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“Like buried treasure reclaimed from the past, this remarkable
set is like no other Bing Crosby collection ever released. Here
is the great crooner and a quartet led by his longtime
accompanist Buddy Cole, occasionally augmented by a few wind
instruments, in a thesaurus of 160 songs recorded in the most
informal of circumstances at 15 sessions, during a period
(1954-56) when Bing was in exceptionally good voice.
Most of these performances haven’t been heard on records at all,
except by ardent collectors; many tracks will be new even to
them—the audio quality will be a happy surprise to all. The
masters have been safely kept these many years in the majestic
Crosby home in Hillsborough, CA, by Bing’s widow, Kathryn Crosby,
and are now collected for the first time by Mosaic in
participation with the Bing Crosby Estate for The Bing Crosby CBS Recordings 1954-56. It is a bounty to be
savored.
Here in full flower is the tensile suppleness, the canny
informality of the Crosby voice, which Louis Armstrong memorably
described as “a mellow quality...like gold being poured out of a
cup.” Freely roaming through an anthology of mostly first-class
tunes, he shapes and finesses the melodies, detailing each
phrase, finding import in each lyric. You can hear the pleasure
he takes in his vocal equipment, in low notes that shimmer like
deep waters, in his occasional use of the upper mordent — a
technique of turning a note on its heel that Crosby had made his
signature in the early 1930s, and then largely abandoned in the
intervening years. One reason he felt so comfortable is that his
accompanists suited him to a golf tee. Some backings are so tight
and responsive they sound as though they had been rehearsed over
many days.
For many of us, Bing’s jazz-themed albums of the 1950s have long
stood out as defining moments in an outstanding window of time
when Bing seemed on the verge of luminous renewal as a recording
artist…This set increases the mid-50s Crosby trove exponentially.
More than half a century has passed, but this is an inheritance
that was well worth waiting for.”
– Gary Giddins, edited from liner notes (Gary Giddins is the
author of Bing Crosby: A Pocketful of Dreams)
Mosaic Records was launched in 1983 and was the first company
devoted exclusively to reissuing jazz recordings in
limited-edition boxed sets. It began with a proposal for the
complete, definitive boxed sets of significant artists like
Thelonious Monk and continues to this day with recent releases by
artists such as Benny Goodman and Louis Armstrong Mosaic
collections have garnered 5 Grammy nominations. All Mosaic
collections are presented with the respect and love that the
great art contained within demands from the accompanying
full-size booklet that features newly commissioned biographies
and musical analysis and rare and unpublished photographs printed
in a rich duo-tone process to restoring the sound quality to the
best you've ever heard. Visit the Official Mosaic web site.
Bing Crosby (1903-77), born in Tacoma and raised in Spokane, WA,
grew up surrounded by music and first performed professionally as
a drummer and vocalist with a local band “The Musicaladers”.
Crosby next traveled to Los Angeles and toured as one third of
The Rhythm Boys with “The King of Jazz” Paul Whiteman and his
Orchestra. By December 1926, the influence of his life-long
friend Louis Armstrong had begun to forever change how Crosby
interpreted songs. Over his 50-year recording career, Crosby
sang just about every type of song, but his roots were in jazz
and this new collection displays those roots like no other Crosby
release ever has.
In these tracks, both new and long-time Crosby fans will discover
how Bing Crosby and jazz are inseparable. Listen and enjoy!
For more information on Bing, watch this preview on YouTube. and visit www.BingCrosby.com or email
info@BingCrosby.com. You can also follow Bing on Facebook and
Twitter.
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