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Metropolis (1926) -- (Movie Clip) In Search Of The Girl

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    Metropolis (1926) -- (Movie Clip) In Search Of The Girl

    Freder (Gustav Frolich), son of the big boss, searching for the working class beauty Maria, plunges into the machines where the industrial monster "Moloch" is revealed to him, a famous sequence from Fritz Lang's dystopian fantasy Metropolis, 1926.

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Metropolis (1926) -- (Movie Clip) In Search Of The...
Freder (Gustav Frolich), son of the big boss, searching for...
Metropolis (1926) -- (Movie Clip) In Search Of The Girl
Freder (Gustav Frolich), son of the big boss, searching for the working class beauty Maria, plunges into the machines where the industrial monster "Moloch" is revealed to him, a famous sequence from Fritz Lang's dystopian fantasy Metropolis, 1926.>
Metropolis - (2010 Re-release trailer)

Metropolis - (2010 Re-release trailer)
A trailer for the newly restored silent science-fiction masterpiece, Metropolis (1927).>
Metropolis (1926) -- (Movie Clip) Club Of The Sons
The opening of the still very broad narrative, director...
Metropolis (1926) -- (Movie Clip) Club...
Metropolis (1926) -- (Movie Clip) Club Of The Sons
The opening of the still very broad narrative, director Fritz Lang exploiting outrageous sets and various instances of the famous "Schufftan Process" matte effect developed for the film, and the first look at Freder (Gustav Frolich), in Metropolis, 1926.>
Metropolis (1926) -- (Movie Clip) Maria
Freder (Gustav Frolichg) now disguised as a worker, is...
Metropolis (1926) -- (Movie Clip) Maria
Metropolis (1926) -- (Movie Clip) Maria
Freder (Gustav Frolich) is desperate to rescue Maria (Brigitte Helm) from inventor Rotwang (Rudolf Klein-Rogge), who aims to steal her face for his robot, cinematographer Gunther Rittau credited with the double-exposure process creating the light rings, in Fritz Lang's Metropolis, 1926. >
Metropolis (1926) -- (Movie Clip) The Tower Of...
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Metropolis (1926) -- (Movie Clip) The Tower Of Babel
In the secret chapel in the catacombs beneath the city, Maria (Brigitte Helm) with one of the wildest sequences supporting her parable, directed by Fritz Lang from his script, co-written with his wife Thea von Harbau, from her novel, in Metropolis, 1926.>
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