jock and an auto mechanic. Love interest is supplied by a female photographer and a sultry blonde.

Film Production - Main (feature film)

Munich (2005) as Loc mgr, Malta unit
In September of 1972 an unprecedented terrorist attack unfolded live before 900 million television viewers across the globe and ushered in a brave new world of unpredictable violence. It was the second week of the Summer Olympics, and in Munich, West Germany, the games that had been dubbed "The Olympics of Peace and Joy" were off to a rousing start. Without warning, an extremist Palestinian group known as Black September invaded the Olympic Village, killing two members of the Israeli Olympic team and capturing nine hostages. The tense stand-off and tragic massacre that ensued played out with stunning immediacy on television before an international populace and ended 21 hours later when anchorman Jim McKay spoke the haunting words, "They''re all gone." Mourning the massacre and infuriated by its savagery, a young Israeli patriot and intelligence officer, Avner is approached by a Mossad officer named Ephraim who presents him with an unprecedented mission in Israeli history. He asks Avner to leave behind his pregnant wife, relinquish his identity and go completely underground on a mission to hunt down and kill the 11 men accused of masterminding the murders. Despite his inexperience, Avner becomes the leader of a team of four very diverse yet highly skilled recruits: the brash, tough, South African-born getaway driver, Steve; the German Jew Hans, who has a flair for forging documents; the Belgian toymaker-turned-explosives-expert, Robert; and the quiet, methodical Carl, whose job is to "clean up" after the others. Avner and his team circle the globe under a cloak of extreme secrecy, tracking down each man on a closely guarded list of targets and carrying out intricately plotted assassinations. Working outside the rubric of international law, adrift without home or family, their only connection to humanity becomes one another. But even that starts to fray as the four men begin to argue among themselves about the unsettling questions that just won''t go away: "Who exactl

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