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The pleasant but undistinguished western The King and Four
Queens was partly produced by "The King of Hollywood" himself,
Clark Gable. His second outing with veteran director Raoul Walsh
has a clever concept but a weak finish, and relies on an
interesting cast to keep our attention.
Gambler-drifter Dan Kehoe (Clark Gable) learns of five women
living by themselves at a lonely ranch called Wagon Mound. Ma
McDade (Jo Van Fleet) shoots trespassers; everyone knows that her
absent sons are bank robbers. The sons' four young brides have
been awaiting their return for two years: Sabina, Ruby, Birdie and
Oralie (Eleanor Parker, Jean Willes, Barbara Nichols & Sara
Shane). The girls are convinced that none of the husbands are
coming home. The part of the story that interests Dan Kehoe is the
McDade treasure -- Ma McDade is said to be guarding $100,000
dollars in stolen money.
Pretending to be on the run from the law, Dan enters the ranch. Ma
hits him with a rifle shot, and the girls insist that he become a
visitor while his wound heals. The sultry Ruby appeals directly to
the handsome stranger, while the ex- dance hall entertainer Birdie
tries to attract his attention with revealing costumes. Oralie is
shy but interested, and Sabina is the most patient. Ma insists
that the girls remain faithful to their missing husbands, but
they're more interested in getting the stubborn matriarch to
reveal where the treasure is buried.
Being the wives of desperate outlaws, more than one of the women
has a sneaky plan to steal away with both the loot and the man.
The irony is that the self-confident Dan has little choice but to
play along with his hostesses' games. Barbara Nichols (Sweet
Smell of Success) plays her standard bird-brained floozie
character; and is even given the name Birdie. Sara Shane's Oralie
possesses an utterly beguiling smile but has difficulty asserting
herself. Busy actress Jean Willes (Invasion of the Body
Snatchers) pours herself into a red dress to seduce the rogue
male. Dan, of course, chooses the one woman who doesn't throw
herself at him. Higher-billed Eleanor Parker plays the calculating
Sabina, the McDade bride most willing to level with him about the
mysterious treasure.
Stealing the show outright is Jo Van Fleet, the great stage
actress who made her film career playing crusty older women in
pictures like East of Eden and Wild River. The
remarkable Ms. Van Fleet is only 41 in this film, fifteen years
younger than Clark Gable and not that much older than the other
actresses.
The King and Four Queens wants to be a full-on farce, but
the script instead takes its "fox in the henhouse" situation at
face value. As this is 1956 and the Production Code is in full
force, Clark Gable's handsome stranger engages in little more than
kissing with each of the four wives (depending on how we interpret
one scene fade-out). What could have been a sexy romp is simply
too restrained. Dan Kehoe allows each of the four babes to dally
with him according to their personal styles, while the sour-faced
Ma sits with an itchy trigger finger on her rifle. Director Raoul
Walsh plays this challenge to male supremacy mostly straight,
revealing few surprises about his characters. The amusing The
King and Four Queens doesn't fully exploit its potential.
We wonder what Billy Wilder might have done with the situation of
four sex-starved beauties confronted with the desirable Clark
Gable; it sounds like a setup for one of the director's famous
dirty jokes. The script already makes use of telling role
reversals. Dan Kehoe is caught bathing naked in a pond, a ritual
usually reserved for the leading lady. Birdie arrives, and instead
of hiding Dan's clothing, hurries to undress and join him! Good
taste, the Production Code and the unwillingness to make The
King and Four Queens an outright comedy prevail. The film
instead settles for conventional character twists and a subdued,
non-violent conclusion. The plain fact is that it needed either a
more compelling dramatic finale, or bigger laughs.
MGM-Fox's DVD of The King and Four Queens is a good
enhanced transfer given a bare bones presentation. The disc has no
extras and no menus; the feature film plays directly upon loading
the disc. There are no scene selections either, only chapter stops
at ten-minute intervals. The relaxing, amusing western features
beautiful color cinematography by Lucien Ballard and attractive
sets by the interesting designer Wiard Ihnen -- Ma McDade's desert
"shack" is actually very spacious and accommodating. It looks as
though one or more of Ballard's CinemaScope lenses weren't
properly adjusted, as many shots feature vertical lines that lean
to the left or the right -- doorways, support posts, etc.
The design of the cover art is not bad, but only Clark Gable is
identifiable -- it's difficult to match up the likenesses of the
"four queens" with the film's four actresses.
For more information about The King and Four Queens, visit
The King and Four Queens.
To order The King and Four Queens, go to
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by Glenn Erickson
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