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Kentucky Kernels (1934) -- (Movie Clip) Nothing But Nets

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    Kentucky Kernels (1934) -- (Movie Clip) Nothing But Nets

    George Stevens directs this unusually warm opening to a comedy-team formula picture, Paul Page as a rich guy ending it all, then the partners, dreamy Bert Wheeler and grouchy Bert Wheeler, passively fishing, in RKO's Kentucky Kernels, 1934.

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Kentucky Kernels (1934) -- (Movie Clip) Nothing...
George Stevens directs this unusually warm opening to a...
Kentucky Kernels (1934) -- (Movie Clip) Nothing But Nets
George Stevens directs this unusually warm opening to a comedy-team formula picture, Paul Page as a rich guy ending it all, then the partners, dreamy Bert Wheeler and grouchy Bert Wheeler, passively fishing, in RKO's Kentucky Kernels, 1934.>
Kentucky Kernels (1934) -- (Movie Clip) We Kill...
Willie Best called upon to play a dopey servant, among those...
Kentucky Kernels (1934) -- (Movie Clip)...
Kentucky Kernels (1934) -- (Movie Clip) We Kill Him On Purpose!
Willie Best plays a dopey servant, helping greet Gloria (Mary Carlisle), of the Wakefield clan (headed by Noah Beery), and not impressed by Bert Wheeler and Robert Woolsey, escorting Spanky McFarland, orphan heir to, what they soon learn, is a rival clan's fortune, in Kentucky Kernels, 1934.>
Kentucky Kernels (1934) -- (Movie Clip) One Silly...
Comedy teammates Bert Wheeler and Robert Woolsey (specs and...
Kentucky Kernels (1934) -- (Movie Clip)...
Kentucky Kernels (1934) -- (Movie Clip) One Silly Little Habit
Comedy teammates Bert Wheeler and Robert Woolsey (specs and cigar, playing a magician) are adopting, from Margaret Dumont, an orphan, for the depressed rich guy they've befriended, and it's troublesome Spanky McFarland, so they meet a cop (Edgar Dearing) too, early in Kentucky Kernels, 1934.>
Kentucky Kernels (1934) -- (Movie Clip) One Little...
Safe to say they're milking this tune by screenwriters Bert...
Kentucky Kernels (1934) -- (Movie Clip)...
Kentucky Kernels (1934) -- (Movie Clip) One Little Kiss
Safe to say they're milking this tune by screenwriters Bert Kalmar and Harry Ruby, the last four of six settings, the servant chorus, then Spanky, then Robert Woolsey, last Bert Wheeler with Mary Carlisle, in the Wheeler & Woolsey vehicle Kentucky Kernels, 1934.>
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