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L'Eclisse (The Eclipse) -- (Movie Clip) This Is What Mama's Afraid Of

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    L'Eclisse (The Eclipse) -- (Movie Clip) This Is What Mama's Afraid Of

    Having retreated to the apartment of her mother (Lilla Brignone) from the Rome stock exchange, this is the first full encounter between newly unattached Vittoria (Monica Vitti) and Piero (Alain Delon), her mother's broker, in Michelangelo Antonioni's L'Eclisse, 1962.

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L'Eclisse (The Eclipse) -- (Movie Clip) This...
Having retreated to the apartment of her mother (Lilla...
L'Eclisse (The Eclipse) -- (Movie Clip) This Is What Mama's Afraid Of
Having retreated to the apartment of her mother (Lilla Brignone) from the Rome stock exchange, this is the first full encounter between newly unattached Vittoria (Monica Vitti) and Piero (Alain Delon), her mother's broker, in Michelangelo Antonioni's L'Eclisse, 1962.>
L'Eclisse (The Eclipse) -- (Movie Clip)...
Most of Michelangelo Antonioni's disorienting opening scene,...
L'Eclisse (The Eclipse) -- (Movie...
L'Eclisse (The Eclipse) -- (Movie Clip) I've Already Decided
Most of Michelangelo Antonioni's disorienting opening scene, Monica Vitti as Vittoria, Francisco Rabal as boyfriend Riccardo, inside an apartment in Rome's modernistic EUR district, from the third film in the trilogy begun with L'Avventura and La Notte, L'Eclisse, 1962.>
L'Eclisse (The Eclipse) -- (Movie Clip) I...
Advancing no particular story line, Vittoria (Monica Vitti)...
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L'Eclisse (The Eclipse) -- (Movie Clip) I Made A Million
Advancing no particular story line, Vittoria (Monica Vitti) visits the Rome stock exchange, where she flags down her mother (Lilla Brignone) and incidentally meets her broker Piero (Alain Delon), in third film Michelangelo Antonioni's trilogy of the period, L'Eclisse, 1962.>
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L'Eclisse (The Eclipse) -- (Movie Clip) Don't The Hippopotami Bother You?
Bored Roman apartment dwellers Vittoria (Monica Vitti), who's just left her boyfriend, and Anita (Rossana Rory) visit Marta (Mirella Ricciardi), just moved home Africa, her racist views put to improbable use by director Michelangelo Antonioni, in L'Eclisse, 1962.>
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