drama
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LEONARD
MALTIN REVIEW:
D: Howard Bretherton, William Keighley. Barbara Stanwyck, Preston Foster, Lyle Talbot, Dorothy Burgess, Maude Eburne, Lillian Roth, Ruth Donnelly. Stanwyck is terrific in this punchy but occasionally silly pre-Code women's prison picture. She's a tough cookie who's sent up the river after participating in a bank heist.
REVIEW:
drama
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LEONARD
MALTIN REVIEW:
D: Robert Florey. Kay Francis, Margaret Lindsay, Ricardo Cortez, Gene Raymond, John Halliday, Frank McHugh, Sheila Terry, William "Stage'' Boyd, Hardie Albright. Sprawling chronicle of 25 years in the life of a house, as Francis spends two decades in jail for a crime she didn't commit. The residence is now a speakeasy/gambling joint, where Francis returns to save her daughter from the same situation she was in. Offbeat but nothing special.
REVIEW:
drama
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LEONARD
MALTIN REVIEW:
D: Lew Landers. Louis Hayward, Anne Shirley, Sally Eilers, Esther Dale, Lee Patrick, Leona Roberts, George Irving. Blunt little women-in-prison drama, a precursor of CAGED, with embittered prisoner Eilers becoming romantically linked to penitentiary psychiatrist Hayward. There's a ruthless matron, a naive inmate who's taken the rap for her boyfriend, a prison break. . . .
REVIEW:
drama
CLOSE
LEONARD
MALTIN REVIEW:
D: John Cromwell. Eleanor Parker, Agnes Moorehead, Ellen Corby, Hope Emerson, Jan Sterling, Jane Darwell, Gertrude Michael. Remarkable performances in stark record of Parker going to prison and becoming hardened criminal after exposure to brutal jail life. Remade as HOUSE OF WOMEN.
REVIEW:
crime
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LEONARD
MALTIN REVIEW:
D: Crane Wilbur. Steve Cochran, David Brian, Philip Carey, Ted de Corsia, Dick Wesson, Paul Picerni, William Campbell. Straightforward prison saga set in the 1920s was actually shot at Folsom, and is narrated by the prison itself! De Corsia plays a vicious warden.
REVIEW:
crime
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LEONARD
MALTIN REVIEW:
D: Russell Rouse. Jack Palance, Barbara Lang, Harold J. Stone, Edward Platt. Palance plays dual role as man seeking to spring gangster brother from prison and take his place. CinemaScope.
REVIEW:
widescreen
close captioned
widescreen
close captioned
documentary
MGM Parade Show #13 (1955)
documentary
MGM Parade Show #13 (1955)
George Murphy introduces clips featuring Susan Hayward and Fernand Gravet from "The Great Waltz" and "I'll Cry Tomorrow."
25
min,
TV-G
TCM PRIMETIME - WHAT'S ON TONIGHT:
THE MAGIC OF MOVIE MAKING
horror
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LEONARD
MALTIN REVIEW:
D: Fred McLeod Wilcox. Walter Pidgeon, Anne Francis, Leslie Nielsen, Warren Stevens, Jack Kelly, Richard Anderson, Earl Holliman, George Wallace, James Drury. Sci-fi version of Shakespeare's The Tempest remains one of the most ambitious and intelligent films of its genre; only slow, deliberate pacing works against it, as Nielsen and fellow space travelers visit planet where expatriate Pidgeon has built a one-man empire with daughter Francis and obedient Robby the Robot. Great effects, eerie electronic score. Beware 95m. reissue prints. Lavish use of wide-screen CinemaScope is severely diminished on television.
REVIEW:
widescreen
close captioned
short
This travel short provides an insight into the ancient world of India, including its origins, customs, lifestyle and architecture. Specifically explored are the ancient cities of Bundi and Jaipur in the Northwest corner of the country. Visits to the palatial estates of the maharajas of these two cities are also included.
C-
9
min,
adventure
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LEONARD
MALTIN REVIEW:
D: George Stevens. Cary Grant, Victor McLaglen, Douglas Fairbanks, Jr., Joan Fontaine, Sam Jaffe, Eduardo Ciannelli, Montagu Love, Abner Biberman, Robert Coote, Lumsden Hare, Cecil Kellaway. The Hollywood action-adventure yarn, vaguely based on Rudyard Kipling's famous poem, about three soldier-comrades in 19th-century India battling the savage thuggee cult when they aren't busy carousing and getting into trouble. Water boy Jaffe saves the day in rousing climax. Splendid comic adventure whose story is credited to Ben Hecht and Charles MacArthur (who based the relationships of the central characters on the same marriage/rivalry device used in The Front Page); scripted by Joel Sayre and Fred Guiol. For years most prints ran 96m., until film was archivally restored. Shot on location in Lone Pine, California. Also shown in computer-colored version. Remade as SERGEANTS THREE.
REVIEW:
adventure
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LEONARD
MALTIN REVIEW:
D: Michael Curtiz, William Keighley. Errol Flynn, Olivia de Havilland, Basil Rathbone, Claude Rains, Patric Knowles, Eugene Pallette, Alan Hale, Herbert Mundin, Una O'Connor, Melville Cooper, Ian Hunter, Montagu Love. Dashing Flynn in the definitive swashbuckler, winning hand of de Havilland (never lovelier as Maid Marian), foiling evil prince Rains, dueling wicked Rathbone. Erich Wolfgang Korngold's outstanding score earned an Oscar, as did the art direction and editing. Scripted by Norman Reilly Raine and Seton I. Miller. Arguably Flynn's greatest role.
REVIEW:
drama
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LEONARD
MALTIN REVIEW:
D: Orson Welles. Orson Welles, Joseph Cotten, Everett Sloane, Agnes Moorehead, Dorothy Comingore, Ray Collins, George Coulouris, Ruth Warrick, William Alland, Paul Stewart, Erskine Sanford. Welles' first and best, a film that broke all the rules and invented some new ones, with fascinating story of Hearst-like publisher's rise to power. The cinematography (by Gregg Toland), music score (by Bernard Herrmann), and Oscar-winning screenplay (by Welles and Herman J. Mankiewicz) are all first-rate. A stunning film in every way . . . and Welles was only 25 when he made it! Incidentally, the reporter with a pipe is Alan Ladd; Arthur O'Connell is another one of the reporters.
REVIEW:
drama
CLOSE
LEONARD
MALTIN REVIEW:
D: Orson Welles. Tim Holt, Joseph Cotten, Dolores Costello, Anne Baxter, Agnes Moorehead, Ray Collins, Richard Bennett, Erskine Sanford. Brilliant drama from Booth Tarkington novel of family unwilling to change its way of life with the times; mother and son conflict over her lover. Welles' follow-up to CITIZEN KANE is equally exciting in its own way, though film was taken out of his hands, recut and reshot by others. Previously filmed in 1925 as PAMPERED YOUTH. Also shown in computer-colored version. Remade for cable TV in 2001.
REVIEW:
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