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The character of the American West remains a product of the
rugged individuals that settled this unforgiving country. Amidst
cactuses and tumbleweeds, these brave men and women lived and died by
a strict code, that of survival. The lore of the Wild West
mythologizes this code by recounting the challenges faced by these
pioneers, and nowhere does this theme ring more true than in John
Farrow's classic western Hondo (1953) recently released as a
Special Collector's Edition DVD through Paramount Home Video.
Based on Louis L'Amour's short story "The Gift of Cochise," this
beautifully re-mastered rendition of Hondo exemplifies the
strong spirit of the Hollywood Western. As a man and his dog trek
across the desert, laboring their way through blistering heat, the
viewer immediately recognizes the tough demeanor of one Hondo Lane
(John Wayne) and his loyal companion Sam. Creatures of the West, both
man and beast appear at home in this hostile environment, unlike those
who waged war with both the land and its native inhabitance.
Separated from his horse during an Apache raid, Hondo confidently
makes his way to the homestead of Angie Lowe (Geraldine Page in an
Oscar® nominated performance) and her young son Johnny (Lee
Aaker). With her hot-tempered husband away, Mrs. Lowe extends Hondo
the kind of hospitality he has come to miss, hospitality he once knew
while living peacefully among the Apache people. Angie's pleasant way
proves engaging to Mr. Lane, resulting in an attraction that binds
this rogue hero to a married woman and her endearing son. Thus, as
danger looms just over the horizon, tempers flaring between the Apache
and the American settlers, our protagonists find themselves caught
between the proverbial "rock and a hard place."
In the midst of these struggles, a predictable romance develops
between Hondo and Angie as circumstances draw this couple together.
Dedicating himself to protecting the family, Hondo sacrifices his own
well being in order to keep Angie safe from the Apache. Despite
confronting such threats as Vittorio (Michael Pate), a renowned Apache
leader, and Ed Lowe (Leo Gordon), Angie's abusive husband, Hondo
remains true to his unwavering sense of right and wrong. Hondo sums
this ideology up best when he states, "A man oughta do what he thinks
is right" and by golly he does just that.
Although the above synopsis seems to classify Hondo as just
another installment in a long line of formulaic westerns, this film
actually remains one of the more innovative examples, not only for its
progressive narrative, but also for its inventive use of technology.
In the vein of films such as Broken Arrow (1950), Hondo
portrays the Apache people in a rather sympathetic light. Michael
Pate's heroic role of Vittorio displays the unfair treatment of the
Native American people during western expansion. Vittorio lives by
the aforementioned code of survival, defending his people from the
devastating invasion of American settlers. Both Hondo and Angie
respect this stoic leader, despite the threat he poses to themselves
and the other settlers in the area. This is not to say that
Hondo avoids all of the trappings of a stereotypical "Cowboys
and Indians" storyline, but the film certainly makes inroads. John
Wayne demonstrates this appreciation for the Native American culture
when after defeating the Apache in the climatic battle scene at the
conclusion of the film (shot by second unit director John Ford), Hondo
Lane ponders, "The end of a way of life. Too bad. It's a good way."
To its credit, the DVD bonus features also compliment this progressive
narrative with a short documentary entitled "The Apache," describing
the plight of the Native American people through a retelling of
historical accounts.
As for technical innovations, the filming of Hondo took place
during the height of the 3D craze in 1953. Although a cumbersome
process, many still viewed 3D as a means of combating the popularity
of television in the early 1950's. By offering an experience unique
to theatrical film going, studio heads such as Jack Warner of Warner
Bros. hoped 3D would draw audiences out of their homes and back to the
theater. The strategy was short lived and by the close of 1953 the
use of 3D was already waning on the patience of American audiences.
In spite of this Hondo's use of 3D went on according to plan,
minus the "awe" factor gimmicks common in other films such as the
notorious paddleball in House of Wax (1953). The 3D camerawork
in Hondo instead accentuates the picturesque landscapes; particularly
those scenes shot under a striking Mexican sky. To shoot 3D film in
these remote locations was no small feat (due to the unwieldy nature
of the two camera process) and in turn led to delays in the
production. This extension proved a determent, as setbacks forced
Warner Bros. to release the film in November of 1953. By this point
3D had run its course and the majority of the country would therefore
see the film via conventional 2D prints. The DVD follows this same
approach and does not offer a 3D option, but does present the film in
vivid Warnercolor at the original 1.33:1 aspect ratio. Either way,
viewers should still appreciate those characteristic moments that play
to the 3D effect.
The Collector's Edition DVD also includes two other features
worth mentioning, each of which highlight noteworthy collaborators
within John Wayne's career. The first documentary profiles James
Edward Grant, a prolific screenwriter who routinely worked with John
Wayne. This partnership included such famed titles as Sands of Iwo
Jima (1949), Flying Leathernecks (1951), and
McLintock! (1963), simply put Grant had a superb knack for
writing succinct dialogue that favored Wayne's minimalist style of
acting. The second documentary discusses one of the most productive
character actors in Hollywood history, Ward Bond. Noted for his role
as Major Adams on the television series "Wagon Train," Bond worked
together with John Wayne in over twenty films, including Hondo.
Best of friends until Bond's untimely death in 1960, John Wayne and
John Ford frequently teased the gruff character actor, but their love
and admiration for this man was undeniable. Bond remains a legend in
the industry and his report with Wayne always shined through on
screen. Each of these features along with commentary by Leonard
Maltin, Frank Thompson (western historian), and Lee Aaker make this
John Wayne classic a pleasure to watch. We may have had to wait quite
some time for the release of this western on DVD, but in all honesty,
Hondo: Special Collector's Edition is well worth that wait.
For more information about Hondo, visit Paramount Home Entertainment. To order Hondo, go to
TCM Shopping.
by Christian Pierce
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