drama
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LEONARD
MALTIN REVIEW:
D: Richard Thorpe. Wallace Beery, Marjorie Main, Leo Carrillo, Virginia Weidler, Donald Meek, Barton MacLane. Beery and Main support basically run-of-the-mill material as old salt and woman trying to snare him into marriage.
REVIEW:
musical
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LEONARD
MALTIN REVIEW:
D: Reinhold Schunzel. Nelson Eddy, Ilona Massey, Charles Ruggles, Frank Morgan, Lionel Atwill, George Tobias. Plodding operetta of Russian revolution with little to recommend it.
REVIEW:
drama
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LEONARD
MALTIN REVIEW:
D: Richard Boleslawski. Fredric March, Charles Laughton, Cedric Hardwicke, Rochelle Hudson, Frances Drake, John Beal, Florence Eldridge, Jessie Ralph, Leonid Kinskey. Meticulous production of Victor Hugo's classic tale. Minor thief March tries to bury past and become respectable town mayor, but police inspector Javert (Laughton) won't let him. John Carradine has bit part as student radical. Screenplay by W. P. Lipscomb.
REVIEW:
musical
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LEONARD
MALTIN REVIEW:
D: Stanley Donen. Fred Astaire, Jane Powell, Peter Lawford, Sarah Churchill, Keenan Wynn, Albert Sharpe. Pleasant MGM musical (written by Alan Jay Lerner) about brother and sister team who take their show to London at the time of Queen Elizabeth II's wedding, and find romance of their own. Highlights: Astaire's dancing on the ceiling and partnering with a hat-rack, and his dynamite duet with Powell, "How Could You Believe Me When I Said I Loved You (When You Know I've Been a Liar All My Life)?'' Burton Lane/Alan Jay Lerner score also includes "Too Late Now.'' Donen's first solo directing credit.
REVIEW:
drama
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LEONARD
MALTIN REVIEW:
D: Richard Brooks. Elizabeth Taylor, Van Johnson, Donna Reed, Walter Pidgeon, Eva Gabor, George Dolenz, Roger Moore. Updated version of F. Scott Fitzgerald story, set in post-WW2 Paris, of ruined marriages and disillusioned people. MGM gloss helps.
REVIEW:
widescreen
close captioned
romance
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LEONARD
MALTIN REVIEW:
D: Tay Garnett. Greer Garson, Gregory Peck, Donald Crisp, Lionel Barrymore, Preston Foster, Marsha Hunt, Gladys Cooper, Reginald Owen, Dan Duryea, Jessica Tandy, Barbara Everest, Marshall Thompson, Dean Stockwell. Polished adaptation of Marcia Davenport's novel about labor and class struggles in 1870 Pittsburgh, and a star-crossed relationship between a housemaid (Garson) and the son of a steel mill owner (Peck).
REVIEW:
widescreen
close captioned
TCM PRIMETIME - WHAT'S ON TONIGHT:
IRENE DUNNE ORIGINALS
drama
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LEONARD
MALTIN REVIEW:
D: John Cromwell. Irene Dunne, Rex Harrison, Linda Darnell, Lee J Cobb, Gale Sondergaard, Mikhail Rasumny. Sumptuous production chronicling the experiences of a British governess in 19th-century Thailand, and her battle of wits with strong-willed ruler. Based on Margaret Landon's book about real-life Anna Leonowens (renamed Anna L. Owens in the movie). Dunne and Harrison (in his Hollywood debut) are superb; won Oscars for Cinematography (Arthur Miller) and Art Direction/Set Decoration (then known as "Interior Decoration"). Screenplay by Talbot Jennings and Sally Benson. Later musicalized as THE KING AND I; remade as ANNA AND THE KING.
REVIEW:
romance
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LEONARD
MALTIN REVIEW:
D: John M. Stahl. Irene Dunne, Robert Taylor, Betty Furness, Charles Butterworth, Sara Haden, Ralph Morgan, Arthur Treacher. Dated but sincere adaptation of Lloyd Douglas' story about drunken playboy who mends his ways, becomes respected surgeon in order to restore the eyesight of a woman (Dunne) he blinded in an auto accident. Soap opera gave Taylor his first important lead--and made him a star. Original running time was 112m. Remade in 1954.
REVIEW:
silent
In this silent film, a young playwright spends his last cent to pay the rent for a struggling actress.
Dir:
Hal Roach
Cast:
Harold Lloyd
,
C-
25
min,
TV-G
silent
Scarecrow, The (1920)
In this silent short, a farmer masquerades as a scarecrow to eliminate a romantic rival.
18
min,
TV-G
comedy
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LEONARD
MALTIN REVIEW:
D: Jacques Tati. Jacques Tati, Guy Decomble, Paul Frankeur, Santa Relli, Maine Vallee, Roger Rafal. In this exquisite feature-film directorial debut French comedian/mime Tati plays a postman whose attempts to modernize delivery link up a series of delightful gags built around a small town's Bastille Day celebration. Tati's cleverness and timing make him one of the most accomplished cinematic comedians since Buster Keaton. Originally filmed in color, but released in b&w with color tinting. Restored to its original color version in 1997. Some prints run 87m. Aka THE BIG DAY.
REVIEW:
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