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Biography for Hattie McDaniel

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Wisecracks (1992)
as Herself
The Big Wheel (1949)
as Minnie
Family Honeymoon (1949)
as Phyllis
Mickey (1948)
as Bertha
The Flame (1947)
as Celia
Never Say Goodbye (1946)
as Cozy
Song of the South (1946)
as Aunt Tempy
Margie (1946)
as Cynthia
Janie Gets Married (1946)
as April
Hi, Beautiful (1944)
as Millie
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 HATTIE MCDANIEL
AKA: Hattie Mcdaniels;
Born: 1895-06-10
Birth place: Wichita, Kansas, USA
Death: 1952-10-26
Death cause: breast cancer
Profession: cook, dancer, domestic, ladies' room attendant, washerwoman, songwriter, actor, bakery clerk, singer
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Biography

The first black woman to sing on the radio in the USA, Hattie McDaniel was also much in demand to play benevolent maid/housekeeper types in Hollywood films of the 1930s and 40s. She was also the first African-American performer to win an Academy Award--for her memorable supporting role as Mammy in "Gone With the Wind" (1939)--and later went on to play the title role in the early 50s sitcom, "Beulah".


Family

FATHER: Henry McDaniel. Banjo player, Baptist preacher. Former slave; headlined his own minstrel show in the early 1900s; retired from performing in 1916.

MOTHER: Susan McDaniel. Singer.

SISTER: Etta McDaniel. Actor.



Companion

HUSBAND: J Lloyd Crawford.

HUSBAND: Larry C Williams.



Milestone

1901: Family moved to Denver, Colorado from Kansas

1908: Joined a local black minstrel show in Denver (date approximate)

1910: Won gold medal at an elocution contest sponsored by the Woman's Christian Temperance Union for reciting poem "Convict Joe" (date approximate); dropped out of school and toured with minstrel shows, including one featuring members of her family (date approximate)

1920: Joined the Melody Hounds, a musical ensemble led by George Morrison; toured USA appearing in vaudeville houses operated by the Theater Owners Booking Association (TOBA)

1924: Made radio debut singing with Morrison's group in Denver

1929: After TOBA went bankrupt, left stranded in Milwaukee, Wisconsin

Worked as a ladies' room attendent at Sam Pick's Suburban Inn in Milwaukee; when owner heard her sing, gave her headliner spot

1931: Moved to L.A. to pursue acting career in films; worked as a dishwasher to support herself

Appeared on radio as 'Hi-Hat Hattie', a bossy maid who often "forgets her place"

1932: First film appearance, "The Golden West"

1932: Appeared alongside Marlene Dietrich in "Blonde Venus"

1933: Played the maid to Mae West in "I'm No Angel"

1934: Had small role in "Imitation of Life"

1934: First garnered attention as the washerwoman Aunt Dilsey in "Judge Priest", directed by John Ford; performed duet with Will Rogers in film

1935: Appeared in "Alice Adams" and "The Littlest Colonel"

1936: Reprised her stage part of Queenie in film version of "Show Boat"

1937: Had featured role in "Nothing Sacred", starring Carole Lombard and Fred MacMurray

1939: Was briefly glimpsed as a maid in "The Women"

1939: Cast in most famous role of Mammy in "Gone With the Wind"; barred from attending the film's premiere in Atlanta because of racial segregation in the South; became first black performer to win an Academy Award

During 1940s, criticized by NAACP for perpetuating the stereotype of a subservient domestic

1941: Appeared in the Western "They Died with Their Boots on"

During WWII, organized entertainments for black soldiers and sailors serving in the military

1942: Once again played a domestic in "In This Our Life", starring Bette Davis and directed by John Huston; character confronts racial issues as her law student son is wrongly accused of manslaughter

1944: Acted in "Since You Went Away"

1946: Co-starred in the Disney film "Song of the South"

Cast in title role of the radio comedy "Beulah"

1948: Last film appearances, "Mickey" and "Family Honeymoon"

1952: Starred in the CBS sitcom version of "Beulah"; only appeared in a handful of episodes before suffering a heart attack that caused her to withdraw



Bibliography

"Hattie: The Life of Hattie McDaniel" Carlton Jackson 1990



Citizenship

United States


Notes

When McDaniel was criticized in the 1940s by the NAACP for her penchant for playing servants in films, she reportedly replied: "I'd rather play a maid on film than be force to work as one in real life." (Another version of her response: "I'd rather play a maid and make $700 a week than be a maid and make $7.")

At the time of her death in 1952, McDaniel could not be buried in the cemetary of her choice -- Hollywood Memorial Park -- because of racial segregation. Her second choice, Rosedale Cemetary also had a similar policy, but it was waived and the actress became the first African-American buried there. In October 1999, the new owners of the burial grounds, now renamed Hollywood Memorial Park, unveiled a granite monument in her honor.


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