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Ellis Coleman - NOT AVAILABLE
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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Art Department (feature film)
In Dakota territory in the 1870s, White Bull, a young Sioux, proves his manhood by catching and training a wild colt he names Tonka. When a cruel cousin claims the horse as the privilege of rank, White Bull lets Tonka go. The horse ends up in the hands of a captain in the US cavalry about the time that Sitting Bull gathers the tribes to confront the growing US presence, epitomized by the bigoted General Custer. All paths, including those of White Bull and Tonka, lead to the confluence of the Little and Big Horn rivers.
Film Production - Main (feature film)
An artist turns to drink when his daughter dies suddenly.
While investigating a dockside murder, a DA uncovers union racketeering.
After a wild night, wealthy Michael Reston's adulterous wife Charleen comes home with her ripe young body barely concealed by a dress in rags; murder results. Top defense lawyer J.G. Blane, whose own marriage exists in name only, arrives in Desert View, Nevada to find the townsfolk and politically powerful Sheriff Hoak distinctly hostile to the Restons. In due course, Blane discovers he's been "taken for a ride," and that quiet desert communities can be deadly...
A burglar is surprised by David and Lisa Collins in their son's room. In the struggle, Lisa's eyes are hurt and David throws an ornament, unintentionally killing the young thief. It's not easy for Reverend Collins to deal with the resulting publicity, his own conscience, or Lisa's temporary blindness. Meanwhile Carl Simmons, father of the dead burglar, begins to stalk the Collins' son Michael.
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