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COMPLETE FILMOGRAPHY WITH SYNOPSIS
Director (feature film)
Eleven Gilbert & Sullivan numbers are melded within the murder-mystery plot of "Girl on the Spot", with a result that either G&S and/or the plot are always seemingly on stage-wait or in the wings awaiting a cue. Lois Collier is the girl-on-the-spot of the title because she was on the scene of a murder. The police conclude she didn't do it and they use her to set a trap for the real killer, a G&S addict, by financing a Broadway production starring Collier. The police department evidently found the money for financing a Broadway show under "Misc.Expenses" in the city budget.
Two ghosts from the Revolutionary War haunt a house until they can clear their names of treason charges.
Lou Costello plays a country bumpkin vacuum-cleaner salesman, working for the company run by the crooked Bud Abbott. To try to keep him under his thumb, Abbott convinces Costello that he's a crackerjack salesman. This comedy is somewhat like "The Time of Their Lives," in that Abbott and Costello don't have much screen time together and there are very few vaudeville bits woven into the plot.
In a film that was closer to being a "sanitized" version of and contained more elements akin to Mae West's and W.C. Fields' "My Little Chickadee" than it did from anything John Ford had done, or was to do, a traveling show arrives in a small Arizona town and finds much opposition from local townspeople. They plan to stage the show in the saloon and the leading lady, Katie (Martha O'Driscoll), gets involved with the local school teacher, Tod (Noah Beery, Jr). and a mysterious masked bandit, King Randall (Leo Carrillo).
Sherlock Holmes tries to protect a foreign leader traveling on an ocean liner.
An artist (Lon Chaney Jr) is blinded by a jealous assistant/model. His fiance's father generously offers his eyes for a sight restoring operation. there's only one hitch. Chaney has to wait until after the man dies. Not surprisingly, when the benefactor dies a very premature death, suspicion falls on the artist.
A mystery woman is a murder suspect's only alibi for the night of his wife's death.
In a desperate attempt to get a job for Ken Daniels (Allan Jones) and Alvino Rey (Himself) and his Orchestra (themselves), agent Mike Simms (William Frawley) plots to make Daniels a missing heir. Simms hires Austin J. Caldwell (Gus Schilling) to pose as an attorney and go to Gus Borelli (Leo Carrillo), owner of the swank Blue Room, asking if he has heard about Daniels' inheritance. Borelli, figuring he can cut in on the money, bright Daniels and Simms to the Blue Room just as Pamela Mason (Kitty Carlisle) is rehearsing some songs with Zybisco (Sig Arno) and his string quintet. Simms refuses to let Daniels sing with the quintet,saying he has already made arrangements with Alvino Rey to bring his orchestra and the King Sisters (Alyce, Donna, Louise and Yvonne King) into the Blue Room. This causes Pamela to lose her job and she is furious with Daniels, who tells her he will get her a job with the Rey orchestra. Later, she discovers the hoax tells Borelli, who sets out to kill Daniels and Simms. They, and the orchestra, manage to escape just as the Blue Room is filling with customers drawn by Borelli's heavy advertising of Daniel's debut. He sends Pamela to bring them back.
Two clubmen discuss the occult, introducing three weird tales: 1) Plain, bitter Henrietta secretly loves law student Michael. Then on Mardi Gras night, a mysterious stranger gives her a mask of beauty that she must return at midnight. 2) At a party, palmist Podgers makes uncannily accurate predictions, later telling skeptic Marshal Tyler that he will murder someone. The notion obsesses Tyler, with ironic consequences. 3) High wire artist Gaspar dreams of falling, then loses his nerve. He recognizes Joan from his dreams, and falls for her. Will any of his dreams, involving Joan and disaster, come true?
J. P. Courtney wants to update the music on the radio program he sponsors, but his wife, Agatha Courtney, is the final authority and addicted to the classics and won't allow him to replace Professor Bistell and his symphonic orchestra. Conspiring with his daughter Sue and her friends, Marvo the Great, the Andrews Sisters, Anne Payne and bandleader Woody Herman, they devise a sabotage plot that gets rid of Professor Bistell, and a new sound is soon heard on the program.
The advertising slogans of Jimmy Hanagan (Tom Brown) and the lab reports reveal that the patented prepared pudding invented by Lemuel P. Twine (Hugh Herbert) has a treasure of Vitamin Z and is full of Zumph. Lemuel's daughter, Helen (Peggy Moran) is in love with Jimmy but her mother wants her to marry Lester Cadwalader, Jr. (Scott Jordan), son of Cadwalader, Sr.(Guy Kibbee), political boss of the city and mentor and whip of the present mayor, Moe Carson (Edgar Kennedy). Cadwalader is backing Twine for mayor even though he knows he can't win, as he wants to keep a stronger candidate out of the running. But after the discovery of Zumph in Twine's pudding, Cadwalader realizes that Twine will win the election. He has Twine's pudding branded as a fake and Twine as a fraud. But Lemuel comes from a long line of fighting Twines and, as he dozes, his ancestors appear before him telling him to fight to the end.
Carrie (Diana Barrymore), ambitious young actress and her manager Mike Kilinsky (Andy Devine), travel east from Chicago to Long Island so Carrie can see the new mansion that her mother Chris (Kay Francis) has just purchased. Chris is not there when Carrie arrives by Gallagher (Ethel Griffies), the family major domo, tells Carrie that Chris is in love with the very rich Steve (John Boles.) Chris confesses to Carrie that she has lied about her age to Steve, claiming to be 31, and that the photograph of Carrie is Carrie's (non-existent) Aunt Sadie and Carrie is only twelve. Carrie insists that her mother keep up the masquerade, and she will pose as a 12-year-old. Steve arrives and brings with him his friend Jimmy Blake (Robert Cummings). More than a little confusion follows including Carrie starting a fight with another "kid" to keep Jimmy from keeping a date with his fiancee and Mike escorting Chris and the "under-age" Carrie to a night club, and other incidents that only tend to prove that Steve and Jimmy aren't the brightest bulbs shining. Diana Barrymore is better as the 12-year-old than she is later playing Joan of Arc in a Detroit theatre, where the light finally dawns on the perplexed Robert Cummings character.
Longshoreman Johnny Barnes is in love with Kitty Tracy, barmaid at her father's waterfront saloon. Johnny is arrested for murder. Kitty and Father Cameron locate Frances March, wife of the real murderer (Alcatraz escapee Monte March) which leads to a fight between the two women and then between the priest and the murderer.
John Evans encounters his lookalike, Malcolm Scott. When Scott is killed in an accident, Evans finds himself mistaken for Scott and decides to do some good in his new role.
A woman accepts life in the shadows as the price for her affair with a married man.
Charming Andre Cassil woos physician Jane Alexander and the two impulsively get married. The honeymoon ends very quickly when Jane voices her progressive views on marriage which include the two having separate apartments. Andre then tries to make his wife jealous in order to lure her into his bedroom.
The son of a man sentenced to death for a murder he didn't commit vows to become a criminal himself. He starts his own street gang, and their crime spree is financed by a mysterious young man--who turns out to be the son of the District Attorney who sent the boy's father to the electric chair.
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