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Fugitive, The (1947) — (Movie Clip) I Baptize Thee

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    Fugitive, The (1947) — (Movie Clip) I Baptize Thee

    Director John Ford’s second movement, as a Mexican village, from which all priests have been driven away, assembles for ceremonies officiated by Henry Fonda, himself hiding from the law, Dolores Del Rio the mother, Gabriel Figueroa’s camera still the main feature, in The Fugitive, 1947.

    View the TCMDb entry for The Fugitive (1947)


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Fugitive, The (1947) -- (Movie Clip) I Baptize...
Director John Ford's artful second movement, as a Mexican...
Fugitive, The (1947) -- (Movie Clip) I Baptize Thee
Director John Ford’s second movement, as a Mexican village, from which all priests have been driven away, assembles for ceremonies officiated by Henry Fonda, himself hiding from the law, Dolores Del Rio the mother, Gabriel Figueroa’s camera still the main feature, in The Fugitive, 1947. >
Fugitive, The (1947) -- (Movie Clip) I Am Not Your...
Continuing director John Ford's exposition of key...
Fugitive, The (1947) -- (Movie Clip) I...
Fugitive, The (1947) -- (Movie Clip) I Am Not Your Excellency
Continuing John Ford’s exposition of key characters, Pedro Armendariz as “a Lieutenant Of Police,” dispatching his own duties as well as those of the preoccupied chief (Leo Carrillo), cinematographer Gabriel Figueroa leading the way, in The Fugitive, 1947, from Graham Greene’s novel. >
Fugitive, The (1947) -- (Movie Clip) First Told In...
Opening narration by Ward Bond, John Ford directing from...
Fugitive, The (1947) -- (Movie Clip)...
Fugitive, The (1947) -- (Movie Clip) First Told In The Bible
Opening narration by Ward Bond, John Ford directing from Dudley Nichols’ adaptation of Graham Greene’s novel, Henry Fonda the title character, with Dolores Del Rio, clear from the start that Ford’s chief interest is Gabriel Figueroa’s virtuosic cinematography, from The Fugitive, 1947. >
Fugitive, The (1947) -- (Movie Clip) For Murder...
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Fugitive, The (1947) -- (Movie Clip) For Murder And Theft
Relevance of the scene not yet clear, as John Ford introduces Ward Bond, credited as “El Gringo,” a fugitive too, but not the priest title-character (Henry Fonda), arriving at a Mexican port, shot on location, in the Hollywood version of Graham Greene’s novel, The Fugitive, 1947. >
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