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Belle De Jour (1967) -- (Movie Clip) You Can Be Very Cruel

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    Belle De Jour (1967) -- (Movie Clip) You Can Be Very Cruel

    A famous opening by director Luis Bunuel, using real time and sound to reveal both more and less than meets the eye, introducing young wife and husband Severine (Catherine Deneuve) and Pierre (Jean Sorel), from the celebrated Belle De Jour, 1967.

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Belle De Jour (1967) -- (Movie Clip) You Can Be...
A famous opening by director Luis Bunuel, using real time...
Belle De Jour (1967) -- (Movie Clip) You Can Be Very Cruel
A famous opening by director Luis Bunuel, using real time and sound to reveal both more and less than meets the eye, introducing young wife and husband Severine (Catherine Deneuve) and Pierre (Jean Sorel), from the celebrated Belle De Jour, 1967.>
Belle De Jour (1967) -- (Movie Clip) Most Of Those...
Following her first shift as an afternoon prostitute, frosty...
Belle De Jour (1967) -- (Movie Clip) Most Of Those Are Called Remorse
After her first shift as a prostitute, Severine (Catherine Deneuve) escapes a date with husband Pierre (Jean Sorel), imagines him with friend Husson (Michel Piccoli), and tells Anais (Genevieve Page) she'd like more work, director Luis Bunuel making it seem normal, in Belle De Jour, 1967.>
Belle De Jour (1967) -- (Movie Clip) What's...
Inexplicably seeking out a brothel at a Paris address...
Belle De Jour (1967) -- (Movie Clip) What's The Matter With You?
Inexplicably seeking out a brothel at a Paris address provided to her by a scary friend, chaste housewife Severine (Catherine Deneuve) meets Madame Anais (Genevieve Page), with just a flash of fantasy from director Luis Bunuel, in Belle De Jour, 1967.>
Belle De Jour (1967) -- (Movie Clip) You Should...
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Belle De Jour (1967) -- (Movie Clip) You Should See A Specialist
Director Luis Bunuel on location in Alpes-Maritimes, France, Severine (Catherine Deneuve), troubled with sexual frustration and fantasies, with husband Pierre (Jean Sorel) and friend Renee (Macha Meril), joined by her creepy boyfriend Husson (Michel Piccoli), early in Belle De Jour, 1967.>
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